#YouKnowYoureAWriterWhen Part 3

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This is the third collection of my best Tweets under the hashtag #YouKnowYoureAWriterWhen. Click here to catch up on the first part. These were inspired by @KMWeiland. Her blog is an excellent resource for writers looking to become authors.

These come at the special request of Jessica West (@Wes1Jess on Twitter). Be sure to thank her if you get some amusement out of these.

  • you see another zit and think, “Good thing, I’m not trying to be rock star.”
  • you feel guilty because you spent most of your lunch break eating your lunch.
  • you see life in screenplay format in your head
  • you’ve changed chapter titles because you don’t like how they look beside the others in the table of contents.
  • your morning routine starts with a staring contest with your cat

  • you discover half finished chores around the house. Garbage bags tied still in the container. Carpets half vacuumed
  • the sink spills over, because you left it running while you went to go jot something down.
  • you set your alarm early to write. Then you continued to jot things down throughout your morning routine.
  • you wake up from a nightmare, run to your keyboard & start describing like a witness talking to a sketch artist
  • you take preemptive measures to prepare yourself for negative feedback, for each stage of your potential career

  • you set out to humanize a cliched trope for the challenge of it.
  • you misread a line of dialogue while revising and decide that the misread version is superior to the original
  • you’ve fantasized about rewriting the endings for popular books & leaving at the library.
  • you imagine how any references to current-gen tech is going to feel to people twenty years from now.
  • the power goes out and you have to track down a dictionary.

  • your characters work in artistic mediums that you’ve had to give up to pursue your writing
  • you can let something embarrassing happen to your character without fear of someone thinking it happened to you
  • you’re way past the point of over sharing your past. So much so that you’ve had to borrow events from your future
  • you break your short story into chapters and start to realize what you’re in for.
  • you get your past and your stories confused.

  • you have an excuse to get out of awkward social situations, “I have a novel I really ought to be getting back to.”
  • you can sneak in a paragraph during a bathroom break.
  • a friend says, “I wonder what would happen if…” & you’re like, “You’re just now imagining that?”
  • you realize someone might see themselves in your villain & you think, “Fine, let them incriminate themselves”
  • you anticipate blowback from something you’ve written, when even you’re conflicted, but know it should be read

  • a dragon crashes through the roof & you roll up your sleeves & say, “Stand back everyone. I got this. I’m a writer”
  • you find yourself pacing in public, leaving your laptop unattended for long stretches of time.
  • you do damage control every time you hear about a story that’s eerily similar to your own.
  • you can predict the first crimes to be commit with an emerging technology
  • you make your story about nightmares so you don’t feel bad for using a dream sequence to further the plot

  • you wince at the phrase “there are 2 sides to every story” because the main POV should be clear at the beginning
  • you don’t understand how characters who are writers on TV can be written so poorly.
  • you workshop tattoo ideas in your writing.
  • covering a hot button issue you’re not satisfied using real world examples, you have to create something far worse
  • you get into arguments with your word processor’s grammar correction suggestions.

  • you get stuck trying to come up with a better punchline for the “When life gives you lemons” setup
  • this is the second time you’ve looked up the word “Hay” in wikipedia in less than a week
  • you can’t make it through a movie without pausing it for half an hour to write.
  • someone looks at your handwriting and says, “Aren’t you supposed to be a writer?”
  • you realize there’s a storytelling style that you’ve never tried and it makes you feel incomplete.

  • you can type in the dark, with no light on the keyboard.
  • you overspend your favorite word and have to look for an alternative when you really need it.
  • hyperboles come easy, but the simplest description eludes you.
  • You look at last night’s words and think, “No idea where this was going, but I think I know where I’m going to take it.”
  • you end every day on a cliffhanger.

  • you find yourself defending plot holes in movies with beautifully plausible explanations that weren’t there
  • you forget that you’ve only shaved half of your face when you rush back to finish the chapter.
  • you have a different log line to play to the personality of whoever you happen to be pitching to
  • you go pale working on something for people to do as they work on their tans.
  • You’re not daydreaming. You’re subconsciously plotting

  • you write something so dark that it makes you think, “I hope my mother doesn’t read this until it’s a critical hit”
  • you go from being afraid of future employers discovering your writing online to hoping that they do
  • you relish in discovering the profanity of other nationalities so that you can put it in your character’s mouths.
  • you can watch a couple from a parking lot away and fill in what they’re arguing about
  • you can tell a story without characters, just by describing a setting filled with evidence

  • you wish you could retroactively remove a metaphor from an older story so you could use it in a newer one
  • you’re painfully aware of how often your protagonist uses the word “I” & you try to hide it by saying, “me my & we”
  • you find yourself asking, “Did I forget to eat dinner tonight?”
  • you write through your writing break.
  • You wish every segment of every object came marked with a description

  • you get pulled over & ask the cop to answer some questions for a detective story you’re working on
  • you find and replace a word you’ve been misusing in all of your documents
  • you pitch real life anecdotes before you tell them
  • you find yourself changing tenses in the middle of conversation and insist you start over again

One thought on “#YouKnowYoureAWriterWhen Part 3”

  1. jabe842 – Roger Jackson lives in the UK. He knew he wanted to write when, as a boy, he saw a TV interview with Stan Lee and thought, ‘Hey! Somebody makes all this stuff up!’ His short stories can be found in the anthologies, EQUILIBRIUM OVERTURNED from Grey Matter Press, MANIFEST REALITY from Hairbrained Press, amongst others, and his novella CRADLE OF THE DEAD was is available from Bloodbound Books.
    jabe842 says:

    My God! It’s like you’ve been spying on me all my life, Sir! Clever, hilarious and filled with truth … and you even threw in a #nopantsclub reference! I really enjoyed this, thanks for posting 🙂

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