The Pros and Cons of Concealing Certain Character Traits
There are good reasons to avoid identifying a character’s ethnicity, exact age, and body type in your writing, especially when these traits aren’t crucial to understanding their actions. By revealing these specifics you limit the casting options in your readers’ heads. You make it harder for some members of the audience to see themselves in the role. If you leave these elements ambiguous your lead could be anyone your readers want.
At the time of this writing there’s stubble on my face. If I’m reading a story with a male lead I’m likely to imagine him with stubble too, until the author tells me he’s clean shaving. I’m six foot four, I have dirty blond hair, and greying sideburns as is every male lead of the books I read, until the author tells me otherwise. Continue reading A Question About Diversity in Fiction
Last week I mentioned that I’d finished reading Aziz Ansari’s Modern Romance. Rather than be a creativity kleptomaniac, I’m citing Ansari’s book as the inspiration for this article.
In his book, Ansari talks about the strange thing that happens when someone we like makes themselves available to us. The moment we know this person is a possibility they go from being the one to an option. They lose their appeal. We let our text exchanges with them fizzle out. We’re suddenly too busy to set a concrete appointment. The thrill of discovery is gone. This reaction is especially true to emerging adults fresh on the dating scene, where the search for a soulmate is a numbers game. Continue reading How Writing a Novel is a lot like a Relationship
I read a lot of non fiction, mainly social psychology books on the cutting edge of our understanding of the human condition. I’m interested in why we do what we do, why modern society still enjoys a public shaming, why we follow charlatans into oblivion, and why a certain segment of the population falls asleep after copulation. I consider these books general research materials. I don’t use them to inform any specific projects, but rather all of them. I read them before the conception stage and they educate my characters’ behaviors. Continue reading How to Keep What You’re Reading Out of Your Writing