“I have to resist the compulsion to reference everyone of these”
A few years ago, someone approached me about adapting a thriller into a screenplay. Reading through the first few chapters, I wasn’t sure where the script should begin. The first scene involved an autopsy where the pathologist missed the symptoms of a biological agent. The author took us through each stage of the autopsy including each instrument the pathologist used, where he made his incisions, and the weight of every organ. Continue reading Too Much Information: Why Writers Should Conceal Their Research→
Photo by Keane Amdahl follow him on Twitter @FoodStoned
Have you ever had the nightmare where you’re being chased through an endless subterranean maze? You can never put enough distance between yourself and your pursuer. They’re breathing down your neck. They’re hot on your heels. One false move and they’ll bite down on your jugular. How would you like to be on the other side of that chase scene?
Here’s your chance to sneak into someone else’s nightmare, to be the monster on the prowl, to see through its red luminescent eyes. This is your chance to be the urban legend that terrorizes urban explorers, to be the name they’re too afraid to whisper.
“Mr. Soot.”
This was going to be the introduction for an article on mixing genres called Contrast is Cool. My favorite stories defy expectations by merging two elements and making them clash. This was going to be the example that illustrated my point; R rated horror versus a young adult fairy tale. Turns out, it was clever enough to carry itself.
This story owes a debt to @Raishimi who edited it and offered many useful suggestions along the way. Her contributions make this one of my best pieces. For solid writing advice and the stories to back it up, check out her site here.
Playing with Fire
The caves echoed with laughter, the free spirited cackles of youth. They were too far away for their words to retain any meaning, but their tone bobbed up and down with flirty inflections. One voice was giving, the others were receiving.
This was the wake up call Mr. Soot needed. It was time to go to work. He yawned from his perch among the bats; cracked his neck, and let go of the stalactites. Belly-flopping onto the stones below, the impact was enough to loosen the tinder in his lungs, but not enough to get the fires started. Interlocking his fingers, he stretched his arms out, cracked his knuckles, and brought them down on his solar plexus.
His shoulders quaked as the fires revved up, only to sputter to a stop. The spark had flared, but there was no ignition.
Hitting his chest again, he felt a surge of adrenaline, followed by a surge of gasoline. His fingers blurred as his engine came roaring to life. Continue reading Playing with Fire→
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Advice for writers, stories about the world they live in.
