Tag Archives: horror fiction

Dragon’s Breath: A Horror Story About Telling Stories

The Van

I’d been dabbing my neck all afternoon, feeling the hive begin to blister, then pop, and seep down my back. I was allergic to sweat, but I couldn’t help but run my fingers through my hair and smear it everywhere.

Agent Sunderland suffered no such compulsions. He’d spent the morning cooped up in the van with his suit coat buttoned the entire time. He didn’t mind sitting in a leather swivel chair, wearing giant head cans, or guzzling coffee like it was Gatorade. The man was a cold-blooded reptile with his hatchet face and beady eyes.

Agent Reese on the other hand had a head like a cinderblock, and no neck to speak of. He wore a pair of shoulder holsters over his pit stains. There was a Glock in one and silver flask in the other. The flask was covered in Celtic crosses.

“What is that?”

Agent Reese lifted his arm as if he needed to check. “A flask.”

“What’s in it?”

“Holy water.”

“Should I have some of that?”

Agent Sunderland shook his head. “She’d smell it on you.”

I itched the path they’d shaved down my chest, feeling the rash of ingrown hairs, the gaffer tape pinching the skin. “But she won’t notice this?”

Agent Reese snapped. “She will if you keep picking at it.”

Agent Sunderland guided my hand from chest to my knee. “Breathe. She can’t see through clothing, she can’t smell fear, and she can’t hear what you’re thinking.”

“How do you know that?”

Agent Reese peeled the cover off the van’s ancient surveillance equipment. “This is not our first rodeo.”

“Is that a reel to reel? What government agency did you say you worked for again?”

Agent Reese put a reel on the machine. “We didn’t.”

“What are you agents of exactly?”

“The lord.” Agent Reese threaded tape from one reel to the other.

I reached for the latch for the door. Agent Sunderland caught my hand. He had the same Celtic cross tattooed on the back of his hand.

“You saw what she did to your friend.”

The door to Jamie’s studio apartment was wide open. Signs of a struggle would’ve been an understatement. The mirrors were shattered. The drawers were smashed to splinters, and there were paperbacks everywhere.

As for Jamie his body was contorted on the kitchen table, arms locked in place, back arched in an upward facing dog position, head craned all the way back until his neck snapped. The screenplay he’d been toiling on for as long as I’d know him was rolled up and crammed down his throat.

Agent Sunderland put his hand on my shoulder. He squeezed it like he was giving a strong handshake, a show of sympathy from someone who’d read about it in books. “This town is filled with artists just like Jamie, bright kids with dreams of making it. The only thing between her and them is sitting in this van.”

I shook my head. “Pitching a screenplay is scary enough on its own, add this on top of that and…” I trailed off.

Agent Sunderland elbowed me, another show affection that didn’t suit him. “Good, use that fear.”

I hung my head between my knees. “If she’s licking her lips at the sight of my neck I’m going to lose the plot.”

Agent Reese scoffed. “You don’t think she’s a vampire, do you?”

Jamie had dragged me to a networking function for writers. There were whispers that a produced would be hiding among us. Matilda stuck out like a sore thumb with her leather lined suit, jet-black pixie hair, and fierce model features. Her skin was porcelain white and her eyes were so brown they might as well have been black. She wore an armored ring that ran up to her knuckle. When she reached out to shake my hand her palm was ice cold.

I scanned the van, shifting my gaze from one agent of God to the other. “What is she?”

Agent Reese lowered an eyebrow. “Not a vampire.”

Agent Sunderland adjusted the collar of the all black ensemble they’d fitted me with. “Listen. Don’t worry about your pitch. Let her do most of the talking.” He slid a pair of fine Italian loafers onto my feet.

“Just what the hell do you think she is?”

“Exactly.” Agent Sunderland smiled as he pressed the toes of the to check the fit. “Just remember, if you feel you are in any real danger, say the phrase, ‘Eye of the needle’ and we’ll come rushing in.”

“Eye of the needle, as in ‘It’s easier for a camel to pass through the eye of a needle than for a rich man to enter the kingdom of God?’”

“Yes.”

“That’ll be hard to work into casual conversation.”

“Which is why we won’t miss it.”

“And why can’t I wear my sneakers?”

Agent Reese motioned out the window to the line leading around the block to the bouncers at the door. One was shining a light on IDs the other was scanning the patrons from top to bottom.

“The dress code always starts with footwear.”

Continue reading Dragon’s Breath: A Horror Story About Telling Stories

The Films That Inspired My Novel: He Has Many Names

My forthcoming novel He Has Many Namesshould be arriving just in time for Halloween. It’s the story of a ghostwriter sequestered in a haunted hotel with one month to pen a novel. The hero, Noelle Blackwood, is a horror writer who knows her way around a scary story. Her imagination has explored every haunted hotel in pop culture. She has run a black light over the tropes and clichés residing in every room.

I’ve armed Noelle with all of my influences and she is proud to wear them on her sleeve, name-dropping the films, books, and paintings that inspired He Has Many Names. This way I could pay homage to my influences while promising to take the story someplace different.

Over the next few months I’m going to take those influences to show and tell. Let’s start by talking about the films that inspired He Has Many Names.

1408

Mike Enslin has spent his career trying to prove there’s an afterlife, searching for ghoulies and ghosties in the hope of proving his daughter is in a better place. His quest has turned him into cynical critic of haunted hotspots. At book readings he tells his audience he’s never seen a ghost and it wasn’t for lack of trying. One day he receives a postcard that says, “DON’T STAY IN ROOM 1408 OF THE DOLPHIN HOTEL.” Mike adds the numbers together and gets 13. It’s a cute dare.

Mike reserves the room, much to the dismay of the hotel owner who warms him of all the natural and unnatural deaths that have occurred in there.

What happens in room 1408 of The Dolphin Hotel and room 1901 of The Oralia in He Has Many Namesare very different. Still the heroes of both tales have quite a few things in common. Both characters are fascinated with the paranormal and yet they’re both intrinsically skeptical.

Mike Enslin, John Cusack’s character in 1408, has spent years seeking proof of life after death. It’s left him jaded. He sees how people deceive themselves.

Noelle Blackwood, the hero of He Has Many Names, was diagnosed with a fantasy prone personality at a young age. She had to learn to differentiate between a set of complex maladaptive daydreams and reality. She developed her skepticism as a coping mechanism.

As for the rooms themselves 1408 and 1901 have little else in common. Once the digital clock starts counting down from 59:99 1408 has a clear mission: kill its guest in under an hour. Room 1901 of The Oralia, a forest themed fantasy suite, has a far more mysterious purpose. Continue reading The Films That Inspired My Novel: He Has Many Names

How to Exorcise a Demon So You can Get Your Damage Deposit Back

Hey. I get it. Shit happens. You’re hosting a board game night, trying to let some air into a socially suffocating relationship, but you can’t get anyone into the idea of a game of Clue. So you venture into the closet.

“What about Ticket to Ride?”

“What’s that?”

Your partner rolls their eyes. “It’s like Monopolybut with trains.”

Your partner’s friend with the man bun chimes in. “I’d prefer not to spend my evening celebrating crony capitalist.” And that’s that.

Your fingers scan past Merchants of Venice, The Settlers of Catan, or Vegas Showdown.

“What about The Game of Life?”

Everyone groans. “Life sucks.”

Someone points over your shoulder. “What’s that up there?”

You scan the fire hazards on the top shelf. “Twister?”

“No next to that. Is that a Ouija board?”

Six Months Later

Sixth months later and you’re still scrubbing blood red droplets from the bathroom ceiling, draining the fly carcasses from the light fixtures, and scraping frost from the mirrors.

One night of candlelit laughs has led to six months of strange electrical issues. Six months of handprints on the other side of the TV screen. Six months of bookmarks straight up disappearing. Not to mention the cat toys you keep finding up in the cobwebs, the long strands of hair dangling from the ceiling fans, and the footprints in the dust of your coffee table.

You can’t remember how many times you’ve discovered family photos in the microwave, turned around to find the dining room chairs stacked floor to ceiling, or all the cabinets bursting open at once. Your upstairs neighbor keeps stomping on the floor. He claims someone has been stomping on the ceiling.

You refuse to call the situation what it is and your partner refuses to sleep over anymore. Continue reading How to Exorcise a Demon So You can Get Your Damage Deposit Back

RETAIL HELL COVER REVEAL

Why Every Horror Writer Needs A Nightmare Journal

Writers are always told our fiction should be informed by our experiences, because the best stories have a kernel of truth to them. With this in mind we smuggle our quote books into our characters’ mouths. We cast colleagues as our leads, and we misappropriate our memoirs into our material. We find and replace our own names and over-share under aliases. We launder tell off speeches through nom de plumes and reveal our truth through jest.

We write what we know until we write the fantastic elements of our story. Then we drop that mantra completely. Without the experiences to draw from we use other methods to ground our stories. We impose rules on the impossible.

A ghost can pester the living from the further, but will be weaker than a person who dares to go there. A magician can project a torch flame across the room, but the heat will diminish 60%. A Jedi can project his consciousness across the galaxy, but the journey will kill him.

We rely on western storytelling conventions to suspend our readers’ disbelief. We hope an internal logic will do the trick. For the most part it works, but what if there was a way to make our fantasies resonate with the same sense of authenticity as stories in our diaries? What if we had fantastic life experiences and we didn’t even know it?

Dreams are Experiences

Dreams are the only place (outside of drug fueled journeys, psychotic episodes, and virtual reality) where we experience true fantasy. Unlike daydreams, dreams push us out of the driver’s seat. When we ride through dream country we’re not creators, we’re experiencers. Our feelings aren’t manufactured, they’re reactive, and due to this delusion of perception, our observations are authentic.

I have friends who check out whenever I pitch them a story, but they lean in whenever I start talking about nightmares.

This is why I advocate the keeping of a nightmare journal, a Compendium of phantasms, an Atlas of the abyss, a Bestiary of bogeymen. You get the idea. Continue reading Why Every Horror Writer Needs A Nightmare Journal

Cue the Psycho Strings

“My favorite jump scares toy with your expectations.”

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Cue the Psycho Strings

In horror movies, jump scares make teenagers lose their popcorn, while veteran viewers hold onto their Milk Duds. Veterans know the rhythms of the genre. They know what it means when the score fades beneath a howling wind. They watch the victim tiptoe through a long uninterrupted shot. They know when to expect a cat to jump out, and when to expect a killer. While teens wince at the simple sight of blood, vets yawn at all the spiritless slaughter. If they’ve seen one hook pop out of someone’s throat, they’ve seen them all.

They’ve been exposed to far too many cheap chills, generic gotchas, and bargain BOO’s. Without good storytelling, panic feels passé, alert seems antiquated, and carnage seems commonplace.

Veteran viewers have been inoculated against these dated daunts. They lean back in their seats, with comfortable dry pants, secure in their immunity. What if there was a new strain of jump scare, one that resembled those creep show clichés, but broke through their resistance? Continue reading Cue the Psycho Strings