John Constantine in: Gambling with Souls

1. Nostrils

The following is a demon possession story with an unconventional outcome, a pitch black horror adventure with a whole lot of comedy.

I’ve written about how I’d like to see a fresh take on the exorcism genre and how I’d like to see my favorite exorcist, John Constantine, depicted on TV. Here’s an original short story that hits both birds with the same stone. It doesn’t matter if you’re fans of the comic, the show, the movie, or if this is your first introduction to the character; this piece stands on its own.

John Constantine in: Gambling with Souls

Ravenscar had been remodeled since my last bout of electroshock. The patients’ wing had been done up like a walk-in candy cane. The hall was a spiral of blood, streaking across the floor, up the wall, arching over the ceiling, then back down again. This paint job must’ve taken muscle, a steady hand, and a cadaver.

The hall stunk like a thawed out, abandoned meat locker. The smell intensified with every step, but the spiral beckoned me forward, a red carpet leading to the room at the end.

The door was ajar, daring me to step inside.

Fishing my phone out of my pocket, I set the flash to ON. Holding it into the unit, a chill moved down my wrist. Taking a snapshot, the flash revealed something at my feet. Recoiling, I felt the chill pass in an instant. Flicking my lighter across my thigh, I examined the threshold.

Turns out, I wasn’t the first mage in Dr. Huntoon’s rolodex. These sigils were drawn by an artist, someone versed in the mediums of salt, mirror shards and mercury. This was hybrid magic, a fusion of fringe spiritualism and esoteric witchcraft. It’s not unusual to find an etching of the Eye of Horus at the scene of a paranormal event, but it’s rare to find it accompanied by a nose and a mouth. This had Zed’s finger prints all over it.

Zed was a budding sorceress, rebelling against her evangelical upbringing by sticking her nose into these sorts of things. We’ve been riding each others coat tails ever since we ceased being an item.

Whatever lurked behind door number one hadn’t given me frostbite, Zed’s ward did. It was overkill, like using an EMP to take out the enemy’s communications, only to find you’ve disabled all of your weapons systems. This was arse about a face. Sure, it put up borders around bewitchments, but it was kryptonite for conjurers.

Here I was with a trench coat lined with magical trinkets. One step forward would render them useless, putting me at the mercy of Ravenscar’s latest tenant.

Ducking into the hall, I unloaded my arsenal. Pendants, potions, pentacles, rings, relics, runes, incense, ironweed, and insect repellant. What can I say? When I go in blind, I like to keep my options open.

The only things I kept in my pockets were a phone, a zippo, a pack of Silk Cuts, a tin filled with business cards, and a bottle of OxyContin I’d nicked from the doctor’s private stash. You know, the essentials.

Peeking at my phone, I saw what I’d expected: a tall lump beneath a sheet on the mattress. Expanding the image, I noticed something that didn’t sit right. If this was the bed, where were the pillows?

Pushing the door open, I felt Zed’s invisible fencing suck the magic from my skin.

“House keeping.” My voice echoed off the walls. It was a familiar sound, almost comforting, like coming home.

2. Newcastle

The lump under the covers remained frozen. My gaze followed the blood trail to a pair of legs beneath the bed frame: white orderly pants stained rusty brown. There were teeth marks at the ankles, exposing the Achilles’ tendon. Flies had colonized the bed. Here I left my insect repellant in the hall. The sheets dripped with black, brown, and yellow sludge. Whatever was living in here was nesting.

I wondered if Zed was so gobsmacked with the presentation, that she opted to just lock the bugger in.

Screwing a cigarette into my lips, I lit it up and took a puff, paying close attention to the direction the fire was leaning. Fire is attracted to two things, oxygen and demons. Let’s just say this flame wasn’t stretching for the door frame.

Clipping the zippo to my sleeve, I rolled my shoulder, cracking my neck to conceal my movements. Waving the cancer stick like a conductor, I hoped the ember would hold my audience’s attention. Inhaling as much as I could, I blew a smoke cloud overhead. Adjusting my coat, there was nothing up my sleeve, not even an arm. My fingers were up near my collar, ready to catch whatever life had to throw at them.

Reaching for the comforter with my free hand, I found a corner that had yet to be tainted by bodily fluids. Tearing the sheet away, I tilted my head straight up. I already knew where the pillows had gone. Raising my arm through my collar, I caught my attacker as she came down.

She fell right into my grasp. I flung her into her stuffed stand in. The pillows scattered. She landed on all fours, a cat with perfect balance. Her gown dripped with the same septic sap that oozed over the bed frame. You’d think smoking since primary school might spare my nose the smell. It didn’t.

The tenant smiled, revealing a face full of talons, claws in place of canines, a fine piece of skeletal transmogrification if I’d ever seen one. Her eyes were milky white. Her veins had turned black.

Digging her nails into the mattress, spittle seeped from her teeth. “Why can’t we read your mind?”

What is it with lesser demons and the royal we?

Shrugging, I took a puff, exhaling through my nostrils. “Because you’re illiterate.”

Zed might not have exorcized this demon, but at least she’d rendered it mind blind.

The tenant rubbed its eyes. “We read Dr. Huntoon’s mind. Did you know he has an ongoing fantasy about reviving Carl Jung’s sexual therapy? He longs to help push his patient’s traumatic memories down, deep down inside,” she cackled, “over and over again.”

I shrugged. “That’s just a lucky guess.”

The tenant shift her weight from shoulder to shoulder, a predator primed to pounce. “Are you one of his, or did your condition bring you to us like a moth to a flame? Maybe you suffer from some kind of savior complex? Either way, we can make the hurting stop.”

I chuckled, “‘Savior’ is not a word I hear that often.”

“So you’re not some Papist come to play Jesus?” The tenant squint, sizing me up with empty eyes.

I blew a smoke ring, “Nope,” I waved the nub of my filter. “although my meat suit does have the same initials.”

The tenant’s head cocked to the side, shaking like a maraca. “Your meat suit?”

Flicking the filter, I reached into my coat. “Oh yes, his name is John Constantine. John Constantine!” I flung a handful of business cards at her. “It would be remiss of me to rob him of a branding opportunity while he’s away.”

Leaning forward, the tenant’s hair fell into her teeth like floss. Her head bobbed up and down, tracing my aura from the floor to the ceiling.

The tenant shook her head, casting off dandruff. “If you’re really wearing this Constantine, why aren’t there any stretch marks? Why is their color in his cheeks? Why can we still see the light in his eyes?”

I pointed to her “There are puppeteers” then I pointed to myself, “and then there are ventriloquists. You know what you are.”

The tenant nodded. Pigs squealed in the bowels of her throat.

“We’re the devil.”

She spat brimstone at my feet, it sizzled on the tile, but I didn’t flinch.

I reached into my trench coat. The tenant perked up in a painful looking yoga pose. Its elbows bent the wrong way. Its bones stretched the skin. Her flesh was ready to rip right open.

Rolling my eyes, I tapped my phone. The tenant’s forked tongue tasted the air. I raised a finger, signaling for the demon to hold on a second, before flipping the screen to face her.

It was on a freeze frame from The Exorcist. It featured young Regan tied to her bed, skin pealing, her pajamas covered in pea soup. I tapped play.

Regan’s demon voice shouted, “The devil!”

Setting the phone back in my pocket, I ran my fingers through my hair. “Linda Blair circa 1977. There was an actress, you on the other hand, I’m not impressed with. Who’s your agent?”

The tenant smirked, giggled to itself, a child busted for lying. “Why does a fellow traveler need to know our name?”

I cracked my knuckles. “I don’t want your name, you walked into someone else’s home and started eating their food. Your name is Goldilocks. I want the name of the one who told you where to find the free lunch. Give me that and I’ll leave you with a limb to limp home on.”

Smiling, Goldilocks’s jaw sagged, like melted putty, revealing a second row of teeth behind the talons. Leaning forward, she was primed to bite my head off. “Oh, you’d be so merciful.”

She snapped at my ear, grazing the skin, ran her nose across my forehead, sniffed my brow, then snapped at the other one. I’d been knighted by demon. Blood trickled down my earlobe. She’d barely pierced the skin, but the pain was fleeting.

I grit my teeth. “The limb offer is off the table. Cooperate and I won’t reroute your intestines to fill your genitals with bile,” I shrugged, “or don’t cooperate, I’m feeling creative tonight.”

Rolling her head back, Goldilocks spewed a geyser of oil at the ceiling, spreading an inkblot across the tiles. Exhaling, Goldilocks elbows bent back into place, she fell into a heap on the mattress.

Lightning flashed. Thunder struck. Squealing pigs echoed down the hall behind me. I lit another Silk Cut and checked the time.

3. Rubbing Eye

“Doctor?” Goldilocks’s voice had lost its bite, she sounded human. “Who’s that under the bed? What’s wrong with his leg? Why isn’t he moving? Oh my God, is he?…”

This was Angie. The wee lass Dr. Huntoon thought might benefit from my unique approach to therapy.

Angie backed into the wall, huffing and puffing, panic wrought. “You’re not Dr. Huntoon. Who are you? Are you real?”

“I try to be.” I swatted the flies out of my face.

The air was thick. It stunk of rotten eggs and charred cinder. A clammy sensation traveled from the small of my back, up my spine, coiled around my neck, and settled on my scalp.

Sucking down my Silk Cut, I gave the poor girl my best poker face. In a game with stakes this high, empathy is the enemy.

“Is it gone? Did you get rid of it?” Angie’s gaze followed the claw marks on the ceiling.

Sweat dripped down my face, pooled in my palm with a white sticky residue. It smelt like hair product. I felt my spikes to find they’d drooped down into bangs.

“Is it safe?” Angie dipped her foot on the floor.

Grabbing her wrist, I checked her forearms for black tracks, ink bubbles riding the ventricles.

“Say ah.”

She did as instructed. Her tongue was solid again. Her teeth had returned to normal. Her gums showed signs of gingivitis, but that’s not my area of expertise.

Prying her eye open, I checked her iris for signs of dilution, but it was something in her pupil that demanded my attention. Seeing my reflection, I spotted a row of fingers on my forehead, bat claws digging into the skin.

“He’s still here.”

Spinning on my heel, I scanned the room for reflective surfaces. Zed had to have gotten those shards from somewhere. There were mirrors on both sides of the wardrobe, one had been shattered, while the other was still intact. Stepping into view, I got a good look at the monkey on my back.

The little bugger looked like an abstract artist’s interpretation of a demon: an emaciated monkey’s body, with a ribcage so sunken it left no room for lungs. Goldilocks’s shoulder-blades were so pronounced they cut through his skin. He had lopsided bat ears, talons for teeth, and the contours of a man’s head.

A crown of bone jut out from a wet gash in his scalp, bleeding down his face like a mask.

His tail hung between my legs with links of exposed vertebras, wagging with amusement. Goldilocks was having himself a piggyback ride. If he’d suspected a vacancy in me, he’d have slipped inside already. He was testing me.

Angie dug into her gown, watching the shadows for signs of movement. “He’s been following me since I burned down the chapel. It wasn’t until you came along that I realized he was the Devil.”

I chuckled, blowing secondhand smoke at Goldilocks’s perch on my back. “A demon calling himself the devil is like a clerk calling himself the manager. Lesser demons invoke the name to inflate their stature. This mug is just a common imp trying to live beyond its means, using the majestic plural to compensate for something.”

I felt Goldilocks’s claws dig into my skull, stopping just short of my brain. I had to drive it back into Angie if I was ever going to stand a chance.

Taking a deep breath, I said, “He’s an enforcer sitting in the boss’s chair, a tapeworm pretending to be a python, a barnacle on a whale’s back, thinking it’s the king of the ocean. It has no grand ambitions, no role in the apocalypse. It’s up here hiding, soiling its knickers at the thought of being dragged back to hell.”

That got the weight off my shoulders.

***

Angie’s eyes rolled into her skull. She arched her back, cracking it. Lightning flashed. Her shadow transformed. Spikes shot out of her lips again.

Shaking the pack of Silk Cuts, I realized I was down to the last one, the final link in a chain of smokes.

Goldilocks crawled forward, staring me down with empty eyes. “Who are you?”

Puffing on the Silk Cut between us, I let the embers flare. “I’m the one whose porridge you’re gobbling. Since Ravenscar was established, I’ve peaked in, nibbling on an obsessive compulsive here, a paranoid schizophrenic there, never taking more than I needed, never announcing my presence. Then you came along and shined a big bright light on my operation. Now my buffet is at an end. Soon they’ll have priests on retainer, buckets of holy water in every doorway, and crucifixes as far as the eye can see.”

Goldilocks’s tongue shift from cheek to cheek, then from eye socket to eye socket. “If that’s so, then we’ll step out of your way. You can have this one’s soul, our treat. We’ll stand guard as you suck it dry.”

Goldilocks raised a finger, “But if you can’t, if you’re not the demon your swagger says you are, then we reserve the right to pick your meat puppet clean.”

I nodded, “Deal.”

Flicking her wrist, Goldilocks slammed the door behind me. When I turned back from the sound, I found Angie scurrying away.

Goldilocks had called my bluff.

4. Looking Back At

Tears streaked down Angie’s cheeks. “Just make it quick. The things it shows me… The things it wants me to do…to people I care about… I can’t go back.”

A breeze passed through Angie’s hair. The strands hung in the air. This time Goldilocks wanted me to know exactly where he was standing.

I could’ve grabbed a shard of mirror, sliced Angie’s throat, and hoped that Goldilocks would sod off out of it, but that would be a draw and I was looking for a win. That’s when I remembered the prescription in my pocket.

Sighing, I put my hand on Angie’s shoulder. “The only way to spare you from his torment is to transfer ownership. His is the realm of venial sins and mine is the realm of mortal ones.”

I pointed to her, “Mala Prohibata,” then to myself “Mala in Se. He deals in sins that are forbidden by man, like playing with matches. I deal in sins that are forbidden by the divine.”

Cupping my hands around Angie’s, I left her with the bottle of OxyContin.

“He will fragment your personality from your memory, turn one aspect against the other, until your soul is a snake eating its own tail. You will devoir yourself. He’s a petty demon. He doesn’t collect souls, he collects tragic outcomes. You’re just another notch on his belt.”

I pointed to the pills. “Come with me and I will hurt you. I will devastate you beyond your comprehension, but I will let you retain a semblance of your identity. This I promise you.”

Angie struggled with the childproof lid. “Who are you?”

My smile flattened. “The true lords of hell do not go by names. We go by numbers, and I my dear, am the first of the fallen.”

If I couldn’t sell the lie to Goldilocks, I’d have to sell it to his target audience.

Angie muttered a prayer.

I shook my head. “With everything you’ve done? No. God’s turned a blind eye and a deaf ear. Your damnation is a foregone conclusion, but you still have a choice in which hell you’re going. Go with Goldilocks, and he’ll pass you around the prison. Go with me, and you’ll be mine alone.”

I practically put the capsules in her mouth myself.

She swallowed them down, and the staring contest began. While Angie searched my eyes for traces of humanity, I searched her hairline for signs of movement. Angie was Goldilocks’s link to the land of the living. Would he go down with the ship or wait for another to come along?

As Angie’s eyelids shut, her hair went limp. I felt Goldilocks’s demon grip on my shoulders. All he had to do was slip into my scalp, possess my body, and he would’ve won, two souls for the price of one. Instead, he leapfrogged over me, looking for a place to hide until the next sad sap wandered in.

The wardrobe creaked.

Walking backward, I cracked my knuckles. Turning to face the mirror, I saw Goldilocks in the reflection, gnashing his teeth, his forehead perpetually bleeding. We stared at each other head on. He won that contest. I couldn’t help but wink.

“Here’s to seven more years of this.” I drove my fist into the mirror. It shattered, trapping the little bastard there.

Leaping onto the bed, I felt Angie’s neck for a pulse. It was fading, worse still she was barely breathing. There were only a few capsules left in the bottle, but I’d underestimated their effect. Gambling with Angie’s life, I delivered her soul to the genuine first of the fallen, tossing her out of the frying pan and into the volcano.

Scooping Angie up, I carried her across Zed’s invisible fence. Panicking, I ran past my arsenal of enchantments. I had one last option.

***

Kicking the door open, I announced our presence.

The electroshock chair was already occupied. The patient seized up in the throes of his session.

A nurse shot up from behind him. “We’re in the middle of a procedure!”

Laying Angie’s lifeless body on the floor, I said, “So am I.”

Plucking the electrodes from the patient’s head, I made a makeshift defibrillator. Cranking the dials up past I eleven, I yelled, “Clear!”

***

When Angie came to, she spent the first few minutes staring daggers at me. Even after they fit her with an I.V. full of Buprenorphine, she kept her gaze fixed.

“So, are we in hell?” She asked.

I gave her a so-so gesture. “Not exactly.”

She exhaled, filling the air with tension.

“You told me to kill myself, to commit a mortal sin. You persuaded me to play an active part in my own damnation. You told me you were the first of the fallen.”

Making my way to the door, I shrugged. “Listen love, I say a lot of things.”

5. Smiles

For more on the adventures of John Constantine check out my review of the pilot episode for the Constantine TV Show.

For more of my stories on demons and possession check out:

Eviction Notice – The tale of landlord tasked with tossing out a tenant possessed by a demon.

The Great American Tell Off Speech – The story of the hiring manager from hell interviewing a genuine demon.

Terms and Conditions – The story of an artist who tries to steal his inspiration back from the devil.

For my thoughts on the role of exorcisms in modern fiction, check out: Horror Clichés in need of an Exorcism.

Drew Tube

1. Drew Tube

I’m thinking of entering into the world of video blogging, but I don’t want to be another run of the mill media critic. I need a gimmick, a hook that let’s the viewer know that I have no shame and I’m not afraid to prove it.

The following is a collection of v-blog pitches, some are sheer brainstorm brilliance while others are train of thought train wrecks. At the end, you can vote on which ones are which.

Genre Fiction Mad Libs

Author, Christopher Booker believes writers keep recycling seven basic plots. Let’s prove him right. Collecting over-used film tropes I’ll outline the templates for making a romantic comedy, a home invasion horror movie, and a dystopian teen empowerment fantasy. I’ll compose five minute mad lib plot lines and invite the audience to help fill the character details in. A week later we’ll see the results unfold.

Pitch Perfected

Viewers suggest the worst movies they can think of and I’ll pitch them like they’re awesome, polishing these steaming turds into Oscar statues.

Listen to me pitch The Phantom Menace as a political intrigue thriller. Jar Jar Binks, a Gungan without a country, assumes the role of bumbling imbecile to trick members of a religious order into saving his world from a genocidal conspiracy.

Listen me intellectualize The Room as one woman’s descent into terminal narcissism, an unflinching examination of how personality disorders play into infidelity, a film that holds a mirror to society, forcing us to take a critical look at ourselves.

Listen to me call Gigli a shocking exposé of the mental healthcare industry, a rallying cry for the handicapped, and a mature look at sexual identity.

Listen to me nominate Troll 2 for inclusion in the Criterion Collection, calling it a film with a strong message about the environment.

Nostalgia Nostradamus

Nostalgia Nostradamus predicts which beloved children’s cartoon will be turned into Michael Bay’s latest series of sunsets and tracking shots. Thunder Cats? Voltron? Gargoyles?

The trick in Nostalgia Nostradamus’s tricorn hat is his ability to predict how producers of these reboots will get everything wrong:

– He-Man cries, “I have the power” as he raises the barrel of his new lightening gun.
– She-Ra’s wind resistant skirt is replaced with pants.
– Filmation’s Ghostbusters get’s rebooted. Not the team with Egon, Ray, Peter and Winston, but the one that drives around with a gorilla in a talking ghost car.

Nintendo controller by Bitter String Art. Check them out at https://www.etsy.com/shop/BitterStringArt
Nintendo controller by Bitter String Art.

Feminize a Video Game Franchise

I come up with plots for female leads in male dominated video game series. For example:

An Assassin’s Creed game starring Vultur, a Romani woman struggling to save her family from the Spanish Inquisition. Vultur uses theatrical weapons to strike fear into the hearts of Templar witch finders.

A Zelda game where Zelda takes the starring role. The sorcerer, Ganon abducts Hyrule’s princesses to use their blood to open a doorway to the dark world. Breaking out of her cell, princess Zelda works her way through Ganon’s dungeons, collecting weapons, freeing her fellow captives, and ascending the dark lord’s tower for a final confrontation.

A God of War game that takes place in the aftermath of Kratos’s resignation. Goddess of War follows a Spartan woman who stumbles upon the Blades of Olympus while the minions of a new crop of Gods burn her village down.

Stock Photo Theater

Original programing made with unoriginal pictures. Stock photo sites are all too happy to provide the cast, their blank business figures are begging to be turned into actors. All I have to do is supply the dialogue.

Shutterstock already has so many images of people laughing, isn’t it time they put out a sitcom? How about a whodunnit? Turns out the boardroom meeting, in this picture, is a gathering of all the suspects. How about a science fiction series where angry desk jockeys fight their technology? With all the shots of people shouting at their screens, we already have everything we need.

3. Point the finger at

Batman or Ingmar Bergman

A game where viewers guess whether a line of dialogue came from a Batman movie or a film from existentialist director Ingmar Bergman.

1. “… the most powerful impulse of the spirit: the fear of death.”
2. “One day you stand at the edge of life and face darkness.”

3. “I wake up from a nightmare and find that real life is worse than the dream.”

4. “There is something out there in the darkness, something terrifying, something that will not stop until it gets revenge… Me.”

Answers:
1. Batman
2. Bergman
3. Bergman
4. Batman

Franchise Fixes

Franchise Fixes

I pitch reboots for your favorite ailing film franchises, raising Hellraiser, reviving Highlander’s immortality and calling Howard the Duck back to earth. Find me a series that’s at death’s door and I’ll bust out the defibrillator. Just call me Dr. Drew.

Writing Confessions

I list all the dirty tricks I use to ensure my output, like describing a setting before I know the characters or conflict that will fill it, writing dialogue with the intention of discovering the action, or planting the setups for my plot twists in later edits.

I’ll confess everything from how I spare my darlings to how I repurpose fan fiction.

Wednesday Watches

I recommend low budget, soon to be cult classics, for you to uncover on Netflix. They’re not always great movies but they’re entertaining enough for a Wednesday evening.

Clickbait Writer’s Room

A sketch comedy series, where a team of freelancers set out to ruin journalism, in order to rase their demon master Mammon. Writing titles with cliff hangers, the clickbaiters target would-be Nobel Prize winners, distracting them from their discoveries. Upsetting viewers with the first half of their captions, the clickbaiters promise to restore the world’s faith in humanity with the other, but they never do.

This coven of content creators will churn out listicles, slideshows and viral videos. Casting darkness over everyone’s newsfeed. Once they’ve sacrificed enough of our time, Mammon will rise up and claim his digital dominion.

4. Error Drew

This is my first round of ideas. Please vote on the ones you like and leave suggestions in the comments.

Sadder Batman (Design Gallery Updates)

Gothatrex for managing the symptoms of Sad Batman Syndrome
Gothatrex for managing the symptoms of Sad Batman Syndrome

See Sadder Batman and the rest of the insanity in my design gallery.

Check out Sad Superman and find out if you or someone you love are living with Batman Syndrome.

Soul Donor

Busted
Busted

Something haunts the attic of my imagination, locked in an old trunk, it watches my movements through the keyhole. While I stack character traits, it lies in wait. While I lay scenes on the card table, it bides its time. While I wave my marker, connecting plot points across the wall, it stares at my rolling chair with bright green eyes, a prince watching a throne, waiting for his time to come.

Entering the attic of my imagination, I find streaks through the floor boards. The trunk sits beneath the window, the keyhole positioned to see out into the real world. Trying to drag it back to its place, I give up part way. Distracted, I read the notecards scattered across the table, I toss half of them to the floor. There’s just no room for them anymore. I need this section of my imagination to process something I’ve been thinking.

Jotting a word down, I set it on the open space. The card says: INDECISION. The floorboards creak. Thunder claps off in the distance. I set the word OBLIVIOUS in an empty spot. There’s a thump. The lights flicker. I set the word UNREQUITED down. There’s a crash behind me, a click, followed by the groaning of a rusty hinge. Turning around, I find the trunk has moved. Its lid has opened on its own.

Peaking inside, a swarm of locusts engulf my eyes.

The trunk was filled with all of my romantic compulsions. Every time I develop feelings for someone, the infernal crate starts filling. The self doubt, the jealousy, the fear of rejection, all these things start rumbling. I can stack books atop it, hammer nails in, put it in a dark corner of the room, but sooner or later the trunk bursts open.

Once that happens, darkness takes over my imagination. My characters break down, my plot points get painted over, and my scenes get scattered. The story I’m developing disappears as the specter of a doomed romance leaves its mark on everything.

2. Trunk

I wrote the following in my early twenties, back when my best ideas were abandon in favor of an overwhelming urge to vent. Its wordy, silly, embarrassing, and completely honest. Recently, I dug it up and gave it the musical treatment. I hope you like it.

(If SoundCloud is down, download the track)
(Download the instrumental version here)

Soul Donor

The third law of thermodynamics
The one we all love to hate
I poured my heart into something
That didn’t reciprocate
I syphoned out all my good parts
To feed your perceptually aching machine
I slowed myself to crawl
Just to keep it going

Like a vampire blood donor
Like an eleventh hour Valentine
I put so much of myself in you
But you’d never be mine
You’re feeding off my entropy
I’m running out parts to give
I’ve been dying long enough to know
That dying is no way to live

It’s safe to assume
It’s safe to foresee
Even if it makes
An ass of “u” and “me”
It takes an addict
To spot another addict

Ah fuck it, I admit it
I really am psychic

The only law that Murphy had
The one that we all try to break
I left so much room for error
Our foundations were bound to shake
I always came when you were jonesing
For the high only I’d provide
Who knew you could quit cold turkey
And let this whole thing slide

Who knew you’d leave me in this bath tub
In this motel up the street
Dry ice freezing my skin off
You only take the parts you need
When I signed on to be your lover
Did I sign on as a soul donor too?
How could I hate myself enough
To give my love to the likes of you?

It’s safe to assume
It’s safe to foresee
Even if it makes
An ass of “u” and “me”
It takes an addict
To spot another addict

Ah fuck it, I admit it
I really am psychic

3. Ghost Hand

Horror Clichés in need of an Exorcism

People who know me, should've suspected my demon nature for some time.
People who know me, should’ve suspected my demon nature for some time.

(This article was inspired by a conversation in Red Letter Media‘s review of Deliver Us From Evil, check it out)

In film, certain paranormal plot devices have overstayed their welcome: exorcisms, found footage movies, forbidden objects sold at the mall, and the claim that there’s a true story behind them all. We used to find these themes intriguing, until we did our research.

Now we know that sleep paralysis causes hallucinations that look like ghostly visitations, that sleep deprivation turns shadows into forms, and that night terrors are a product of neurology not demonology.

We know that the regression techniques used to uncover alien abductions relied on leading questions. A hypnotherapist would ask, “How high is the light off the ground,’ and their patient imagined it in the sky, based on the implication.

We know the same techniques caused the Satanic panic that had patients crying “Cultists!” at their family and friends. In the 1980s, many women claimed they were forced to sacrifice their children, until medical examinations proved they were still virgins.

Our suspension of disbelief has dropped. Our intellect has adjusted to scare tactics. Our tastes have become too refined for cheap thrills. We want to be scared, but our bullshit filter keeps catching everything Hollywood throws at it. That’s why these clichés must be upgraded if they’re going to frighten us again.

I'm available to design your cover art if you ask nicely.
I’m available to design your cover art if you ask nicely.

Exorcism Stories

When The Exorcist premiered in 1973, audiences were fainting in the aisles, forty-one years later, audiences are falling asleep for other reasons. The mystique is gone. We’ve seen so many demons get dispatched, we’re questioning their intelligence. Why break out of hell, when they can be sent back with a few measly blessings?

As Hollywood keeps telling variations of the same story, we keep piling on the questions.

What if the demon isn’t allergic to holy water and crucifixes? What if it doesn’t speak Latin? What if Catholicism isn’t the cure every time? What if it responds to protestant prayers? What if the Kabbalah is its kryptonite? What if it takes a Wiccan spell to send it back to hell? Would polytheists call on a pantheon of Gods to deal with it? Would Scientologists audit the evil out? Would Buddhist’s even bother?

NBC’s new show Constantine gets around these questions by having the hero recite the ‘co-exist’ bumper sticker of exorcism prayers, name dropping elements of all the world religions. It’s a solution that doesn’t address the real problem.

The problem is assuming the rite of exorcism still resonates with audiences. Not everyone wets themselves at the mere inclusion of a demon, we weren’t all raised to believe in possession, we expect our scares to come from better storytelling.

In The Exorcist, the demon Pazuzu tricks young Regan into texting him through a Ouija board. After a month of flirting, he moves all his stuff into her brain. Soon Regan’s dropping F-bombs on her mom and directors on the pavement, practically begging for an MRI scan. Crab-walking down the stairs, coughing up blood, levitating furniture about, Pazuzu wants to get found out. He wants Mrs. MacNeil to call on the clergy. Pazuzu’s insidious goal is to consume a holy man’s soul.

The Exorcist works by humanizing these confrontations. Father Damien isn’t just reciting verses, he’s grieving over his dead mother, he’s finding his faith again. The director gives the audience the feeling that it’s not Damien’s words hurting the demon, it’s his newfound belief in their meaning, and the lesson he’s learned through the course of these events.

Recent exorcism movies abandon the message in favor of the creeds. They put symbology over substance. These are films that started strong but ended with the same tired chant.

The Rite spends so much time setting up Anthony Hopkins’s possession, but when his student figures out what’s going on, the demon is dispatched with a quick round of tongue-fu. The Exorcist: The Beginning does the same thing. In The Conjuring, the demon flings things at the Warrens, to keep them from getting through the exorcism. The tension comes from how fast they can read before they get hit with something.

After seeing the same scene play out so many times, it loses its impact. Yellow contact lenses, flaking skin, and dated obscenities just don’t have the same effect on me. Possession could be a frightening theme, but these incantation evictions have gotten underwhelming.

I’d love to see more demon possession movies where the traditional methods don’t work, where the demon has a calculated goal, a long con revealed in a third act twist, and an ending that favors an emotional encounter over a dramatic reading. (See The Exorcist 3 for a great example of this).

Demons clearly use yellowing strips.
Demons clearly use yellowing strips.

Found Footage

Found footage movies are a guilty pleasure of mine. While most film critics have given up on the genre, I always find a few examples that redeem it. VHS showed me the direction grind house movies are going, Afflicted showed me what turning into a vampire is like from the vampire’s point of view, and Trollhunter showed me just how serious Norway is about pest control.

If you’re making a found footage movie, commit to the bit. If you want wide shots, have your characters place those cameras in the location, don’t cut from crane shots back to hand cams and expect us not to notice. If the characters can’t see from that perspective, then we shouldn’t either.

If you want to sell us on the idea that this footage was discovered, then leave it somewhere where it can be found. If all the camera operators end up in the belly of a demon, then how are we even watching this film?

Soundscapes can be used to great effect, from the chorus of babies crying in The Blair Witch Project to the thunderous footfalls in Paranormal Activity. Don’t break the suspension of disbelief by adding a score. Linking the look of cinema vérité with mood music is like making a chicken omelet, the pairing feels funny.

The Last Exorcism did this, opening as a talking head documentary, before devolving into series of low droning strings and chord stabbing jump scares.

Anyone who sets out to make a found footage movie needs to deliver on their promises. If you mention the possibility of a ghost, alien, or cryptozoological entity, show us something by the end of the movie.

"Is the demon in this mug shot the one who attacked you?"
“Is the demon in this mug shot the one who attacked you?”

Forbidden Objects

Ouija, Hasbro’s spiritual sequel to Battleship, follows a group of teens who try to contact the ghost of their friend with a spirit board. The trailer cycles through a switchboard of stock horror movie sound effects, filtering every shot through the same old color palette. The only new thing it brings to the table is a toy that has been debunked over and over again.

We know how spirit boards work when tested under scientific conditions. With a stack of chips tied to the planchette, we should see them lean away from an invisible hand, instead we see them lean from the direction of the living participants. This is a trick of the subconscious. Ideomotor actions cause the participants to push the planchette without even realizing it.

Just watch the experiment in action.

(If you want to see mentalist Derren Brown take this Ouija board scam to a whole other level check out his Seance Special).

Still, Time magazine says, “the terrifying seance-conducting game will finally be getting the starring role it deserves.”

Does it deserve it? For me this Parker Brothers plaything is just as frightening as a Magic 8-Ball, or a pile of fortune cookies. How scary can something filed between Apples to Apples and Yahtzee really be?

The smart way to make a mystical MacGuffin work is to draw attention to the evidence against it. Say what you will about M. Night Shyamalan’s Signs, but the film points out that crop circles could be made by hoaxers with boards and string.

The X-Files did this all the time, hanging a lantern on a dispelled myth, only to reintroduce it with a sophisticated new bag of tricks. Agent Mulder gave the audience a refresher on an urban legend, while Agent Scully explained it away with science. What they were looking for was always something in between.

Maybe this new Ouija board movie does just that, but judging by the trailer, Jumanji was scarier.

Officer Ouija is on the case.
Officer Ouija is on the case.

Based on Actual Events

Every trailer ending with the words “based on actual events” needs an asterisk beside it, followed by a screen full of annotations.

The Strangers claimed to be based on actual events citing the Manson family murders as inspiration. That’s insulting to the victims, their families, and the audience’s intelligence.

The Quiet Ones ends with a still shot of the real researchers the film is based on. Turns out the people in the photograph are actors. Everyone involved in the study that inspired the story is alive and kicking.

The Fourth Kind ends with footage of a talk show that happens to be hosted by the film’s director.

Though the caption “Based on actual events” brings in box office revenue, the phrase itself has become worthless. If I can dismiss your premise with a quick Wikipedia visit, then you’ve lost me before the opening credits.

The true claims these films make aren’t always harmless, especially when they further superstitions that impact people with mental illness. The Exorcism of Emily Rose altered the facts to make its Priest more sympathetic. The impression it leaves the audience with is that epileptic seizures might be caused by something demonic.

Adds a whole new meaning to the phrase "bright eyes."
Adds a whole new meaning to the phrase “bright eyes.”

Before you go writing that found footage based on actual events exorcism picture with the prominently placed Ouija board, ask yourself: how long will these elements frighten audiences? How could you upgrade them to work in this century? How could you scare skeptics?

We want you to psych us out, to subvert our expectations, and give us something more terrifying than we could possibly imagine.

For more on horror clichés, check out my articles on overused monsters and how to reinvent the jump scare. To see how I’d reimagine the classic exorcist scenario, check out my short story Eviction Notice.

Feel free to completely disagree with me in the comments, or better yet, suggest horror movies that use these themes right.

An Object Gathering Dust

Toy soldier gathering dust
Toy soldier gathering dust

If relationships in my early twenties taught me anything, it’s that I left women with a sense of buyer’s remorse. I didn’t turn out to be the man they saw in the shop window. My first impression ran out of steam. My bravado deflated into cowardice. The image they tried to project on me, no longer fit.

There’s how a man ought to be, then there’s me.

In 2006, I wrote a poem about a toy soldier losing the admiration of his owner. What started as a piece about a waning romance, became a critique of the ideal man. The poem broke down the expectations set by the greatest generation, chipping away at Americana idealism.

This has always been one of my favorite pieces, but every time I set out to share it, I held back, thinking it was too personal. It took the support of my readers to shed those reservations. I hope you like it.

An Object Gathering Dust

Window shopping on main street
A gust of wind
Snatched the scarf from your neck
Blowing it across the boulevard
Leaving it on the window sill
Of a vintage toy store

Where you saw a clean cut,
Broad shouldered, toy soldier
Decked out in World War 2 apparel
Iconic in its shrink wrapped chivalry
A throw back to an era
Of courteous square jawed gentlemen
Who lived to open doors and hold hands
A Norman Rockwell day dream
A sparkle toothed smile
Complete with the sound of a glass tap

This toy soldier
This prince charming
All your girlhood fantasies
Wrapped up in cellophane

You altered your work route
To walk by my window
Your left hand shaking
Your right hand deep in your purse
Clinging to your wallet
Fighting the urge

One night a dream
Carrying a vision of your man
Walking down the white staircase
Of an aircraft carrier
Burned itself into your mind’s eye
You had to throw fifty dollars on the counter
To appease the Sandman

My attempt to make myself look like a plastic toy soldier
My attempt to make myself look like a plastic toy soldier

You took me home
Unwrapped me
And sat me down
As the guest of honor
At the head of your tea party table

You stared into my half moon eyes
With all the love the world had
For Jimmy Stewart
For Humphrey Bogart
For Frank Sinatra

In Michigan I was a lump of plastic
Lying on a conveyor belt
But in your arms
I became the spirit of a decade
A symbol of an America
Revered by the rest of the world

When I slept beside you
You dreamt of an approaching cavalry
Parading through small town streets
Of boy scout meetings
Of slippers
Newspapers
And corn cob pipes

You were Audrey Hepburn
With her man on her arm
The belle of the ball descending the staircase
In her long velvet gown
An airbrushed pin up
On the nose of a jet
That all the fly boys
Just had to tip their hats to

A sudden flicker of random eye movement
And we were French kissing on Ellis Island
With fire works off in the distance
Our hands cupping one another’s elbows
The moon framing our silhouettes
We became the skyline

But one day you woke up
To find that the green of my uniform had washed out
That my jaw had chipped at the edges
That the half moons of my eyes had faded
And my frozen salute had lost its meaning

You still took me out to the bar
But my smile couldn’t compete
With touch screen Gin Rummy
You buried me in your purse
When my shadow
Eclipsed today’s cross word puzzle
The spirit of the 1950s was gone
America was a different place
With a different skyline

I went from a Christmas miracle
To an impulse item
Yesterday’s playmate
To today’s inanimate object
And all the love you had to give
Went back to being a lump of plastic

You took me off your pedestal
And put me on your shelf
Never to be played with again
A relic of your sense of romance
Looking down at you through incense clouds
An object gathering dust

Here’s looking at you, kid

Caught Cheating on My Novel

1. My Novel has caught Me

Jill fidgeted beneath the booth, struggling to find a comfortable spot on the cushion. Feeling her movements, I dared not ask what was wrong. She’d been straying from eye contact all night, afraid I’d see something I didn’t like.

She set her phone on the table, like a paramedic waiting to be called away at a moment’s notice. When it lit up on its own, she read the screen out of the corner of her eye, failing to hide her smirk.

This was the first time I’d seen her long locks up in a big bun. The frizzy strands stood spiked up in the back. In this light, with the dust particles falling slowly, her hair looked like a crown.

“What is it?” She caught me staring.

I motioned toward the bun. “I like what you’ve done with the topmost region of your head.”

She rolled her eyes until they landed back on her phone. “Aren’t you supposed to be a writer or something?”

I bit my thumb. “Sorry, I meant to say, the upper hemisphere of your face has many fine attributes this evening.”

She laughed, easing my tension until she picked up the phone and started typing. Peaking over the top of my menu, I watched her eyes glaze at something on the screen.

I cleared my throat. “What’s a good wine pairing for Mexican food?”

Jill shrugged, this was her area of expertise, but she couldn’t care less.

When the waiter came, I ordered the chicken enchiladas with a glass of Rioja.

“You’ll want something stronger.” Jill cut in. Offering the waiter an empty smile, she ordered, “Two Tequila Sunrises, heavy on the tequila.”

I fumbled through the drink menu. “So that’s a better pairing?”

Jill shook her head. “No, but you’ll want it.”

She waited until our food arrived to spoil my appetite.

Plucking the umbrella from her drink, and casting the straw aside, Jill downed half of her cocktail in a single gulp. Gasping, she gripped the side of the table. “The reason I called you out tonight is that I wanted to do this in person.”

I froze, an archeologist standing in the middle of a rickety old bridge, watching the ropes unravel.

Seeing my panic, Jill chuckled. “No, it’s nothing like that.”

It was exactly like that.

Jill searched for her words on the happy hour menu. “You’re such a prolific writer. I envy your artistic temperament, I really do. So many people are trying to get published, but you’re one of the few who’s going to make it. I honestly believe that.”

She swallowed. “It’s just that your life is going in a different direction. Your work requires you to lead a solitary existence, while mine keeps me social.”

Jill rubbed her hands together. “We’ve always been a few degrees off. When I’m getting warmed up to go out, your process has drained the life out of you. When I just want acknowledgment, you give advice. When I ask for advice, you play Captain Hindsight.”

I stayed frozen, fearing a nod would be an admission of guilt. Glancing away, I noticed my fork wobbling across the plate.

Jill lay her hands flat, a diplomat reaching across the table. “I think I’m speaking for both of us when I say, neither of us are very happy with this relationship.”

Ripples spread from the center of my Tequila Sunrise. The cubes in my ice water bobbed up and down.

Jill sighed. “I knew this would happen. Now you can’t even look at me.”

A droplet shot out from the center of my cocktail.

“No, it’s just that my drink is going all Jurassic Park on me.”

Feeling vibrations through my shoes, I looked over my shoulder.

A giant hardcover book barreled across the parking lot. Its angry eyebrows cut through the title. There was teeth in place of the author’s name. Its eyes glared with the smooth reflective texture of raised print. It charged toward the restaurant on tiny yellow laceless shoes, hopping from one leg to the other. I didn’t recognize the book until its cover shown red beneath the streetlight.

Crouching into the booth, I turtled up inside my suit coat. The window behind us creaked, the hardcover was leaning on it, rubbing its four fingered gloves against the glass.

Jill squint at me, “Do you know that thing?”

I couldn’t help but peak up. To find the first edition focusing its big bulging eyes on me, its breath fogging up the glass. Howling, it burst the parking lot lights, set car alarms off, and shook our silverware off the table.

The book stomped toward the entrance. Punching the handicap button, she entered sideways. When a greeter stepped into her path, the book knocked her into a bowl of peppermints. When a bus boy came to the greeter’s aid, the book grabbed him by the vest and flung him over the bar. The entire wine menu came crashing down on him.

I ducked under the table, cursing Jill. “Why did you have to look at it? You could’ve just kept texting, but you had to draw its attention. Whatever is about to happen is all your fault.”

Jill drove her stiletto into my toe. I screamed.

The hardcover spotted me falling into the aisle. A string of drool seeped through her teeth, spilling over the words: A NOVEL. Drinks toppled with its every step. Ice crunched beneath its tiny yellow shoes. Entrees landed face first on the floor.

A wet clump of something warm plopped into my hair. Cheese streaked down my forehead, followed by a dollop of sour cream. My enchiladas landed in my lap, searing my thighs. I tried to wipe them off, but it was impossible to see in the shadow of the hardcover. The great book huffed, covering half my face in spittle.

2. I'm in trouble now

I turned to find the hardcover pointing at Jill. When the book’s mouth opened and closed, my name flickered across her face.

“Who the hell is this?” The hardcover’s voice boomed.

Jill crossed her arms. “This was just leaving.”

The hardcover lift me up my collar. I had to cock my head to avoid getting scalped by the ceiling fan.

The book’s eyebrows crossed into an angry V. “You kept putting me off and putting me off. There was always something, wasn’t there? You had a stack of dishes weighing down your countertop. You were buried under a pile of laundry. You had to get up early for an interview. You kept telling me how important I was to you, but it took weeks before you did anything with me. Now here I find you wining and dining some bipedal bimbo.”

“First of all,” Jill placed the toothpick umbrella in her palms, “this isn’t wine it’s a cocktail,” she spun the umbrella, “and second of all, I’m not dining tonight,” she pointed to the empty table, “and third, wait, what was the third thing you said?”

The hardcover grit her teeth, towering over Jill, the girl that dare defy her.

“You’re nothing special, missy, just the latest in a long line of distractions.”

The hardcover flung me into the booth. The salt and pepper shakers spilled into my hair. Jill spun around, making sure her phone was alright.

The hardcover positioned itself to block me in. “Remember that mystery minx, that crime caper streetwalker, that noir whore you tried to run away with? What about that Sci-Fi-siren, that steampunk-strumpet, that little retro-history-hussy? Neither of them stuck in your head as long as me. None of those horror-harlots, terror-tarts, and jaw-dropping-jezebels had a premise like mine. Remember how you kept telling me how original I was?”

Jill’s phone vibrated. Looking at the caller ID, she grunt, letting it go to voicemail.

The hardcover bit its lip. “I’m not stupid. Of course I knew what you were doing. I just kept telling myself, ‘He’s just experimenting with those tragedy-trollops and fantasy-floozies, so that when he comes back, he’ll share what he’s learned with me.’”

The hardcover placed a tiny glove between its massive eyes, a gesture that looked faintly like she was rubbing her forehead.

“I kept my head down, trying to ignore all the short-skirted-short-stories you’ve been chasing, all the fan-fiction-vixens you’ve been posting, and all those Lovecraftian-Lolitas you’ve been publishing.”

Jill cocked her head. “Jesus, that’s the most alliteration I’ve ever heard come out of anyone.”

“I’ve been meaning to edit that.” I whispered out of the side of my mouth.

Jill’s phone vibrated again. Ignoring it, she covered her mouth, directing her speech at me.

“She’s list heavy too. All her examples come in threes. She sounds unnatural.”

I nodded, “I went a little crazy with the thesaurus when I started her.”

Jill picked up the phone. She muttered. “Hey… No, we’re still in the middle of it… We got interrupted… Yeah, no I’m fine… That’s not necessary… Really, I’ve got the situation under control… No… Oh, God damn it.”

The hardcover snorted back its tears. “Who is she talking too?”

Sitting up in the booth, I saw myself in the book’s big wounded eyes.

That’s a good question.” I said, shaking the salt from my hair.

Jill buried her phone in her purse. “That? That was no one. Just um…”

Before she could come up with an excuse the floor shook again. Reaching for my cocktail, the ceiling fan came crashing down onto the table. I rescued my drink in time. Guzzling it up, I found the ‘sunrise’ portions eclipsed by the tequila.

Looking over my shoulder, I saw a giant laptop computer pacing the bar. Its eyes took up the majority of its screen. Its teeth made up the center of its keyboard. Cartoon arms had sprouted out of its monitor. A pair of little legs supported its base. It waddled toward us, knocking over carts as it came.

I pointed my thumb over my shoulder. “Who the hell is that?”

Jill ducked into the booth. “I never wanted you to find out like this, but the entire time we’ve been together, there’s been a blog in the picture.”

Slamming my glass, I said. “I knew it.”

Phase 2 of Facebook’s Emotional Manipulation Study

The following is a work of satire. I’m leading with this disclaimer, because many of these examples of Facebook’s attempts at mind control sound a little too believable.

Facebook's emotional experiments give user mixed messages
Facebook’s emotional experiments give user mixed messages

Phase 2 of Facebook’s Emotional Manipulation Study

This week, Phase 1 of Facebook’s emotional manipulation experiments came to light. Having altered their Data user policy to include “research,” Facebook performed a study to test its influence on users’ psychology.

Positioning positive posts in the first test group’s feeds, the social network manipulated users to make merry messages of their own. Satiating some in sullen cynicism, they found these users were prone to mope and moan. Inspirational influencers led to delighted updaters, while pensive peers led to cocky contributors.

In his article Digital Market Manipulation, Ryan Calo believes companies “will increasingly be able to trigger irrationality or vulnerability in consumers.”

Like the copywriter in the Film Roger Dodger says, “You can’t sell a product without first making people feel bad… you convince them that your product is the only thing that can fill the void.”

There’s speculation Facebook implemented these studies to appease its shareholders. These suspicions would make sense, had evidence of Facebook’s second study not surfaced. It turns out these early experiments were the tip of the iceberg.

Phase 2 Experiments:

The Relationship Status Randomizer

Toying with eagle eyed ex lovers and potential stalkers, Facebook implemented the relationship status randomizer, listing married users as single, turning their private phone numbers to public, then posting “Feeling lonely” as their status on the hour every hour.

The Bogus Baby Broadcaster

Since baby announcements get the most engagement, Facebook posted pregnancy news on behalf of couples who weren’t expecting, pulling random ultrasounds from Google image search. The Bogus Baby Broadcaster asked family friends to vote on children’s names. The most popular choices were: Link McFly Skywalker, for boys, and Buffy Ripley Croft, for girls.

Open House Mode

Taking advantage of their Oculus Rift acquisition, Facebook started mapping real spaces for Virtual Reality. Rift owners have reported early access to a feature called Open House Mode. Stitching architecture together from users’ pictures, Open House Mode allowed beta testers to go on virtual tours of their friends’ homes. Rendering intimate living spaces, complete with exteriors from Google Street View, Open House Mode points out structural vulnerabilities like flimsy locks and windows that can be pushed open. When pressed for comment, Facebook’s lawyers said this feature was for users who wanted to throw surprise parties for one another.

Facebook's new mind control features are its best ever
Facebook’s new mind control features are its best ever

The Celebrity Death Generator

Attempting to stir up grief, Facebook filled users feeds with links that falsely reported celebrity deaths. A candlelit vigil, for actor Steve Buscemi, caused a twenty block traffic jam in downtown Atlantic City. The show runners for Boardwalk Empire had already hired Digital Domain to create a CGI stand-in, by the time the real Buscemi appeared on set, hungover, but still breathing.

Bladder Triggers

Promoting posts containing the words “hand soap, linen towels,” and “quilted tissue,” Facebook found an uptick in geotags to ‘home thrones.’ Once users were in their bathrooms, Facebook blasted them with footage of kayakers going over waterfalls, three story fountains, and animated gifs of lemonade flowing from bottles. This drew criticism from the American Society of Plumbing Engineers, fearing the effects a mass flushing incident will have on the nation’s sewer systems.

Samurai Shaming

Manufacturing outrage, Facebook posted updates as ESPN, tricking users into believing the Washington Redskins were changing their names to the Washington Yellowskins, replacing their native American logo with that of a crude cartoonish Samurai. Soon after, the hashtag #YesAllShoguns started trending.

Penicillin Petition

A petition to ban penicillin emerged, after Facebook made an article linking the antibiotic to childhood obesity trend. Medical authorities flooded the net to refute the claim, taking over the conversation in a matter of hours, but not soon enough to prevent media personality Jenny Mccarthy from endorsing the original findings. In the aftermath of the incident, Orange County has reported an outbreak of typhoid fever.

The Title Lengthening System

Some users awoke to find the phrase, “You Won’t Believe What Happens Next” tacked onto every link in their newsfeed, others saw, “… is the worst kind of discrimination.” Some reported seeing each link wrapped in the phrase “What… did is genius.” Everyone exposed to this title lengthening system reported feeling disturbed by the trend, as if they were the only ones noticing it happening.

Phantom Zuckerbergs

Businesses, sports teams, and families reported finding phantom images of Mark Zuckerberg, Facebook’s Chief Executive Officer, in their photos. In each image, Zuckerberg appears to be interacting with people, bringing his hands in for a team building seminar, hitting a beer bong at a keger, even wrapping his arms around someone else’s grandmother. Those who noticed the phantom CEO, said he appeared immediately after they uploaded their pictures, as if he’d been there all along. One group experimented with the feature, pointing to a camp fire in mock horror, posting the photo, they found Zuckerberg emerging from the fire.

Facebook’s Milgram Experiment

Members of the psychoanalytic community were horrified when the social network conducted it’s own interpretation of the infamous Milgram Experiment.

Testing blind obedience, the Milgram Experiment urged subjects’ to commit actions at the expense of their conscience. Subjects took on the role of a teacher administrating electric shocks to a learner, an actor who was in no real danger. Every time the learner failed to answer a question, a man in a lab coat would instruct the teacher to hit them with shock treatment. Ignoring the actor’s cries, this authority figure would tell the teacher to up the voltage. The goal was to see how many of the subjects would protest, halting the experiment before the lethal jolt was given.

Facebook introduced a virtual version of this experiment. Believing they were administering electric shocks to prison inmates, users became executioners by way of an application. The app gave users a video stream of both a researcher, commanding them to move forward, and a prisoner writhing in agony.

Stanley Milgram found that 65 percent of his participants administered the lethal dose. Facebook, on the other hand, had a 100 percent success rate. In fact, the only user to report distress, was a man in Texas, claiming to be “bummed out” when the app disappeared from the service.

Conclusion

As social networks become more prevalent in our virtual lives their effects will be felt in the real world. If the cost of connecting means surrendering control of our bowels, most of us will pay it. If the price of admission is submitting to a full body scan, most of us will jump right in. We’ll accept, that if Facebook wants us to be happy, we’ll be happy, and if we’re sad, it’s because Facebook willed us to be. The social network works in mysterious ways.

We’re just guinea pigs, hitting ‘Like’ to get more food pellets, wandering through this maze of messages, looking for meaning. The all seeing eye of Zuckerberg watches us share pictures of our plates on first dates, engage in political debates, and when we think our cameras are off, he watches us masturbate.

Ours is not to question his reasoning, but to trust in his plan. We must open our minds and accept his influence.

Is Facebook toying with your emotions
Is Facebook toying with your emotions?

Check out my April Fool’s post Facebook Buys DrewChial.com and my article on how The Facebook Bait and Switch is already effecting authors.

Sad Superman (Updated)

I have a cutout Batman, then I have a cutout Superman. What's the first thing I do? Put them in this situation. I guess I'm a romantic.
I have a cutout Batman, then I have a cutout Superman. What’s the first thing I do? Put them in this situation. I guess I’m a romantic.

When director Zack Snyder released a photo of Ben Affleck, looking somber in the new Bat suit, Photoshop savvy netizens inserted him into sorrowful scenarios, and the Sad Batman meme was born.

When the studio released a photo of Superman from Batman V. Superman: Dawn of Justice they put rain droplets in the foreground, preventing enterprising satirists from developing yet another meme. They underestimated the power of Photoshop. May I present Sad Superman: cut out, with the droplets removed, and polished to perfection. I even threw in a colored version Sad Batman, with feet and a cape I’d added on.

Copy the PNG files and send these characters out on your own adventures.

To see more of the crazy things I’ve done with Sad Batman, take a look at my article on the perils of Living with Batman Syndrome, and don’t forget to check out my Design Gallery to see other comic book and movie parodies.

It's hard for Kanye to be sad when Superman's giving him a lift to the studio.
It’s hard for Kanye to be sad when Superman’s giving him a lift to the studio.
Now Batman has nothing to be sad about.
Now Batman has nothing to be sad about.
If a ride on Superman’s back doesn’t cheer Keanu Reeves up, nothing will.
If a ride on Superman’s back doesn’t cheer Keanu Reeves up, nothing will.

These are the original photos:

Ben-Affleck-as-Batman1 qsJ0Vie

And these are my cut outs:

Since the original photo cuts Batman off at the knees, I grafted on a pair of legs from an action figure. Same with the cape.
Since the original photo cuts Batman off at the knees, I grafted on a pair of legs from an action figure. Same with the cape.
In addition to clearing out the droplets, I used an image from Man of Steel to complete the cape. I also made him brighter and enhanced the color so he could fit into more daytime scenarios.
In addition to clearing out the droplets, I used an image from Man of Steel to complete the cape. I also made him brighter and enhanced the color so he could fit into more daytime scenarios.

Have fun.

Constantine Pilot Review (Updated)

An Obsessive Hellblazer Fan Reviews the New Adaptation

How does NBC's Constantine stack up to the original Hellblazer Series?
How does NBC’s Constantine stack up against the original Hellblazer comics?

I’ve seen the Constantine pilot months before its October 24 premiere on NBC. As someone who owns every issue of John Constantine: Hellblazer, someone who’s been following the series for twenty years, someone who took his long locks to the barbershop, pointed to the cover of a comic book and said, “This,” I think I’m the right guy to review it.

Spoilers ahead.

Pilot Summary

Laying low in Ravenscar Asylum, recovering demonologist John Constantine is trying to put the past behind him. Strapping himself in for electroshock, he’s desperate to wipe away the memory of an exorcism gone wrong. When a spirit possesses a patient, to make a mixed media mural with paint and cockroaches, John stops kidding himself. The writing’s on the wall and it’s spelt out a name.

Liv Aberdine is having car trouble. The anti-crash system is convinced there’s someone behind her vehicle. Crossing the lot, she’s nearly swallowed in a sinkhole explosion. That’s when Constantine, sidestepping the 14 hour trip from Ravenscar to Atlanta, hops out of a cab. He’s under orders by the ghost of Liv’s father to protect her, which he does by giving her his card and leaving her to walk alone.

Sliding into the sinkhole, John meets Manny, the angel of vague leading statements. Swooping down to prophesize how eventful the legions of hell will make the series, Manny tells John that he’s going to need his help in a fight, before fleeing at the sound of sirens.

Liv meets with John after a friend in her complex is murdered. Their conversation is cut short when the same friend’s reanimated corpse crashes into her office.

John teaches Liv the art of seeing dead people, with the help of her father’s magic amulet. The pair venture to her father’s hideaway (the set piece we’ll probably be seeing over the life of the series) where they find a library of enchanted objects.

Consulting an ancient text for information on electric apparitions (Benjamin Franklin harnessed lightning in 1752 so the age of the text is debatable), John realizes they’re dealing with a demon named Furcifer. Fur, as in wool, Cifer, as in Louis C-fifer (names are always tough for writers).

Manny returns to play the metatron of forced exposition, telling John he might be able to win his way out of hell with good behavior, something John was doing despite Manny’s divine intervention.

John consults Ritchie Simpson, a techie who uses buzzwords like “data-mining,” to help him hack a power grid.

Using Liv as bait, Constantine tricks Furcifer into breaching a weak protection circle, only to become vulnerable when Ritchie cuts the power. Conjuring up a manifestation of Astrid, Furcifer let’s the audience know that this is the carrot the series intends to dangle over our heads. When Astrid is revealed to be a psychic forgery, John dispatches the demon with a series of vague spiritual incantations.

Using her father’s amulet to “scry,” Liv bleeds onto a map of the United States, finding people in peril, setting up future episodes.

Channeling John Constantine through Tim Bradsteet's original cover art.
Channeling John Constantine through Tim Bradsteet’s original cover art.

WHAT WORKS:

John is Great

Fans of Hellblazer will be happy to know the show runners are drawing their inspiration from the original series, ignoring the 2005 movie, and the New 52’s take on the character. This version of John uses spells and incantations, rather than a crucifix-shaped shotgun. I don’t think we’ll have to worry about him getting kicked out of the Batmobile for smoking, or dressing up as Shazam.

In this universe, John is a Brit, Chas is an adult, John’s original sin is not a botched suicide attempt, but Astrid’s exorcism. The pilot even teases series mainstays Newcastle and the First of the Fallen.

The Constantine in the pilot I saw smoked, he never put a cigarette to his lips, but he put one out in an ash tray. This doesn’t bother me. I don’t need to see John blow smoke rings in every episode, but I’m glad they left the lung cancer plot line on the table.

I’m not one of those fan boys that demands dogmatic adherence to the source material. I don’t care if John is a bleached blond, wearing a thin tie, and tan trench coat, what I do care about is the spirit of the character, that’s what they get right here.

Matt Ryan, the man who helped redeem the Assassin’s Creed franchise (voicing Edward Kenway in Black Flag), nails the character. Smirking in the face of evil, he’s charismatic, cocksure, with a hint of cowardice. He’s an underdog with swagger, with the iconic look of Tim Bradstreet’s Hellblazer covers. Matt Ryan is everything the 2005 movie was missing.

It will be hard to imagine Guillermo Del Toro doing the rumored Justice League Dark movie with another actor.

Does NBC's new Constantine series have the bite of the original Hellblazer comics?
Does NBC’s new Constantine series have the bite of the original Hellblazer comics?

WHAT NEEDS WORK:

In addition to being an über Hellblazer fan, I also have a professional background in script analysis. I liked the pilot, but I want this series to last. These things will need work if it’s going to do that.

The Supporting Characters

The show runners got John’s character down, but everyone else feels flat. There are too many tropes filling in for the supporting cast, IOUs where characterization and compelling goals should be.

As a True Blood fan, I know Lucy Griffiths can be great on screen. Here she feels like she’s reprising Rachel Weisz’s character from the 2005 feature. Liv is a Jill-everywoman, destined to be out shined by her leading man. My fear is that the series bible just has the words “Noble, stoic,” and “headstrong” next to her character.

I want to see her take on an argumentative role, be the Agent Scully to Constantine’s Mulder.

As a Lost fan, I know Harold Perrineau has a broader range than he’s allowed to show here. Here’s to hoping the angel Manny has more dimensions than a tool for exposition. I’d love to see him visit other conjurers, hedging his bets.

Does NBC's Constantine dogmatically follow it's source material?
Does NBC’s Constantine dogmatically follow its source material?

Pacing is a Problem

Breakneck speed isn’t good when you have to rubberneck to follow the plot. Here’s to hoping the scene count goes down in future episodes. Horror needs a slower burn to reach a boiling point. The jump scares go by so fast that we shrug them off.

The pilot rushes through a series of events, but it fails to connect them. Liv is attacked by an electricity demon AND THEN she meets John Constantine who tells her she’s in danger AND THEN John investigates a sinkhole AND THEN an angel appears to tell him of the rising demon legion. Are you sensing a pattern? There are far too many AND THEN’s in place of BUTs and THEREFOREs. Future episodes need a better balance between cause and effect.

The Dialogue

Apart from Constantine’s lines, which have just the right mix of British slang and quick wit, the banter left a lot to be desired. It reminded me of watching ABC’s Elementary, Johnny Lee Miller’s Sherlock Homes is great, but the show defaults to a cheap cop drama whenever he’s not on screen.

The Blood Map

The blood map is too convenient. These dots across the US are a weaker plot device than the visions from the Powers that Be on Angel, John Winchester’s paper trail on Supernatural, and the machine on Person of Interest. The days of syndicated reruns are long gone, this is a series that needs to follow the model of serialization. The blood map sets up a standalone structure.

Does NBC's Constantine have a prayer of saving supernatural horror?
Does NBC’s Constantine have a prayer of saving supernatural horror?

The Demons

As moviegoers we’ve seen our share of white-eyed stretch-marked possession victims. Show us something this summer’s Deliver Us from Evil isn’t bringing.

The demons lacked imagination. Rather than look to the horned goat-legged etchings that every show like Sleepy Hollow draws from, I implore the show runners to check out Joel-Peter Witkin, the photographer who inspired the creatures in Jacob’s Ladder, Dave Mckean, the Sandman cover artist, or even the creature design in the Silent Hill video games. Horns and hooves are so last century, now it’s all about disfiguring abnormalities.

We measure our hero’s worth by their opposition, based on these monsters, John isn’t long for our TV screens. He needs worthy opponents, foes that play him against other demons. In the books, the denizens of hell are territorial, feuding mob families using John as an unwilling go between. Hellblazer has more in common with The Big Sleep than The Exorcist, the show runners should play with that.

John tricks demons into fleeing, playing one faction against the other. There are hints of this in the pilot, but nothing like a proper grift.

The Magic

In the comics, Constantine’s spells have a dark poetry to them, combining charms, vices, and every day house hold items.

In the pilot he shouts esoteric gibberish. Why does Constantine need to recite a greatest hits of the world’s religions? At one point he says, “By the star of David I command you?”

If the show runners are afraid to go full-Latin-exorcism, then they need to modernize John’s methods. Have him bluff his way through a spell, making up a curse using things tacked to the wall, like a warped homage to The Usual Suspects. Have him use the MacGyver method, building an emergency talisman with objects he has on hand.

Can NBC's Constantine live up to the original Hellblazer series?
Can NBC’s Constantine live up to the original Hellblazer series?

It’s Too Soft

The pilot is a PG outing. There’s no way you’ll mistake it for premium cable offerings like Penny Dreadful, True Blood, or Salem. Even by network standards, this is tepid horror. The X-Files conjured up more frightening demons. We’re told Astrid was ripped apart by Nergal, but we see him use a telekinetic tractor beam to gently tug her into a light.

Relying on the same makeup and effects we always see, the spirits are more cartoony than scary. Constantine needs to distinguish itself from shows like Grimm. The show runners should take a page from their network sibling Hannibal and go harder.

Conclusions

The pilot is worth watching, but our screens are over saturated with supernatural horror. The series needs to establish a unique identity. The mysteries should ride out longer, here John just opens a book and knows he’s dealing with Furcifer. They need to take time to develop the characters.

I’d like to write a spec script for Constantine. Drafting my own episode, I’d lower the seen count, the locations, and the effects budget. Hell, in some of the best Constantine stories, he’s just tied to a chair. I’d start there.

(Update)

I went ahead and wrote an original Constantine story called Gambling with Souls. My take on the character emphasizes his skill for con artistry in the face of evil. It’s hardcore horror with a dark sense of humor. Check it out.

Will NBC's Constantine give weaker supernatural TV shows the two finger salute?
Will NBC’s Constantine give weaker supernatural TV shows the two finger salute?