How Replaying Movies Takes Writers Behind the Scenes

Reaching Cool

Writers are never just passive observers. Whether we’re reading or watching a movie, we don’t consume stories, we occupy them. We’re drawn into the events on the surface, while our subconscious minds pick apart the mechanics behind them. Continue reading How Replaying Movies Takes Writers Behind the Scenes

The Benefits of Creative Limitations

3 Crushing

I never had writer’s block when I was in college. Assignments had a way of getting my imagination going. The more constraints professors put on my papers the more coherent they became. I found inspiration in limitations.

A minimum requirement of citations kept my essays informed. Word count caps prevented me from going off on tangents. A strict thesis kept me on topic. The clearer the criteria the more it felt like I was cheating. Continue reading The Benefits of Creative Limitations

Best Soundtracks for Writing 2014

A skull wearing Skullcandy headphones
A skull wearing Skullcandy headphones

Writers need to keep our attention focused on the page in front of us, this is tough when we live in buildings where sound proof vaults are against the fire code.

It’s hard for us to describe tranquil meadows, when our upstairs neighbors are jousting on rolling chairs. It’s hard to write about winds whistling through ancient ruins, when frat boys are catcalling from the balcony across the street. It’s hard to stay on task, when the pothole of death sends another hubcap into an orchestra of car alarms.

That’s why I’m always on the hunt for music to cancel out the noise pollution and keep me in the right frame of mind. I’ve blogged about how my soundtrack for writing is always expanding. These are my favorite albums for writing from 2014 (with a few entries from 2013 mixed in). Continue reading Best Soundtracks for Writing 2014

Why I’m Worried about the Future of Franchise Films

"Merry Sithmas to all"
“Merry Sithmas”

My Franchise Friend

When I buy a ticket to a franchise film I feel like I’m enabling a friend with a history of letting me down. It’s been a while since he’s violated my trust. Maybe it’s time to give him another chance. Maybe he’s running with a better crowd, producers and screenwriters who actually care about him. Maybe he found the help he needed. Continue reading Why I’m Worried about the Future of Franchise Films

Death Flix

“Where every movie ends tragically”

Desperate to combat movie piracy, the Motion Picture Association of America brought the major studios together to find a creative solution. Spending an unprecedented sum, they implemented a plan to thwart digital theft for generations to come. Lobbying the authorities to sink file sharing sites like The Pirate Bay, they found two more sites rose up to take its place. Realizing they couldn’t stop people from sharing movies online, the MPAA decided to flood the net with altered versions. Continue reading Death Flix

Too Much Information: Why Writers Should Conceal Their Research

"I have to resist the compulsion to reference everyone of these"
“I have to resist the compulsion to reference everyone of these”

A few years ago, someone approached me about adapting a thriller into a screenplay. Reading through the first few chapters, I wasn’t sure where the script should begin. The first scene involved an autopsy where the pathologist missed the symptoms of a biological agent. The author took us through each stage of the autopsy including each instrument the pathologist used, where he made his incisions, and the weight of every organ. Continue reading Too Much Information: Why Writers Should Conceal Their Research

This Year I Will Not Hibernate (Audio Short)


(If SoundCloud is down, download the track)
(Download the instrumental version here)

These last few winters, the arctic chill has given me a good reason to stay in, to sink into my introversion. I’ve made a habit of hibernating, stocking up on movies and curling up to the warm glow of a TV screen. Come spring time, my prolonged isolation makes it hard for me to reenter society. Real people don’t talk like they do in the movies.

This spoken word mantra is my attempt to break myself of this habit, to brave the cold and do something with my nights, to stop waiting for the groundhog to give me the all clear, to help kick old man winter in the keister. I hope you enjoy it.

Repurposing SMART Goals for Character Development

SMART goals might not help you make big life changes, but can they help your characters?
SMART goals might not help you make big life changes, but can they help your characters?

Whether we’re using SMART goals to break a process down into something less intimidating, or for our lofty ambitions, no one is entirely sure what the acronym stands for: Specific Measurable Achievable Realistic Timely, Small Material Attainable Relevant Time-bound, or Sporadic Mixed Abstract Romantic Transcendental (probably not the last one).

SMART goals are a great way for businesses to fully articulate ambiguous “commitment to excellence” mission statements. They provide a quick mnemonic to improve employee output, but for those of us aspiring to make big life changes, SMART goals can leave us wanting. If your goal is to write 2,000 words a day and a sick day has you coming up short that slight deviation will make you feel like you failed the system. Research shows minor setbacks can derail these types of outcome driven goals.

The best system for improving retail sales, might not be the best system for quitting smoking. What if it could be repurposed to help your writing? I’m not talking about setting a goal to get published by the end of the year, I’m talking about making one of your characters use the system to show you something.

I propose warping SMART goals into a character building exercise, a way for your protagonist to state their desires, while showing if they have the presence of mind to acknowledge what’s preventing them from getting there.

The following excerpt is a SMART goal written by a character in a situation where she ought to be panicking.

SMART Goals for a Character in Peril

My name is Cameron Mendax, full time blogger part time prisoner. I’ve been arrested by impostures, posing as highway patrol officers. I broke out of their interrogation room to discover a wall full of my online credentials and social network thumbnails, as well as several other bright young faces.

These mock-cops, with their frayed patches, have me in solitaire until they can figure out what to do, now that I’ve had a peek at their plan. This compromising situation offers few options, but rather than give into despair, I’ve decided to upgrade my SMART goals to pass the time.

The keys to separating a general goal from a specific one
The keys to separating a general goal from a specific one


My general goal is to escape. I realize there’s precious little time to work out the specifics. All those “W” questions:

Who is involved?

The arresting officer, who was far outside the jurisdiction printed on his squad car. An older man, with a face like tattered boots, who might have been a real cop in a past life. He seemed to know his way around an interrogation room. Not to mention the two others he yelled at over the radio, Cyrus and the one he called, “The Poet.”

What do I want to do?

If life had a God-mode that made me impervious to bullets, I’d like to investigate further, figure out exactly what these boys are doing here, but since it doesn’t, escaping with my life will be a fine consolation.

Where do I need to execute my plan?

Here in this cell, before these cosplay cops move me someplace they have more control of. I get the sense they don’t know this precinct or its equipment as well as their uniforms imply. I was able to get out of those ancient cuffs by wedging a pen clip in the teeth. The bolts keeping the interrogation chair fastened crumbled in my fingers. This room must have a similar weakness worth exploiting. A handful of gravel would make a decent distraction. A loose chunk of concrete would make a fine club. If I’m lucky, I’ll have time to fashion a shank.

When should I act?

When my captors let their guard down.

They’ll be in numbers when they come to transfer me to a torture chamber or a shallow grave in the middle of nowhere. If I can get the door open I can get the jump on them. Maybe I should pretend to go into convulsions. What if they’ve already seen the same prison movies I’ve been watching? Maybe I could lay my hoodie on one side of the room as a distraction, so I can attack them from the darkness, drop from the ceiling, maybe even get myself a gun.

Which requirements and restraints will I have to work with?

I’ll have to commit to one of these scenarios and practice it. Once the fear kicks in, I’ll find myself stuck between fight and flight, in a mode I call “Deer in headlights.” If I pry a chunk of drywall free, I’ll need to practice swinging it. If a sharp bit of rock breaks loose, I’ll have to practice slicing my shank across my captor’s throat.

Why do I need to go this far?

They’ve knocked me out twice. Once with chemicals dispersed from a breathalyzer and once by clubbing me in the head. If the room with all the photos and social media profiles is anything to go on, these guys have been at this for a long time. Since I didn’t hear any voices in my brief jaunt down the hall, I have to assume I’m the last one. I have to act or I won’t live long enough to see how Marvel’s thirty-part film franchise pans out.


How much will I have to do? At a minimum, I’ll have to assault or vault over two armed men, this is with limited martial arts and track and field experience.

How will I know when my goal is accomplished? When this run down police station is a dot in my rearview mirror, preferably with flames billowing out the windows.


As long as I don’t starve, never fall asleep, and channel a level of Herculean strength I’ve never been able to muster in order to do a pull up, we’re golden.


If Hollywood has taught me anything, skinny models can clear a room full of armed guards by power-sliding in with both guns blazing. Imagine what a girl with an average build can do. Here I am clawing at the walls, hoping a club will fall into my lap, but really, all I have to do is wait for the slow motion to kick in, run up one of my assailant’s chests, do the splits, and knock ‘em both in the noggin. Easy peasy.


Ideally I’ll accomplish my goal before I get maimed, short of that, before I get completely dismembered.

Here in the maddening dark, I doubt I’ll lose my sense of urgency and start slacking. If they do give me that kind of time, I’ll start doing pushups so I can go full Linda Hamilton all over their asses.

That is if “T” stands for “Timely.” If it means “Tangible” then I’m totally screwed.

It’s important to set goals, not just for you, but for your characters
It’s important to set goals, not just for you, but for your characters

It’s clear Cameron’s in a tight spot, but her musings have revealed several directions the story could go from here. To me the most interesting one involves her attempting to play possum and failing to slice her assailant’s throat with a dull bit of rock.

Cyrus clutched his throat.

Garret steps into the cell. “What happened?”

Cyrus smirked. “She grazed me.”

“Are you hurt?”

Cyrus shook his head. “Nah, just confused. It felt like she was trying to tickle me or something.”

From here, the cosplay cops drag Cameron out of the frying pan and dump her into the fire. Still, she’s resilient enough to set another set SMART goals.

What's the Big Ideation?
What’s the Big Ideation?

What’s the Big Ideation?

Though not a requirement, a character background is a good source of inspiration to fuel your writing. What’s great about this exercise is that it taught me things about Cameron I didn’t know going in.

You probably don’t need to fill out a Myers-Briggs Personality Inventory on behalf of your characters, but it doesn’t hurt to have some idea how their outlook differs from your own. If your story isn’t written in the first person, this exercise can tell you what your characters’ are thinking.

The urgency of this adventure won’t afford Cameron too many detours for her backstory. Her personality has to surface while she’s coming to terms with her environment. This SMART goals activity lets me fire up my imagination, without overwhelming it with too much information. It’s a character development exercise woven into the plot, not a sprawling character bible full of random details I may never use.

Give it a try, before you start writing, or even when you’re stuck in the middle of a scene.