Specters of Summer: Creepy Real Life Encounters

Flash Non-Fiction from a Frightened Pedestrian

I live in a part of Minneapolis where I can walk most everywhere I go. While other city dwellers live in food deserts, far from healthy produce, I live in a food oasis with four grocers just blocks from my apartment. Minneapolis has a greenway where cyclists and pedestrians can travel without having to worry about oncoming traffic. Everyday I walk that way to work. I have my choice of four lakes to hike around to find my calm. I walk to the coffee shop where I write. I walk to my Twin Peaks viewing party. I walk to karaoke.

I grind the heels of my boots down flat. I go through one set of insoles a month, and my jeans always have a shortened lifespan, but I can get away with eating donuts and maintain the same frame I’ve had since I was eighteen.

I like walking, despite all the gravel I track into the apartment or the fact that I have to carry an umbrella at all times.

The only real drawback to traversing the city on foot is that it leaves me much more vulnerable than if I were in a vehicle.

There are always wolves looking to prey on anyone they perceive to be lagging behind the heard. Sometimes it’s the red cup wielding frat brothers picking fights on street corners while onlookers yell “World Star.” Sometimes it’s the sidewalk trolls, panhandling for a toll, following me for blocks until I give them a hard, “No.”

Sometimes it’s the people spotting me over their shoulder, ducking into entryways, thinking I can’t see their breath spiraling out in the cold. These are the people who leap out of the shadows, follow me between buildings, and chase me into gas stations. These are the predators I don’t always see coming.

I’ve been jumped before, laid out, full on woke up in a hospital with no clue what happened, missing a phone and a lot of time. The experience puts me on edge at night. It’s made me hyper aware of my surroundings. When I see a shady character standing in my path I check the bushes for silhouettes. Attackers are like Velociraptors if you see one in front of you odds are there are two swooping up from your sides. Continue reading Specters of Summer: Creepy Real Life Encounters

Night and Day: a poem about your creative life and your work life

At night you write editorials
On managing depression
By day you justify the difference
Between online and in store pricing
At night you design covers
For your unpublished works
By day you honor expired coupons
For entitled jerks

At night you rehearse monologues
In front of all your mirrors
By day you perform a script
For fear of secret shoppers
At night you record podcasts
With a progressive slant
By day you’re a captive audience
For political rants

You’ve got a long commute
When you follow your dreams
You get motion sickness
Between the extremes
You get whiplash
Covering all that ground
Between the sun and moon
You get all worn down

At night you draw sketches
With intricate crosshatching
By day you find gaps in shelves
In need of patching
At night you drop beats
Over vintage synthesizers
By day you compare coverage maps
To those of your competitors

At night you pack stanzas
With evocative verbs
By day you bottle rage
For some good Yelp blurbs
At night you teach yoga
To friends looking to get a grip
By day you bend over backwards
Just to get a good tip

You’ve got a long commute
When you follow your dreams
You’re a crash test dummy
Between two extremes
You get jetlag
Covering all that ground
Between the sun and moon
You get all worn down

Book Club Discussion Guide

DON’T THINK OF A CRIMSON ELEPHANT

By Flavius Octavius Davis

BLACK HOUSE PRESS READERS GROUP GUIDE

This reading group guide contains questions for discussion, suggestions to deepen your appreciation of the book, and instructions for dealing with the knowledge that this text has made you vulnerable to psychic incursions from the blood red trunk reaching out from the nethermost regions of the astral plane. The questions are intended to enhance your experience, empower group members to share personal insights, and help you cope with the fatal error in judgment you’ve made by selecting such a reading.

INTRODUCTION

The nameless narrator of Don’t Think of a Crimson Elephant warns you against empathizing with his plight. He pleads with you not to follow his nightmares through the skyscraper bone yards, shifting mountains on the horizon, or game trails in the storm clouds. He spoils the dramatic tension, telling you outright that his journey ends in damnation. He warns you of the consequences of letting the seeds of forbidden truths take root in your mind. He tells you that daydreams are like farmland and fear is their fertilizer. He gives you cause to cower from an herbivore. Continue reading Book Club Discussion Guide

Why Artists need to Pay Their Collaborators

So you’ve finished a novel. You’ve birthed a semi-autobiographical baby and you want to show it off to the world. You’re going to self publish and you have some idea of how to reach an audience.

You follow other authors on social media. You see a lot of book banners in your newsfeed. You’re oblivious to most advertisements, but you know how effective a clever design can be.

You’ve clicked thumbnails for novels because they reminded you of the hand drawn collages that once dominated VHS tapes, back in the heyday of horror. Others that reminded you of the black light posters for bands your parents would never let you listen to, and others that looked like Banksy Graffiti, mutated corporate logos repurposed to stick it to the man.

You’ve judged books by their covers and read many a blurb just because of the art. You want a design that compels readers to do the same. Lucky for you you know a guy. Continue reading Why Artists need to Pay Their Collaborators

Speak of the Devil: A Creepy Poem

3 a.m.
Another glass
A crisis of conscience
This too will pass
The bathroom tiles
Are doing that thing
Where they sink into the dark
Leaving only the towel rings
Gaze into the abyss
Like a lover unblinking
The abyss wants to know
“What are you thinking?”
So tell it
Go on proclaim
Lean into the void
And say my name

Speak of the devil
And I shall appear
I’m up on the ladder
With the ground to my ear
You’re just one Bloody Mary shy
One Candy Man from kingdom come
One Beetlejuice from party time
One name away from

Just say, “When”

4 a.m.
Pop another bottle open
Now is not the time
To be making good decisions
The kitchen walls
Are doing that thing
Where a gash cuts through them
And they bleed all over everything
Thank God you got someone
Who cleans these sorts of messes
Who gets you out of jams
Who gets you out of dresses
Someone who never sleeps
Who catches you when you fall
Who answers to so many names
Who comes when you call

Speak of the devil
And I shall appear
I’m up on the ladder
With the ground to my ear
You’re just one Bloody Mary shy
One Candy Man from kingdom come
One Beetlejuice from party time
One name away from

Just say, “When”

(Knock-knock)
Let me in

Why Every Writer Needs a Living Will… Before the Singularity

One of the most important things a novelist can do is write a will so their family knows how to manage their intellectual property in the event of their death. Franz Kafka, Thomas Hardy, and Emily Dickinson all wanted their writing burned after they passed, but their wishes weren’t legally binding. Meanwhile Michael Crichton, Stieg Larsson, and Vince Flynn have all published bestsellers posthumously.

To ease the burden off of my friends and loved ones I’m going to settle my estate early. Consider the following my living trust and my living will.

If I am ever in a persistent vegetative state, unable to eat or breathe without the aid of a machine then please, by all means, strap the latest neuroimaging technology to my skull and get to mapping. If the scan is incomplete then go full Walt Disney, scoop my brain out and put it on ice. I consider that entire organ my intellectual property. Copyright every neuron. If you’ve got to refrigerate it in the library of congress then so be it.

I’m counting on a rogue artificial intelligence to upgrade itself to a state of godlike omnipotence, to send massive servers into orbit and create a new plane of existence to house all our neural signatures forever. When this singularity happens I want a front row seat. Upload my consciousness to the cloud. Give me a CGI facsimile, like Max Headroom, and trademark my face. Continue reading Why Every Writer Needs a Living Will… Before the Singularity

Poetry Today: On Bestselling Poetry

I will not write poems on the shitter
For Tumblr or Twitter
For Instagram views
Or ribcage tattoos
I will not write quirky quotables
For scroll bar vegetables
For boards on Pinterest
Where fonts speak loudest

I will not write limericks
For Hallmark sunsets
Too many tranquil oceans
Are littered with devotions
I will not spread good vibes
For up-votes and fast subscribes
For thumbs or hearts
Or Emoji art

I will not break platitudes into parts
With rhythms of fits and starts
Or throw out the metronome
To pass a sentence as a poem
I will not hide behind positive messaging
When I find reviews threating
Or ask you to grade intentions
When I’m lacking inspiration

I will not use “whispered” liberally
For a cheap sense of intimacy
Or say, “All the angels came together
To forge me the perfect lover”
I will not push more gooey snacks
Sugary sweets in shiny packs
And junk food entertainment
On brains craving nourishment

The words that speak to me
Are surges of telepathy
They dig like hungry dogs
Into my internal monologue
They’re not hackneyed hashtags
Or designs for your splash page
They’re not shareable or wearable
Or I don’t fucking care-able

I keep telling myself not to pander
To the lowest common denominator
Not to sellout my principles
To get a click-bait book deal
I keep telling myself persist
Get on that bestsellers list
Milk and Honey earned its rank
And that book is mostly blank

Keep Telling Yourself: 10

Keep telling yourself…

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Keep telling yourself…

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Keep telling yourself…

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Keep telling yourself…

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Keep telling yourself…

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A Fair Price: A Poem About Underselling Your Art

I drop a pocket watch
Into the collection plate
Because I’ve got
All this time to donate
I pay to play
Live at a loss
Tick off the days
And shrug off the cost

I’m a giving tree
Money grows on me
I make it rain gold
Roll in my debris
I work for free
Free space, free time
Free rein, free mind
Free verse, free rhyme

“But how do you get by?”
She has the nerve to ask
Artists really only need
Some ink and a flask
You’re the one getting
Something for nothing
The least you could do
Is pay attention

I got prizes inside
I’m spitting diamonds
Holster your checkbook
And open your hands
Who cares how these jewels
Came unstuck
For all you know
They fell off a truck Continue reading A Fair Price: A Poem About Underselling Your Art