A concerned demon weighs in on the secularization of the season, giving an impassioned plea for humanity to put the occult back into our culture.
Stayed tuned to DrewChial.com all October for horror movie recommendations, audio plays, flash fiction, and Photoshopped Halloween costumes.
SHADOW PEOPLE is my second full length album. This LP is a soundtrack for daydreams and nightmares, filled with somber synth soundscapes, industrial rhythms, and eerie atmospheres. It’s the perfect score for writers, filled with meditations for ideation. Stream it here or buy it on Bandcamp.
A writer isn’t sure if the ghost occupying her basement is real or a figment of the tumor in her brain. A sex addict seeks anonymous fun only to find himself the unwitting pawn of a mysterious librarian. A house husband has an idea for a haunted trail that may involve murdering his wife. An accused killer falls in love with her lawyer. A defense attorney is in the process of being disbarred for sleeping with his client. A grief stricken widower is put on trial by his own demons.
These are the tortured souls living in my work in progress: We the Damned. This is the playlist I listened to help get inside their heads. Songs of loss, yearning, and cocksure defiance. Check it out.
Here are 8 Dreams and Nightmares turned into 8 works of flash fiction, all in 18 minutes of audio. Each one is something straight out of the Twilight Zone: haunting, surreal, and filled with twists. Stream for free or download and pay whatever price you want.
I used to have a nervous tick that manifested whenever I spoke in public. My leg shook like a cartoon bunny. The severity of the tick increased the worse I thought I was doing. If my audience folded their arms, checked their watches, or rolled their eyes my brain sent a message to my thigh, “It’s rattling time!” The worst was when the momentum rode up my spine all the way to my neckline. I turned into a chatter-mouthed bobblehead. My words came out in a pulsing vibrato like I was talking into a desk fan.
I went into rabbit mode when I read an essay in class and mispronounced one of my fifty-cent buzz words. It happened when I pitched a script and the producers rolled their eyes toward each other, and when I gave technology tutorials and my coworkers interrupted to ask questions about what I’d just covered. Continue reading A Storyteller’s Guide to Public Speaking
The Pros and Cons of Concealing Certain Character Traits
There are good reasons to avoid identifying a character’s ethnicity, exact age, and body type in your writing, especially when these traits aren’t crucial to understanding their actions. By revealing these specifics you limit the casting options in your readers’ heads. You make it harder for some members of the audience to see themselves in the role. If you leave these elements ambiguous your lead could be anyone your readers want.
At the time of this writing there’s stubble on my face. If I’m reading a story with a male lead I’m likely to imagine him with stubble too, until the author tells me he’s clean shaving. I’m six foot four, I have dirty blond hair, and greying sideburns as is every male lead of the books I read, until the author tells me otherwise. Continue reading A Question About Diversity in Fiction
In his book, Ansari talks about the strange thing that happens when someone we like makes themselves available to us. The moment we know this person is a possibility they go from being the one to an option. They lose their appeal. We let our text exchanges with them fizzle out. We’re suddenly too busy to set a concrete appointment. The thrill of discovery is gone. This reaction is especially true to emerging adults fresh on the dating scene, where the search for a soulmate is a numbers game. Continue reading How Writing a Novel is a lot like a Relationship