Tag Archives: writing

How to build an Engine instead of a Platform

When I published my first novel, HE HAS MANY NAMES, I wanted a book tour with all the fixings: morning shows, signing lines, standing room only readings. You know the usual accommodations to literary world rolls out for unknowns. I mean how expensive could an ad in Times Square really be? It’s not like I was asking for a 30 second spot in the Superbowl, just a 15 second one. Like all humble artists, I required a few simple things:

T-Shirts
Stickers
Posters
Bookmarks
Enamel pins
Book trailers
A concept album
An official podcast
A comic book adaptation
A documentary short series
And a partridge in a pear tree

These seemed like reasonable requests on my backstage rider. That and fifteen-foot python filled with brown M&Ms. It turned out indie publishers didn’t budget for exotic pets. If I wanted promo materials, they’d have to come out of my own wallet. I tried to hypnotize artists into making them for me, embedding subliminal cues into casual conversation.

“I need to finish this YOU-line good-WILL paper-WORK be-FOR FREE-day.”

I’ve since discovered that mentalism is a junk science and Derren Brown is a vampire who glamours all his participants.

I had to do my book promos myself. This proved challenging after the book had already been published. I cut together a book trailer with some unused film school footage. When that failed to get any traction. I cut another one, and another one. Eventually I wrote screenplay for a local filmmaker who’d expressed interest in shooting the opening scene. That never came to fruition and the promo cycle rolled on. My publisher had bigger successes from authors with bigger platforms.

Then Twitter, Facebook, and Instagram adjusted their algorithms to downplay links, and I was back to square one (I blame Buzzfeed and Upworthy, a pox on both your houses).

Fast forward, through an international health crisis, and I have a second novel. Now, I could start shopping it around, find a publisher, get it out into the either, but what happens when it comes time to promote it. Quit my full-time job and pray for success? I need a better strategy. I need to work on the promotion side of things, before bringing a book to market. In this instance, it’s smarter to put the cart before the horse.

What Videogames Taught Me About Bookselling

In the videogame industry developers rarely program from the ground up. They use frameworks built on libraries of 3d assets, real world textures, and motion capture data. They call this framework an engine, because it sits at the heart of a complex machine. Engines simplify game design by giving designers elements they can reuse over and over.

If my next novel was going to have a chance, I’d have to build an engine of my own. An engine filled with assets perspective book buyers might like. So, I asked myself, what kind of content keeps me from scrolling on?

Visual Art

Not the slick homogenous stuff an AI might spit out, but evocative, imagination driven designs. Patrick Nagel’s art deco women. Gustave Doré’s depictions of the inferno. Drew Struzan’s movie posters. Those are the designs that get me every time and they’re applicable to what I’m working on.

If I could teach myself to draw like that, my next novel might have a chance. Over the last six months I’ve been building a portfolio, depicting my character Mahthildis as one of Patrick Nagel’s femme fatales. I now have a healthy library of designs.

Designs I can reuse by turning them into memes.

Video

The next step was to build a framework for video. Let’s face it, short-form video rules social media. If you want young people to consider your long form content you have to engage them in quick bursts first. Photoshop helps with this, since my subjects are grouped into layers. I can separated them from the backdrops, make them zip in and out of frame, and eventually move their limbs.

I’m beta testing my engine with animations. I’m writing a series of short stories featuring the demon goddess Mahthildis. In each story I’m pitting her against a mythic figure associated with that month. Krampus for Christmas, Father Time for New Year’s Eve, and St. Valentine for Lupercalia.

I thought it would be funny to animate Mahthildis facing off against her foes, like characters in the VS screen in Mortal Kombat 3. That way I could reuse the Mahthildis image and slot in a new villain each month.

It seems like a lot of effort to make a book trailer, with music and narration, for a series of free short stories, but each one is a test to see how far I can reach.

Hopefully, this process will teach me how to streamline my video edits. I’ll learn which social media platforms are worth targeting. I’ll learn how to build an engine with a lot more horsepower than before.

An Engine is a Good Excuse to Dust Off Some Old Skillsets

More and more people want to be writers, which makes getting your work noticed that much harder. Authors need to bring every skill they have to the table. Imagine the ideal reader for your story. What are their niche interests? What tools do you already possess to engage them in other spots? Write them down and plan out a frame work of reusable tools.

If you’re a photographer then bust out your DSLR. Stage pictures of subjects relevant to your novel and tease the images out throughout your promotion cycle. If you’re an actor get some friends together and record a reading of a scene. If you’re a musician create soundscapes you can read excerpts over.

Follow other indie authors. Scrub through their feeds. Consider which posts get traction and which posts don’t.

An Engine is a Good Excuse to Develop Brand New Skills

I learned Photoshop the same way I learned to tie a tie with Youtube tutorials. That’s how I’m teaching myself motion graphics and animation, one video lesson at a time.

Think about the skills your framework requires. Which ones have you always wanted to learn? Which ones would you want to have, even if your book promo doesn’t go well? Those are the skills worth investing in.

Build an Engine on an Engine

There are plenty of time savers out there. Just remember that over one else is using the same ones.

Yes, you could use AI to generate art assets. You’ll have to study the prompts other creators are using before you can make something the slightest bit unique. I’ve experimented with several of the AIs out there. I found the characters were inconsistent from frame to frame. They generate awkward artifacts. AI struggles with eyes, with edges, and fingers. Every image has the same tight depth of field. And so many of the creations look like renders from video game engine.

If you don’t have time to learn Adobe Premier, you can use a book trailer maker. Drag and drop some assets into a video template. Choose from a library on licensed stock video scenes. Type your pitch out in a series of captions. I’d recommend pushing the boundaries of the template as much as you can. Those stock scenes rarely cut well together.

Look up the #BookTrailer hashtag on Instagram for examples of people who didn’t put in much effort. You’ll find music that doesn’t jive with the spirit of their story. Images with mismatched color tones. Videos with abstract subjects. Most of them look like video collages. You might be better off using still images.

Do whatever you can to give your trailer a sense of author ship.

Conclusion

There’s a reason all the those bright-faced booktubers say, “You shouldn’t get into writing for the money. You should do it because you love it. It should be its own reward” That’s a nice way of saying you’re probably not going to get paid for it (I’m not talking to you though, just everyone else, you’ll be one of the exceptions that takes the publishing world by storm).

There’s a song that breaks my heart every time I hear it. It’s called Everything is Free, by Gillian Welch.

“Everything is free now
That’s what they say
Everything I ever done
Gonna give it away
Someone hit the big score
They figured it out
That we’re gonna do it anyway
Even if it doesn’t pay”

That verse must hit every artist right in the gut, because they know it’s true. We are all feeding the content dragon, hoping for but a taste of the horde its sitting upon.

You have to love making art for the sake of it. You have to love promoting it too. I’ve made no allusions to how much I hate self-promotion. That’s why I’m building an engine, to give myself a framework, to showcase my creations without having to conjure up a fresh scheme every time.
Continue reading How to build an Engine instead of a Platform

New Year’s Writing Resolutions

My blog has been in hibernation mode since I started work on a new novel. I’m about to ease it awake again, but I want to do things different this time around. If you scroll through my posts, you’ll see a compulsive attention to detail, from the photoshopped images to the long form editorials, from the spoken word recordings to the music behind them. I’ve put my whole ass into everything I post.

The problem is I held so little back. I spent more time blogging than writing fiction. I fed every scrap of inspiration into the gapping maw of the content dragon, and it paid precious few shards from the hoard it sat on. Now I’m venturing back into the Lonely Mountain to separate Smaug from his coins. These are my resolutions this time around.

Stop throwing shit at the wall in the hopes that it will stick

I love writing satirical editorials on the craft, but The Onion isn’t exactly knocking down my door. I love writing monsters into current events, but my bandwidth for the news has shrunk. I love giving writing advice, but I’m not about to start selling masterclasses. It’s time to think about what am I actually doing.

How can I be useful to an audience?

I’ve self-published. I’ve been published through an independent. I’m shooting for the moon this time around. Writers might want to track my progress, to see which of my world domination plans could work for them.

I also want to focus on horror fans. My current project has me buried over my head in cryptic research. I’m learning things all the revisionist history podcasts gloss over. Like: how kingdoms used the witch trials to snuff out their poor. How the gods of yesterday become the devils of today. How Satanism has its roots in performance art. And what the Ren Faire and fetish dungeons have in common.

I want to be an author NOT an influencer

When you’re reading a story, you’re should be so emersed you don’t have time to think about the author. Their hand should be invisible, hidden behind the veil of your imagination. You’re not supposed to turn to the back flap and a think, “He looks like the type of asshole who’d write a woman like that.”

That said, I don’t want to post selfies with my blog entries.

When I was teenager, I wanted to be a rock star, with my leg up on the amp, hair flowing in the wind, the subject of a thousand grid-method illustrations. Now, my self-image is less about the visuals. Call it ego death. Call it social media burnout. Call it covert narcissism. I’d love it if my writing was known independently of my personality.

I know, this spits in the face of everything we’re told about building our brands, but I’m not trying to sell me. I’m trying to sell my stories.

Sure, I can fill a counter with Tupperware containers and tell you, “This is what you’ve gotta eat to bulk up like me.” I can do a TikTok dance, swish my pencil skirt, cross my eyes, and stick my tongue out. I could list every mental illness I live with and wear them like a fashion statement. Or I could just not.

I have never been the cool guy at the talent show. I did my finest work at show and tell, where the message wasn’t “look how cool I am,” it was “look at the thing I’ve created.”

I don’t want to use social media like a sociopath

I don’t enjoy treating every online interaction like a transaction. I don’t want to think thoughts like,

“Will adding this stranger minimize my impact with my current followers?”
“How will wishing this person a ‘happy birthday’ benefit my brand?”
“Alright, I’ve posted five comments, not it’s safe to post a link.”

I’d rather reach out to other creators and figure out how we can help each other.

I don’t want to become a guru just to promote my writing

I don’t want to be a knowledge leader, with halo lit eyes, goading you into meeting your wordcount goals. “Come join me in the light. There’s room enough for everyone.” Nor do I want to be the shit poster, dunking on BookTokers for trying to cancel each other. “Of course, she’s being called out. Her trigger warning failed to mention the strobe effect in chapter one.” I want to be authentic, not YouTuber authentic, “Oh gee, more technical difficulties,” but authentic authentic.

Not another white man with a premature persecution complex. Not an ivy leaguer speaking in enlightened jargon. If I had my way, I’d be nothing, the fiction would be everything. I want to be an author with stories so cool that I, myself, am incidental. I’d like to do things backwards and put the art before the artist. But in this world full of bright young things, dancing in a line, it is hard to get noticed for just your writing.

So, I will continue to hatch my schemes. Maybe I’ll start a podcast. I’ll call it Square-Help-Fresh. No banter. No filler. Just ads for Square Space, Better Help, and Hello Fresh. Yeah, that’ll work.

Minneapolis is Not a Story (Sincere Post)

I am not qualified to tell the story of what is happening in Minneapolis right now. So what if I’ve lived here for over twenty years? So what if I’ve witnesses police brutality firsthand? So what if I’ve heard accounts from all over the city? So what if some of my fondest memories take place in buildings that are now rubble? So what if I have eyes on the ground? I am a storyteller AND I am not qualified to tell this story.

No one is. Sure we can share our experiences. Our anecdotes can give you a window into what is happening, but a story, a plot driven tale, functions differently.

Writers have a tendency to depict historical events in three acts. Act 1 – George Floyd is murdered by the police and everyone’s routine is broken. Act 2 –People want justice and demonstration spread from Minneapolis to throughout the nation. There are lootings, fires. Outside agents take advantage of the chaos. Peaceful demonstrators get caught up in violent skirmishes with the militarized police forces. Act 3- The murderous police officers are jailed. Sane and sober minded citizens volunteer to sweep the streets, they run food drives, and crowdfund their local businesses. They dismantle systems of oppression and rebuild something stronger. Something that includes everyone.

Isn’t that a lovely story? It’s easy to follow. It has clear good guys and bad guys. And best of all it has an ENDING.

Don’t be swayed by this narrative. It’s false. Why? Because it follows a narrative structure. Like a movie it starts late, has a narrow scope, and ends far too early.

Minneapolis is not Gotham City and Commissioner Gordon is not going to quote Charles Dickens over sweeping shots of panoramic skylines.

Things were not. Are not. And will not be that simple.

Comedian Hannah Gadsby once said comedy is the business of creating then puncturing tension. A joke ends as soon as the comedian can relieve tension and get a laugh, not when the actual events in the joke end. Stories function in much the same way. Act 1 creates the tension. Act 2 tips the scales from hope to dread. And Act 3 relieves the tension.

This is not a story. Even after the smoke clears the tension will remain. For some that tension will turn malignant. It will take roots in their soul and they will learn the wrong lessons. For some that tension will turn to introspection. They may resent it, at first, but the contemplation will lead to gradual changes from within.

Far too many people will lose the plot completely. The emotional baggage will become too much to bear and when another injustice happens they will turn away, because they have the luxury of choosing where they place their attention.

When people say, “I thought we were past this.” It’s because they thought the Eric Garner story was over and they stopped paying attention. The Michael Brown story isn’t over. The Sandra Bland story isn’t over. The Philando Castile story isn’t over.

And the George Floyd story doesn’t end with the prosecution of Derek Chauvin, or Thomas K. Lane, Tou Thao, and J. Alexander Kueng. It doesn’t end with convictions or with the ousting of MPD Federation President Bob Kroll. It doesn’t end with governmental aid, sweeping police reforms, and policies that reduce income equality. It doesn’t end with a blue wave across the country or with democrat in the White House.

Because it’s not a story. It. Doesn’t. End.

A lifetime of consuming stories has wired us to think in threes, but reality doesn’t work like that. Real change requires us to think outside of the narrative. It requires us to reject premature resolutions. It won’t be long before the news distills all this down to a thirty second montage of George Floyd’s murder, heated demonstrations, and community cleanup. Three neat little acts. A relief of tension. A happy ending. An easy out for anyone who wants to stop paying attention.

Don’t fall for it.

Stephen King Regrets Writing Himself into This Story

This Friday, officers Libby and Davis investigated a disturbance at Gerald Winters & Son Book Store in Bangor Maine. They found a disheveled man hurling rocks at the door, screaming “Let me in! Please let me in.”

When confronted the man screamed. “You don’t understand. They have the unpublished manuscript that I need to get home!”

It wasn’t until the officers put the man into the back of their vehicle that they realized he was Stephen King.

Officer Libby recounted the incident. “The plan was to drive King home and break the news to Tabby that he’d fallen off the wagon. On the way we tried to assess his sobriety and gage his frame of mind.”

Officer Libby kept her body camera recording the entire time.

“Hey Steve, isn’t that the restaurant where they found the eyeball in the fortune cookie?”

King grunted in the affirmative.

“Want us to turn on the radio? Which station do you own WKIT-FM or WZON?”

“Both of them.” King muttered out the window. Then he pressed his palm to the glass. “UPS is still delivering? That means we’re still in chapter 1. Shit doesn’t hit the fan until the murder hornets show up.”

Officer Libby chuckled. “Murder hornets?”

“Harbingers of the Crimson King. The third of seven.”

Officer Davis chimed in. “I thought seven was a good number.”

King grew irritable. “Who told you that? Odd numbers are always bad, especially prime ones, and especially seven.”

Officer Libby tried changing the subject. “So these harbingers are all insects?”

“No. The first takes the form of an pandemic. The second appears as armed protests. The third is hornets. The fourth is shootings over masks. The fifth is giant rats. The sixth is children murdering their parents.”

“Yikes.” Officer Davis squeezed the wheel. “What’s number seven?”

“When a crystal ball, known as Black 13, is unearthed from One World Trade Center.”

“Then what happens?” The officers asked in unison.

“The beams supporting the dark tower will break and the Crimson King will be set free. He’ll use the deadlights to find the Key World and begin unlocking things. Phantom doors will appear on every street corner and the Warriors of the Scarlet Eye will spill forth from the Outer Dark.”

“Sounds like a hell of a story.”

“That’s all it was supposed to be. I wrote it in a cocaine fueled stupor around the same time as The Tommy Knockers. I shelved it and the world moved on. That was until I found a door on my front lawn.”

“When was that?” Officer Libby couldn’t help but ask.

“Last night.”

Officer Davis later admitted to taking the long way to King’s estate. He wanted to buy the author time to finish his story. In hindsight, Officer Davis admits this was a mistake.

“There was a creaking out front, like the gate was hanging open. I peeked through the drapes and saw something on the path. At first I thought it was a person, a tall man with square shoulders, hunched over in a long black coat.”

Officer Libby spoke over her seat. “I figured you’d have a top of line security. Especially after reading Misery.”

King shrugged. “The system wasn’t making a sound. I thought it was a trick of the light. Something phantasmagorical, like in the stories of Edgar Allen Poe.”

“Do you…see things often?” Officer Libby asked hesitantly.

“The opposite, actually. I’m losing my vision. I have a condition that blurs the center of my sightline. I have to look out the corner of my eyes. That’s why I went outside.”

Officer Davis spoke through the mirror. “When did you realize it wasn’t a person?”

“When I had my hand on the doorframe. It was sturdy, like someone had driven it into the cobblestones. It was a deep rosewood. The color of blood. I looked to where I thought I’d seen a face and my heart skipped a beat.”

“What did it say 1408?”

“No, it was a knocker in the shape of the Great God Pan. It had rams horns, curly locks, and a nasty scowl. Its teeth were jagged, its brow furled, and its nostrils flared. A knocker hung from its septum.”

“Did you knock?”

“I didn’t have to. The door yawned open. I tried to push it shut. I reached for the knob and got a handful of wind for my efforts. My depth perception is horse shit, but something else was throwing it off.

The door moved closer as the path grew distant. I strained to catch my breath. The air felt thin. Reality felt thinner. Then came a light beneath door. It swung open and that light was blinding.

When I opened my eyes it was broad daylight and I was standing in the center of the road. There was a cyclist in a surgical mask. He shot me a dirty look as he passed. That’s when I realized I was in my own Macroverse.”

Officer Libby interrupted. “Stephen, do you mind if I ask how old you are?”

King balled his fists. “I’m not having a senior moment if that’s what you’re thinking.”

Officer Davis let out a long patient sigh. “Yeah, but why would we know you’re a writer if this was happening in one of your stories?”

Dejected, King craned his neck all the way back into the headrest. “My stories exist within my stories. I hold the Guinness world record for most film adaptations. It’d be hard for readers to believe a story where people haven’t heard of me. Christ, I’m appear in three of The Dark Tower entries.”

Officer Davis gave that a considered nod. “But if you write all this meta fiction, isn’t it possible this is all in your imagination?”

King waved that notion away. “Who’s the president right now?”

The officers exchanged a knowing look. “Donald Trump.”

“It’s Clinton where I come from. Donald Trump was my invention. He’s a modern spin on Greg Stillson, the politician, from The Dead Zone. Stillson was a charlatan folk hero. With Trump I wanted to see what would happen if a reality star became president.”

“And this pandemic is also your doing?” Officer Libby humored him.

“I came up with The Stand after I read about a chemical spill in Utah. I came up with The Coronavirus after I read we’re no closer to a cure for the common cold.”

Officer Davis smirked. “What inspired Dream Catcher?”

“OxyContin.”

Officer Libby put her palm to her forehead to hide her grin. “So where are we in this coronavirus story?”

“Has Trump gone on TV to prescribe a malaria drug to the general public?”

“Uh-huh.” The officers said in unison.

“Has he told everybody to drink bleach?”

“Uh-huh.”

“Has he postponed the elections until 2021?”

“Uh-what?”

King nodded self-assuredly. “Then there’s still time.”

At this point Officer Davis felt certain King was putting them on. He couldn’t help but chide the author over his body of work. “Hopefully this one has a more satisfying ending than Under the Dome.”

“Or Secret Window.” Officer Libby added.

“Or The Mist.”

“Or Cell.”

“Or It: Chapter 2. They killed the clown by calling it names?” Officer Davis scoffed. “That was so lame.”

King raised his eyebrow. “That’s not how the book ends.”

Officer Libby rolled her eyes at her partner. “How does this one go again?”

“Or better yet,” Officer Davis let go of the wheel to look back. “How were you planning to get home?”

“Through a breach in reality.” King looked out the window. “I just don’t know where it is.”

Officer Davis seized on that apparent plot hole. “You ought to know you wrote it.”

King gave that a maniacal laugh. At this point the officers reported feeling uncertain that King was putting them on.

“Have you seen my bibliography? Do you think I know those stories by heart? There’s one copy of the manuscript and you are driving away from it.”

Officer Davis turned the patrol car in the direction of the Gerald Winters & Son Book Store. Later he’d admit to doing this to call the author’s bluff.

“Hmmm.” Officer Davis pondered.

“What?” King crossed his arms.

Officer Davis let the wheel go again. “How could a manuscript exist within the story itself?”

Officer Libby turned back as well. “You’d have to have written it in, but then you’d have to write one into that one and another into that one and on and on and on.”

“Like Russian dolls.” Officer Davis nodded.

King’s eyes widened.

“What is it? Did you forget to write the manuscript into the manuscript?”

King pointed ahead. “Door!”

Officer Davis jerked the wheel. The squad card hit an obstruction and flipped end over end. Footage captured by the on-board camera system show the road was clear. Clear right up until the moment a rose red door materialized out of nowhere. A close examination of a freeze frame reveals a knocker that’s dead ringer for the Greek god Pan.

Officer Davis and Officer Libby came out of the crash, with a few broken bones, more or less unharmed. Both were cleared of any wrongdoing and are aiding with the investigation.

As for Stephen King? He hasn’t been seen or heard from since.

•••

Continue reading Stephen King Regrets Writing Himself into This Story

Why People are Still Going Out Despite the Giant Spiders

Remember last April when the news was filled with stories of murder hornets? These two-inch insects were annihilating bee colonies, tearing heads off drones and collecting thoraxes to feed to their young. Beekeepers treated violated hives like crime scenes and agricultural biologists were on the hunt for the culprits.

After all the hardships 2020 had thrown at us we thought killer hornets was as bad as things could get. How wrong we were. The hornets were but harbingers for that which lay deeper within the earth.

Six Months Later

Winter is coming. Ducks are flying south only to be ensnared. Building frames are teeming with drooping white sacs and skylines are filling with webbing. A curtain of silk stretches from the Eiffel Tower to the hotels below. The roman Colosseum has been fashioned into a nest and the Leaning Tower of Pisa is hanging by a thread.

“It’s like a goddamn Roland Emmerich movie out there.” Said General Duke Granger, head of the Arachnid Warfare branch of the U.S. Military. “There’s netting stretching from the Washington monument to the national mall. And the whole thing is dotted with the kibbles and bits of tourists.”

170 ton spiders, as long blue whales, tower over cities. With redwood length legs, concrete piercing claws, and truck sized fangs. The spiders are proving disruptive.

The first appearance was in the financial district of San Francisco. A giant spider stomped down California Street, stepped into a sinkhole and caused a gas main explosion. The shockwave rippled through the 555 California St Tower. Senior members of Goldman Sachs halted their meeting to check on the commotion.

Marshall Kirkland, an investment banker, was on the other side of the building. He said it was hard to hear what was happening. “First came the car alarms, then the sirens, then the emergency tone, and just underneath there was this terrible slurping sound.”

It turns out the slurping was the spider sucking a victim’s brain from his cranium.

No End in Sight

In a frank press conference General Granger expressed pessimism about our chances. “The spiders don’t bleed. It’s like their pelts are made out of cast iron wool. We’re pumping them full of rounds faster than Northrop Grumman can make them. We have RPGs cross firing all over the city, and our heavy artillery cannons aren’t making a dent. We’ve crashed drones into their eyes. We’ve tried everything from napalm to citrus. They keep right on webbing soldiers up.”

President Trump has ordered General Granger to stay the course. “We’re winning bigly against the spiders. I think we’d win faster if we someone found a way to make spray bottles bigger. Spiders hate those things.”

There are still no concrete answers where the spiders came from. General Granger has heard all of the theories. “Those Berkley climatologists think we did this. Like the spiders were lying in wait until it got too hot. The eggheads at Mount Weather think it’s a spontaneous mutation. Like the spiders took a dip in a nuclear waste repository. Me? I think someone boasted she could weave better than the gods and they punished her by turning her into a spider. I think these things we’re facing are her children.”

The Threat is Getting Worse

The spiders have venom so acidic it burns through tanks in seconds. One spider destroyed a troop of British Challengers with a single burst. The medical personal who approached the ruins were exposed to neurotoxins. They died before they could administer the antivenom.

Spiders have discarded hollow husks in every city, draping kills over powerlines, bus stops, and playgrounds. They’ve turned bridges into hanging traps, shattered skyscrapers, and rendered entire residential districts uninhabitable.

Worse still is how widespread the spiders have gotten. They’ve trounced through suburban streets, leaving tornado-like destruction in their wake. They’ve worked their way to the heartland, picking fights with irrigation equipment. And satellites have just spotted a blanket of webs covering the Appalachian Mountains.

At the time of this writing America lacks the infostructure to calculate the damage much less tally the dead, but there are estimates that put it in the billions.

People Are Still Going About their Business

The National Guard has ordered everyone to remain inside, but in our travels for this article we spotted large groups of young people. They were tending gardens, stacking woodpiles, and hanging out in garages. All places spiders like to go.

We asked why these twenty-somethings weren’t that concerned and this is what they told us.

“The spiders are big, but they’re slow. They’re mainly webbing up old people. I’m young and spry. Why shouldn’t I be able to play volley ball?”

“Yeah yeah yeah. I know. Their silk slices through flesh like razor wire, but I have twenty-twenty vision. I should be able to go for a run.”

“So there’s a few egg sacs in my evergreens. That’s not going to prevent me from barbequing. Look those things are barely moving.”

“I didn’t have arachnophobia before. Why should I start now?”

“The news makes it sound like there’s a Stephen King story on every street, but I don’t know anyone who’s been cocooned. Do you?”
“Quite a few people, yes.”
“Anyone famous?”
“Bill Pullman.”
“See, I have no idea who that is.”

“We all have to die sometime whether it’s from a meteor or a giant spider. There’s nothing we can really do about it.”

General Granger disagreed with this line of reasoning. “If you see a huge ass invertebrate on the horizon you can drive in the other direction.” He ran a hand down his forehead. “Unless you’re so bereft you’ve resolved yourself to a slow painful death.”

This was General Granger’s final interview before he was stung and killed by a murder hornet. We thank him for his service.

•••

Continue reading Why People are Still Going Out Despite the Giant Spiders

My Best Short Fiction for Self-Isolation

Slush Pile
A con artist creates a scheme to defraud aspiring authors, until one day he’s haunted by the manuscripts he’s cast off into the slush pile.

Shop Dropping
A bookstore owner notices an alarming trend. People he suspects of shoplifting are actually leaving strange books behind. His real problem begins when he makes the mistake of reading one of them.

Tunnel Vision
When an infinite hallway appears in a young loner’s dining room he must venture into the void to rescue his cat.

How to Exorcise a Demon So You can Get Your Damage Deposit Back
Sound advice for tenants who are either trapped with a demon or are just trying to avoid a blotch on their rental history.

Surviving Valentine’s Day
A peek into an alternate reality where Valentine’s Day is a time when the vengeful spirit of St. Valentine stalks the earth forcing everyone to invest in purge shelters.

The Pigeon King Excerpt
A story about a self-isolating podcaster with either a pigeon or a poltergeist problem.

Continue reading My Best Short Fiction for Self-Isolation

How to Avoid Writing a Novel During a Pandemic

Congratulations! You made it into adulthood without writing a book. You came close a couple of times, brainstormed some pitches when you between jobs. Even outlined a treatment after a particularly devastating breakup, but you joined a gym before you had time to flesh it out.

Some of your peers weren’t so lucky. They went all in on a novel until it became part of their identity. You’d at the bar meeting women and your friend with a book would walk in. He’d shoehorn his pitch into the conversation and all those fresh faces would start retreating. There’s only so much tragedy people can take before they’re drained.

These walking tragedies that corner you on dance floors, attempting to chew your ear off over the speakers, they’re not even authors. They’ve yet to receive a blessing from the Archbishop of the Faith of the Six Publishers. They have to identify as “writers.” Tragic verbs struggling to transition into nouns, like a subspecies of werewolf getting flareups of hypertrichosis, but never changing over, mummifying themselves in Nair.

Thank Romulus you never got so low and lonely to turn yourself into that.

But Now there’s a Pandemic On

Now you’re quarantined. Social distancing. All furloughed up with nowhere to go. You’ve been sentenced to the solitary refinement of your apartment. Now you’re pacing your parlor looking for purpose, burdened with a deficit of toilet paper and a surplus of free time. You bring your laptop to the other side of the living room just for a change of scenery and that’s when it happens.

Intrusive inspiration taps you on your shoulder again. “Want to write a novel?”

You close your eyes, but it digs its claws into your collar.

“What if there was a castle where rich people reenacted the witch trials as a BDSM power fantasy? We could call it The Kinkquisition.”

You put your fingers in your ears. “I’m not listening.”

You trunked your best ideas in the back of your mind, but now the imp of inspiration is laying them all out again.

It’s easy to resist writing when society is functioning. Open a Word document. Type a sentence. Start wondering what your friends are doing. Look longingly out the window and your fear of missing out will tell you when it’s time to go. Find a happening venue and your novel will fade behind all the other tabs you left open.

But what do you do when all the haberdasheries, fripperies, and back alley speakeasies are shuttered for the season?

Bring Your Fear of Missing Out Back

So the discotheques are gathering dust? That doesn’t mean people stopped partying.

Your favorite DJ has a Twitch stream where he plays music videos and subscribers comment on the fashion choices of the background performers. Shouldn’t your dancing emoji make an appearance?

Instagram isn’t giving you vacation envy like it used to, but you can still covet everyone’s high fashion face masks. Shouldn’t you be carving up your favorite concert t-shirt so everyone can know how cool you are?

Despite the stay-at-home orders all those ravishing runners are still out doing their rounds. Shouldn’t you be down by the lake in case one of them finds themselves stricken with a sudden need to engage you in conversation, a thing that is absolutely overdue to happen?

Give in to Gaming Addiction

Modern videogames are like a placebo for your sense of purpose, especially the ones that let you earn skill points. The more you play the more skill points you can spend to unlock the best features. It’s like working a real job, never mind that none of the loot will go towards rent and that none of the skill trees will branch out into fulfilling careers. They make you feel like you’re progressing in an endeavor. So what if that sense of validation is virtual? At least you’re not skull deep in writing a novel.

Treat Your Cat like the Child You Never Had

Feline companionship increases oxytocin levels in humans. That hug hormone has the power to inflate your sense of well-being. So go get you some. Chase your cat up into the cupboards, scoop him up, and swaddle that motherfucker. Call him a baby. Rock him back and forth. Bathe him your codependency because he’s incapable of understanding its complexities.

If your fingers still feel like typing let your feline friend lay across the keyboard. He knows what he’s doing.

Busy Your Imagination with Worst Case Scenarios

Why waste time imaging characters with hardships to overcome when you could get overwhelmed with your own?

There’s a roadblock in your unemployment benefits and you can’t get through to an operator on the phone. You have no job to go back to and the market is about to be flooded with a wave of overqualified applicants. In this economy, your goal of getting married and starting a family feels more and more like a pipedream on par with winning the lottery. Aren’t those problems much more compelling than any of your fiction?

Be mindful of your headspace. Get those pesky book concepts out of there by giving into despair.

Continue reading How to Avoid Writing a Novel During a Pandemic

A Halloween Carol

It was the Saturday before Halloween and Nathan was walking the edge of his apartment switching on all of the white noise machines. This was his bedtime ritual, but tonight he was tuning the dials early, listening for a tone lower than static and higher than thunder, something in the same range as human speech. The moment he found the right waveform he heard a series of loud percussive booms. Someone was trouncing across the ceiling with stiletto heels on. Nathan had muzzled the party banter, but the floorboards might as well have been made of balsawood.

Nathan threw open the cupboards, the liquor cabinet, and the bathroom mirror. He set a handful of bottles, a cocktail shaker, and an eyedropper on the kitchen counter. His cat, Pazuzu, watched from the refrigerator, a grey gargoyle tallying his master’s sins.

Nathan fixed himself a cocktail of ginger beer, dark rum, Nyquil, and dextromethorphan. He’d dubbed this concoction: a Stephen King-Colada. The blend of depressants and bargain-basement PCP had become a staple of his writing routine. It hadn’t inflated his wordcount so much as it numbed him for keeping count.

Pazuzu backed into the cupboard as Nathan drank the deadly concoction from his skull-shaped mug. The cat knew to keep to the high ground whenever that ceramic cranium was out. Nathan plunked down at the kitchen table, pried his laptop open, and pecked at the keyboard. He typed:

It was a dark and stormy night and a hack horror writer was thinking about giving up on the genre forward, maybe to advance his career, maybe to make first dates a little less awkward. The horror community had met him with cold indifference and now the feeling was mutual.

Nathan sighed. “Bah humbug.”

Then he melted down the chair and into the carpet.

 T.M. COBB

There was a bump in the night, followed by several more. Each one was closer than the rager on the upper floor. Large heavy feet fell across the kitchen table.

Nathan’s torso shot awake while his legs stayed dead asleep. His knees were bent, his feet were at his sides, and his back was flat on the floor. It looked like he’d fallen asleep in the middle of a power slide. The kitchen table creaked as hunched back shadows skulked across the walls. Nathan followed the silhouette certain he’d spot Pazuzu, but then he caught the glint of the cat eyes behind the couch. Pazuzu was retreating, yielding his territory to whatever was huddled atop the table.

Nathan scanned the rim for movement. He saw what seemed like a long sturdy chain, but when it grazed the brim of the table the sound was hallow and plastic. Behind it was a length of jack-o-lantern lights, and a knotted stretch of cobweb.

Nathan couldn’t help but chuckle.

The intruder leapt from the dining room to the coffee table, spun around, and crouched, a prehistoric bird eyeing an early mammal wondering if it were edible. The intruder wore a witch’s hat with horns jutting through the brim. His face was enshrouded in a veil cheesecloth. His cloak was a patchwork of webbing, chains, and rubber limbs. His hands clutched the corner of the table. One featured a Freddy Krueger claw, the other was covered in rubber finger monsters.

Nathan scurried up the chair to find the intruder looming over him from the kitchen table. Beyond the intruder’s veil was a bejeweled masquerade mask and a face dripping with clown makeup.

The intruder lifted Nathan by the collar and raised his veil.

“Boo!”

Nathan squinted, bewildered, but ultimately unphased.

The intruder raised his mask. “You know they say people who don’t react to loud jarring noises are probably psychopaths?”

Now Nathan recognized the intruder. “Thomas Marshall Cobb.”

Cobb raised a corrective finger. “T.M. Cobb, remember. Initials make sales. So sayeth mine publisher of yore.”

Nathan swatted Cobb’s hand away from his collar.

“You’re dead. I know people who went to your funeral.”

“You know them? You couldn’t afford the $160 air fair?”

“I have issues with suicide.”

“Suicide?” Cobb chortled. “Christ, I’m not a poet. I had a heart attack. Is that how they spun it? Did my sales go up?”

Nathan shrugged. “A little. Why do you look like you rolled around in a tub of Hot Topic?”

“Oh this?” Cobb stretched his webbing. “It’s my penance.”

“That doesn’t look so bad.”

“You try taking a dump in this thing.”

“Ghosts have bowel movements?”

T.M. Cobb gave that a long certain nod. “Runny, prickly ones.”

“What’s your diet?”
“Wax syrup sticks, raisins, and rock candy.”

Nathan nodded. That would do it. “So, why are you dressed like a Party City Jacob Marley?”

“Because I betrayed my passions. I gave up on horror and wrote soulless procedural thrillers.”

“And that landed you in Hell?”

T.M. Cobb nodded. “Halloween hell, where all the best parts of the holiday are absent. Where the succubi dress like Horny Helen Keller, Mistress Mother Teresa, and filthy Anna Frank. Where they make you bob for apples in a public urinal and every night we go trick or treating, but the tricks are on us. Have you ever been pelted with a hardboiled egg fired from a potato gun?”

“Can’t say that I have.”

Cobb dropped his trousers, revealing a network of purple welts across his butt cheeks. “These ain’t hemorrhoids.”

Nathan covered his eyes, then his nose.

Cobb buckled back up. “There are no haunted houses, just religious Hell houses where they lecture us on the dangers of vaping grass and premarital petting. There are no scary stories, just Christian comics on the Satanic subtext of the season. Everyone texts via Ouija boards. Everyone travels via hayrides. There’s a drive-in, but the only movie that ever plays is The Exorcist 2. Oh, and I hope you like the Monster Mash, because that shit is running twenty-four seven.”

Nathan shook the opening notes of the tune from his head. “All because you sold out?”

Cobb tilted his head back forth. “I bludgeoned a couple of hitchhikers with a tire iron. I suppose that’s also frowned upon.”

“Why did you do that?”

Cobb threw his hands up. “Why does a writer do anything? For research! I’d lived such nice vanilla life I figured the good lord could toss me a couple freebies. Anyway, I’m here to help you sort your shit out.”

“I’m not too worried about killing hitchhikers. I Uber everywhere.”

“You say that now, but people are fragile. It wouldn’t hurt to score some Karma points while you can.”

Nathan muttered. “I’m pretty sure those dogmas are incompatible.”

Cobb cupped a hand to his ear. “What was that?”

“I said you look like a stay at home dad’s cry for help.”

Cobb swatted Nathan with his claws. Nathan felt his cheek surprised to find blood dripping down on his fingers.

Cobb recoiled at his own handy work. “Whoa! These are plastic. I didn’t think they’d actually cut you. I’ll go get a towel.”

“My cat got me earlier. You just opened the scab again.”

“Why don’t you have paper towels?”

“Why are you here?”

Cobb unspooled a length of toilet paper from his arm and dabbed Nathan’s cheek.

“I had a vision, the last time I was in the toxic trough, bobbing for apples. I saw you turning your back on the horror genre and writing Cozy Mysteries.”

“Cozy Mysteries?”

“They’re like thrillers, but with the stakes way lower. All the violence happens off stage and all the sex is replaced with quant community functions.”

“Like Murder, She Wrote?”

“Exactly like Murder, She Wrote.”

“I knew Angela Lansbury was a bad influence on me.”

“Well, I’ve contracted some entities in the horror community to help steer you back in the right direction. It will be like A Christmas Carol, but not quite as preachy. They’ll show you that there’s still millage in the genre, or you’ll end up like me, or worse.”

“Or worse?”

Cobb nodded, shaken by the thought. “I’ve seen writers in Halloween Hell forced spend eternity dressed as Where’s Waldo.”

“With the red striped shirt and the poof ball hat? But that’s so tacky.”

“I know. That’s why you need to drink the rest of this.” Cobb handed Nathan his half-finished cocktail.

Nathan guzzled it down and went down with it.

THE GHOST OF HORROR PAST

Nathan came to in the middle of a Barnes and Noble as a fleet of sneakers touched down around him. Foot traffic was so congested it phased clean through him. Mothers held their children’s hands as they came around corners. Father’s sucked their guts in as they waited for one another to pass. Children tried to muster the strength to walk with boxsets in their grip.

Nathan teetered to his feet as a train of strollers phased through his torso one by one. Dizzy, Nathan struggled to take in his surroundings. Rolling ladders screeched along their tracks. Book carts creaked through the aisles. Stools scrapped along the carpeting. Everywhere he looked people were reading, riffling through shelves, filling baskets with books.

Nathan examined the endcaps to find a gallery of hand painted horror covers: a procession of black robes, curvy daggers, and tentacles. Reptilian talons rose through the graveyard soil. Porcelain dolls stood at the edge of cribs. Sultry Satanists leaned over cauldrons. Nathan had never seen such a showroom of serpents, skeletons, and flaming pentagrams. He’d gotten used to riffling through Sci Fi/Fantasy shelves for obscure horror titles, but when he rounded the corner he found a horror section that was two isles long.

Nathan reached for a title at random. It read: Confessions of Satanic Cheerleader by Thomas Marshall Cobb. The titular cheerleader had a skull for face, a Red Devils sweater and a pom-pom dripping with blood.

Nathan flipped the book over to find a portrait of Cobb done up like Grandpa Munster: a widow’s peak, caked on makeup, and high collared cape.

“Bet you’ve never seen so many red and black paperbacks in all your life.”

Nathan spun around, but none of the patrons were looking in his direction let alone addressing him.

“Down here. Hep cat.”

Nathan shifted his gaze to a stout little demon with a black beret, red flip shades, and a soul patch.

“You’re not a ghost.”

The demon flipped its shades up. “No day passes for the dead daddy-o. I’m Zazimsberg,  keeper of the infernal archives.”

Nathan was hit with a sudden wave of vertigo. He dropped the paperback in his hand and found himself leaning against the bookshelf.

Zazimsberg scanned Nathan’s eyes. “You still riding the Tussin dragon, son?”

Nathan nodded. “When are we?”

Zazimsberg raised his stubby fingers to the black and red volumes all around him. “This is that glorious era between Rosemary’s Baby and Silence of the Lambs, when gloom-riddled grimoires ruled the nation’s nightmares, when poltergeists and possession kept pages turning, and the supernatural cast a long shadow on the bestsellers list.”

Nathan struggled to maintain his balance as he paced the aisle, scanning the shelves.  “No way.” The horror section was broken into subgenres: Gothic, Cosmic, Supernatural, Psychological, and Slashers. “I can’t believe there was ever this much horror literature.”

“Believe it, syrup head. Back before Netflix, people had either this or the passion pit to get their horror fix.”

“Passion Pit, like the band?”

Zazimsberg snapped his fingers. “Passion pit, pucker palace, pound pagoda…Whatever you call drive-ins these days?”

Nathan scanned his brow. “Cineplex and chill?”

“Well horror was here and there, if you didn’t have anyone to play back seat bingo with this is where you ended up.”

Nathan shook his head as rainbow trails streaked through his vision. “I can’t believe horror was never this popular. I think you’re seeing things through ruby colored glasses?”

“They’re prescription.” Zazimsberg scurried up a rolling ladder and straddled the bookshelf. “Besides this hootenanny is temporary. The horror market is headed for crashville. Once the FBI coins the term: serial killer, a generation of armchair psychologists get hung up on psychopaths. Everyone hip to the supernatural gets seduced by the likes of Hannibal Lecter.”

“Except for Stephen King.”

Zazimsberg rubbed his hands together. “Except for Stephen King. There’s a man who knows his groceries. If you weren’t too Dixie fried on the Dextro, you might noddle this one out for me: why did King survive the horror crash while so many of his peers put an egg in their shoes and beat it?”

Nathan wasn’t sure what decade he was in, but looking at the shelf, Stephen King had already amassed a bewildering bibliography. “King was prolific. He never took a break. His titles were in a perpetual promotion cycle and his brand never went stale.”

Zazimsberg cackled at the ceiling. “Spoken like the mayor of Squaresville. No, King knew people. He gave regular folks something to relate to. Sure, he checked all the genre boxes, wrote his share of dark cellars, but he always made you care about the people who went down there.”

Nathan rubbed his temples. “So characters first, situation second, but what if I’m not much of a people person?”

“You’re going to have to learn to mingle baby, because if people don’t see themselves in your fiction, how are they supposed to get lost in it?”

Nathan nodded, not so much in agreement, but to give himself time to think. “That’s all well and good for you, Bohemian Blasphemy, but what if people don’t feel like talking to me?”

Zazimsberg clasped his sausage fingers together. “Dig this. You ever seen a high class chick with some dumb dopey ape?”

“All the time.”

“Ever wonder how that happened?”

Nathan nodded.

“The ape introduced himself.”

“So what? I should ask a bunch of randos for insights into human condition?”

Zazimsberg pried a book from the top shelf, flung it, and tipped its neighboring titles over. “If you can’t be bothered to care about people, why should they care about your characters?”

“Because they’re in interesting predicaments?” Nathan sidestepped the falling books.

“Like a bug getting its legs pulled off?”

“Sure.”

“Or a cow being tipped off a cliff?” Zazimsberg tipped another row of paperbacks.

“I guess.” The books crashed at Nathan’s feet.

“Or a writer getting belted with hardcovers?”

Nathan looked up right as a big fat art book caught him between the eyes.

THE GHOST OF HALLOWEEN PRESENT

Nathan awoke on the floor of a moonlit corridor. Something tickled the back of his throat. He coughed and watched the particles swirl toward the rafters. Moon beams shone through windows that lined the ceiling. Nathan was in a basement. The dust covers that wrapped the furnishing caught the light, as did the cobwebs stretching from the candelabras, and the suits of armor beneath the tapestries.

“So is this like an Inception thing? Every time I get knocked out I go into a deeper dream layer?”

Nathan’s words echoed off the indifferent checkered tiles.

He wiped the dust from his arms and thighs and pressed on into the dark. “Does this count as R.E.M. sleep or am I going to wake up cranky?”

There were no answers from the corridor.

Nathan hastened his pace as he passed beneath a taxidermy gallery mounted on the wall. He tried to ignore the shadows the antlers cast, but they seemed to stretch.

A breeze wafted through the corridor setting all the furniture skirts aflutter. Goosebumps rose up Nathan’s biceps, his shoulders, and settle upon his neck. A long sheet arose to reveal the source of the cold spot: an open fireplace. The sheet pointed to the Nathan, detached from the wall, and glided over him. In the sheet’s place was a tall elliptical mirror. It had a big baroque frame that was all lion’s paws and golden laurels, like a family crest.

“Alas, a looking glass. I wonder what will happen if I gaze into it?”

Nathan neared the mirror. “So, should I start saying ‘Bloody Marry’ and see where that takes me?”

The mirror already had an answer. There was a silhouette standing beneath a dustsheet. Either it was a trick of the light or of the wind, but the silhouette appeared to be breathing. The goosebumps on Nathan’s neck ran down his arm and settled on his wrist.

He counted on his fingers. “3-2-1,” then spun on his heel.

A figure charged at him with a mallet. “Jump scare!” The figure shouted as she struck a brass gong.

For his part, Nathan didn’t flinch. He nodded, like a disappointed parent.

The Ghost of Horror Present looked to Nathan like a hipster Elvira: straight black bangs, lots of mascara, boots up to her knees, tight jeans, black halter top, and a black denim vest covered in enamel pins.

“They say people who don’t react to loud jarring noises might be psychopaths.”

“I’ve been getting that a lot.”

The Ghost of Horror Present dropped the mallet and gong into a pocket dimension beneath her vest and offered her hand. “Hello Nathan, I’m Leonora, the ghost of Christmas present.”

“You mean Halloween?”
Leonora shrugged. “I’m a millennial. I’ve got a lot side gigs.”

Nathan tried not to stare at Leonora’s chest, but she had more pins than a five-star general. She had the stickman from The Blair Witch Project, Pyramid head from Silent Hill, the killer sphere from Phantasm, and the puzzle box from Hellraiser. She even had the Necronomicon from Evil Deadwith a banner that read: READ BANNED BOOKS.

Curious Nathan turned around and tore the sheet off the figure he’d spotted in the mirror. Sure enough, it was a toned Greek sculpture with a leaf for a loincloth.

“Isn’t this all a little old school for the ghost of Halloween present? I’m surprised I’m not hearing the beat of a telltale heart through the floorboards.”

Leonora spun around appraising their surroundings. “Haven’t you heard? Everything old is new again.”

The back of her vest was a patchwork of portraits of the Universal monsters: the creature from the black lagoon, the phantom of the opera, the bride of Frankenstein, Frankenstein’s monster, the Wolfman, the mummy, Dracula. There was even a blank one for the invisible man.

Leonora raised her fingerless gloves to the ceiling. “Doesn’t all this Hammer Horror shit give you a nostalgia boner for the supernatural cinema of yore?”

She made a beeline for a buckling strip of wallpaper, got a good grip, and pried it free. Then she skipped over a row of shattered tiles, kicked one loose, and claimed it from the floor. She curled her hand back, spun, and hurled it like a discuss. It shattered a window.

Leonora pointed to her handywork. “Look at that matte painted moon and tell me you don’t want to write some shit about an ancient acropolis.”

Nathan looked toward the impossibly large lunar surface filling the window frame then back to Leonora to find she’d disappeared. “Alright Bat Woman.” He sighed, checked his watch, and counted on his fingers. “3-2-1…”

When he turned Leonora hit him with an airhorn. “Jump scare!”

Nathan didn’t jump so much as wince. A pendulum of hair fell into his brow and he took a moment to slick it back up. “I’m not going to lie. I’m digging on this atmosphere, but how’s a horror write supposed to carve out his niche when he’s stealing from the past?”

Leonora laid on her airhorn. “Re-re-remix!” Lightning flashed, confetti shot out in all directions, and plumes of smoke spewed into the room.

When Nathan looked back Leonora was at a turntable. She held a pair of headphones with one hand and worked the knobs with the other.

A dubstep drop, blew the dustcovers off a pair of monolithic speakers.

Leonora shouted. “You take the classics, play with people’s expectations, and put your own spin on them.”

Nathan could just make out the melody for Toccata and Fugue in D minorburied beneath a flurry of distorted bass tones. He plugged his ears. A flurry of shadows sped across the windows. Cracks spread throughout the ceiling. The chandelier shook, plunged toward the floor, and snagged on its chain.

Leonora pumped her fists to the beat. Lasers converged upon a mirror ball Nathan hadn’t noticed until then. Bats flew through the window, swarmed the speakers, and formed a pair of big brown tornados.

Nathan cupped his hands around his mouth. “It seems like we could do better than just adding a bunch of…”

Silence.

“…Jump scares”

Leonora had disappeared. So too had the commotion.

Nathan scanned the corridor for movement, then the furniture and the shadows beneath it. The support beams creaked. The house settled. An eerie wind blew through the window. Nathan cocked his ear toward the sound and raised a finger until he heard a wolf howling in the distance. “There it is.” He took the opportunity to roll his shoulders and stretch his forearms across his chest.

Nathan creaked his neck, cracked his knuckles, and counted down. “3…2…1…”

Nothing.

He shut his eyes, counted on his fingers, and braced himself, but still nothing.

“Alright Leonora. This is not my first rodeo.” He scanned his surroundings. “We already did the mirror thing, and the silhouettes beneath the dust covers. That just leaves…No. You wouldn’t be that tacky.”

Nathan turned to the suits of armor. One suit was not like the others. It was wielding its great sword high above its head, frozen in the middle of a killing stroke. Nathan neared the suit until he was standing beneath the blade’s trajectory.

“I’m going to assume this is like velociraptors. If one of you is in front of me then another is—”

“Jump scare!”

Leonora struck Nathan with a taser. His muscles seized around the white hot surge in his side. Leonora hit him again and again and again. When she finally let up Nathan had collapsed into a ragdoll on the tile. The armor fell forward and the great sword came down upon his cranium.

THE GHOST OF HALLOWEEN YET TO COME

Nathan came to in an open grave. It was teaming with rainwater, knotted roots, and muck. It wreaked of worms and formaldehyde. He leaned forward and felt something hard and slick beneath his palms. He was floating atop a casket. “Oh, for fuck’s sake.”

Nathan dug into the dirt wall, grabbed a long rope of root, and pulled himself up with all the grace of Adam West’s Batman. Moments later he was back on the coffin. He tried to claw his way up the steep incline. He managed to get a foothold, felt the grass at the borders of the plot, and then he was back on the coffin with an avalanche of mud coming down on him.

The mudslide had exposed a second root system. This one weaved in and out of the dirt like stitching. Nathan climbed the handholds, pulled himself back up, and grabbed at fistfuls of grass until he was able to roll onto solid ground.

Thunder clapped and a fleeting glimpse of daylight shone through the surroundings. The landscape was dotted with statues: angels whose wingspan wrapped around their shoulders like overcoats, generals who watched over the cemetery from atop their monuments, and cherubs.

“Fuck all you all motherfuckers.” Nathan said with what the little indignation he could muster.

He then turned his attention to the headstone. “Alright, let’s peep on this epitaph.”

He crawled around the rim of the open grave, careful not to slide back in. As for the headstone, it was tasteful, not too garish, not too small. The base was carpeted with red roses and for a moment Nathan felt appreciated, until he read was etched into the rock:

HERE LIES STEPHEN KING: THE LAST GREAT HORROR AUTHOR.

Nathan stared at the text perplexed. “Shouldn’t there be a birthdate and death date? Maybe something about his wife?”

Lightning struck a redwood not far from the headstone. Cinders shot through the air like fireworks. The blast had cleaved the trunk down the center and set the standing side aflame. As the blaze spread it outlined a towering figure. Its hooded face regarded Nathan with cold indifference. Its tattered robes fluttered against the breeze. Nathan scanned the frayed edges and spotted, not legs, but bunches of squirming appendages: snakes, centipedes, and other vermin. Nathan panned down the figure’s skirt and saw tentacles writhing in the grass.

Nathan ran for it. Monuments, mausoleums, and markers passed in a blur, and as he ran those granite shapes grew taller until they rose above the tree line. The headstones became standing stones and the fire that had consumed the redwood had found its way back into the sky. The storm clouds turned volcanic and the rain turned to ash.

Overwhelmed Nathan lost sight of his footing, snagged his toe and hit the prairie face first, then he just kept hitting it as he rolled downhill. He was still sliding when he’d settled onto his belly. That’s when he saw the gapping maw of the open grave ready to swallow him up again. He dug into the grass, but didn’t stop until he was teetering on the edge of the pit.

That’s when Nathan felt the tentacle wrap around his ankle, slice through his pantleg, and latch onto his calf. Nathan burrowed into prairie down to his elbows, but the dirt did him no favors. “Fuck you, Lovecraft. You racist piece of—”

One good tug from the tentacle and all the dirt Nathan was hanging onto came right down with him.

When Nathan landed he did not feel the smooth lid of coffin, but a writhing mass of angry limbs, poking and prodding at all his tender bits until they got a good grip. A tentacle slid around Nathan’s brow. Its suckers pulsed with hunger. The long grey appendage looped around Nathan’s eyes, ears, and nose, before tunneling into his mouth.

Despite the pressure on his eardrums Nathan could still hear the precise moment his skull cracked open.

SUNDAY MORNING

Nathan awoke on his side kissing a puddle of his own sick. He’d thrown up in the middle of the night. Had he slept on his back he’d have asphyxiated and died. Now little Pazuzu was rubbing his whiskers in the mess. Nathan mustered the strength to crawl out from under the table, scoop the cat up, and sequester him in the bedroom.

Nathan was relieved to be alive, but he had no plan to throw the windows open and ask some young man what day it was. He knew damn well it was October 27thand he needed to shampoo the carpet and wash away the stench of his poor life decisions.

When Nathan was finally refreshed he elected to go out. Now he didn’t gift any turkeys to any needy families, nor did he donate to any charities. He was too broke to play benefactor and there were no Tiny Tims anywhere in his life. Instead, he took a notepad down to the local bakery and let his train of thought careen down the tracks.

Nathan listed the qualities someone had to possess for him care about them. He thought long and hard about what qualities made people sympathetic, fascinating, or praiseworthy. He thought about his friends, family, and coworkers. He dreamt up crazy situations that might reveal the full measure of their character.

Then he listed the horror topes he’d always hated and imagined some fresh spins on them. He analyzed the dream about Stephen King’s headstone and came up with a concept worth riffing on:

What if a horror legend had the ability to navigate the collective unconscious and syphon inspiration from his competition? What if one of those authors found out and tried to retaliate? What would happen if the horror legend summoned demons to stop him?

Nathan gripped the page as if to rip it out. “That is such batshit stupid concept… It’d be a shame to let it go to waste.”

He turned the page, wrote the title: NOVELMANCER, and then he wrote some more.

Continue reading A Halloween Carol

Strange Love: Dating Profiles of the Damned

Submitted for your approval: Strange Love aka Monster Mingle,a dating service for the inhuman, a place where urban legends find romance, where full moons lead to fuller hearts, and all the thirsty singles have fangs.

This is how it works: illustrator Bryan Politte comes up with the creatures and author Drew Chial gives them their backstories.This is a place where you can catch up on the monsters you may have missed so far.

Scryzon Wixelvox Gleep by Bryan Politte

Meet Scryzon Wixelvox Gleep, a serial monogamist from the planet Monogome Prime. He’s had a crush on the human race ever since the Voyager probe entered deep space. Some say he’s clingy others say he’s a parasite… with a gestation as long as the relationship.

Nólatha Torhorn by Bryan Politte

Meet Nólatha Torhorn, former elven maiden, former sacrifice to the Gods of Winter, and current custodian to a handful of artifacts that bestow her divine power. She’s looking for a warmhearted individual to help set fire to the ice cold idols that spurned her.

Roddy Dirge by Bryan Politte

Meet Roddy Dirge, a punk zombie who needs vitamin B12 in order to stay cognizant or risk breaking his vegan commitment. He’s looking for a bodacious botanist who synthesizes nutrients from algae and has an affinity for the Dead Kennedys.

Matilda MacDonald by Bryan Politte

Meet Matilda MacDonald, aka the devil. She wants you to know everything you’ve heard about her is just bad PR. She’s here to enable your artistic temperament, and all she wants in return is one easy payment.

Follow Matilda’s adventures in my book HE HAS MANY NAMES.

Read the prequel short story DRAGON’S BREATH.

Check out the original MONSTER MINGLE profile.

Daisy Diode by Bryan Politte

Meet Daisy Diode, a self-made woman on a mission to find the perfect connection. She’s searching for love in the clouds, or the cloud to be more precise. She’s got the tools to brute force her way into your heart, just look out for malware while she’s in there.

Kadilia Caine by Bryan Politte

Meet Kadilia Caine. She’s been out of the dating pool for a while, but she’s looking to get her feet wet again. If you’re searching for someone to watch over you at night then look no further. All you have to do to win her affection is invite her in.

Continue reading Strange Love: Dating Profiles of the Damned

Book Promotion Win! Savvy Teens Recreate Occult Ritual from their Favorite Novel

A man was found skinned alive in what police are calling a “Brutal ritualistic killing.”

In the Tanglewood neighborhood around midnight, a 9-1-1 caller reported hearing screams and seeing candles through the windows of the abandoned Chrome Works factory. When officers arrived they found a crime scene “straight out of a horror novel.”

The victim was chained up between the boilers in a prone position with their spine exposed and lungs stretched back into a pair of wings. “At first we took it to be a Viking Blood Eagle, but then we shined out lights on it and it lit up the room like a mirror ball.”

Both the victim’s skin and organs had been removed “with the pression of a skilled surgeon.” The victim’s musculature was coated in a silver lacquer. Both of the victim’s hands had been amputated and replaced with candelabras. A circle of spoons lined their hips, jewels hung from their ribcage, and mirror shards twinkled from their eye sockets. “It was as if the killers wanted us to burst in and shine our lights on it.”

Six high school-age suspects were found with masks, blood stained robes, daggers, and copies of Drew Chial’s controversial novel Reflective Surfaces. While the author could not be reached for comment the publisher released this statement:

Neither Elephant Publishing nor the author have ever claimed the ritualistic aspects of Reflective Surfaces were based in reality. None of the occult ceremonies were taken from known practices. None of the deities are rooted in a mythology and none of the supernatural elements can be linked to genuine belief systems. They were inventions of the author nothing more.

In promoting Reflective Surfaces, Elephant Publishing did not run an alternate reality campaign. We never built dummy websites for our characters, never toyed with readers on Reddit forums, and never doctored Wikipedia entries to reflect the universe of the story. While Reflective Surfaces had several book trailers none of them contained supposed “found” footage. We explicated marketed the title as a work of fiction.

 The suspects were not known to us, our street team, or the author. They acted alone and of their own volition. We were just as shocked as everyone by their painstaking recreation of the chapter titled: The Chrome Plated Angel. From the handmade comedy masks to the snakeskin robes, they got everything right. From the twinkling crime scene to the raven hilted daggers they were holding when the S.W.A.T. team stormed in. These kids thought of everything.

And yet they brought the text to life entirely on their own. It just goes to show the power of fandom.

We join together with the community in applauding this ritualistic reenactment from the sidelines. They say that imitation is the most sincere form of flattery and everyone in the office here is positively blushing. Chial and everyone at Elephant Publishing tips their hats to these self-motivated suspects. In an era where book marketing proves more and more elusive this has been an absolute breakthrough.

Continue reading Book Promotion Win! Savvy Teens Recreate Occult Ritual from their Favorite Novel