Tag Archives: on writing

Grift the Words Out of You (Audio Blog)

Photo by Keane Amdahl follow him on Twitter @FoodStoned
Photo by Keane Amdahl follow him on Twitter @FoodStoned

Writer’s block doesn’t always come from the lack of inspiration. Sometimes it comes from the abundance of inspiration, from having too many ideas to choose from. It’s hard to know which ones will leave you with a sense of accomplishment, and which ones will leave you feeling spent. Why invest the time, if the time is going to payoff?

Writer’s block is a fear of failure. If you never try you’ll never fail. The trick is to get yourself to try without realizing that’s what you’re doing. To grift one of those stories out of you and onto the page.

This 13 minute audio blog runs through all the cons I use to get the job done.

(Download the instrumental version here)

The instrumental version of Grift the Words Out of You is the perfect background music to write to. There are layers of ascending melodies stacked over ambient synths, with a rugged a trip-hop beat. The blog entry itself mentions The Cure’s Pictures of You. That song rubbed off on the soundtrack. Depeche Mode and M83, rubbed off on it too for good measure.

Ridicule is a Bad Investment

Photo by Keane Amdahl, follow him on Twitter @FoodStoned
Photo by Keane Amdahl, follow him on Twitter @FoodStoned

Ridicule has over-saturated the marketplace of ideas. It’s frightened off potential investors: authors, poets, and screenwriters. They bury their spark in their portfolios, when the market could be nurturing it. Investors see an abundance of taunts, and a scarcity of discourse. They horde their assets, because they know what happens to the people that share them.

Inspiration is taken apart by market analysts. They are not creators themselves. They lack the language for artistic analysis, but they fake it all the same.

Every one of them has a harsh word on the tip of their tongues, and a scathing review on the tips of their fingers. Every one of them is entitled to their opinion, and they treat their opinions like facts.

The problem is: when everyone is a critic, criticism loses its value. With the bar set this low, there is no more room for growth.

The demand for ridicule has been inflated, by a handful of traders with nothing but put-downs in their portfolio. Their sole product is their ability to defame. To ride the uptick of an artist’s epiphany, just to crash it on the way down. To pump it and dump it. To treat inspiration like a toxic asset. Continue reading Ridicule is a Bad Investment

The Memory Palace Mystery

An author tries to solve a mystery from inside the pitch of his own story.

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My story’s pitch starts in the parking lot. The lot is empty apart from a lone convertible, a rusty old stepladder, and a thick layer of slush from last night’s snow.

The convertible is a classic, fully restored to its original mint green. Too bad someone thought to wheel it out in this nasty weather. The fenders are caked with black slush. There’s an awful mess in the interior. The windshield does little to hide the line of cocaine on the dashboard. There’s nothing but powder from the wheel to the glovebox. It looks like last night’s blizzard happened on the upholstery. A log sits on the passenger seat, too small for a support beam, too large for kindling. It leans forward. Its bark is nose deep in the fresh fallen blow.

I pace around the vehicle and wonder why the log was staged to look like it overdosed. This is the weirdest damn crime scene that I’ve ever seen. What business does a log have with such an epic line? Then it occurs to me. This is a terrible pun. It’s a “log-line.” Every pitch has got one.

A logline is the main idea sentence of a story’s pitch. It’s the bait that get’s the audience on the hook. I must have staged this mobile drug den to remind myself to lead with my logline. Continue reading The Memory Palace Mystery

Don’t Just Read More, Watch More (Audio Blog)


(Download the instrumental version here)

Writers are always told to read more. I say, they ought to watch more movies. Why? Good films do not slip into the same pitfalls that so many novels do.

Good films do not tell you what a character is thinking. The audience has to make observations of their mood, and draw their own conclusions. Good films do not just launch into backstory. If there are flashbacks they appear as scenes. Good films put the events on display, they don’t just put them into a character’s mouth, and expect you to take their word for it. Good films show and don’t tell.

Writer’s could take a cue from this. Just because our medium allows for free form exposition, that doesn’t mean we should use it.

The limitations of film force it to tell a more compelling story. These are limitations I urge novelists to try to bring to their work in progress.

The above audio blog gets into the nitty gritty of the benefits of watching movies. The background music is like a scary movie score put through a trip-hop filter. I’ve heard it described as electro-goth. If you’re looking for good music to write to, you won’t go wrong with the instrumental version of the song.

Seduce the Words out of You (Audio Blog)


(Download the instrumental version here)

This piece first appeared on Loren Kleinman’s blog on writing. Check it out at lorenkleinman.com, and follow her on Twitter @LorenKleinman. The above photo was taken by Keane Amdahl follow him on Twitter @FoodStoned.

Seduce the Words out of You

Writer’s are told to draft everything before rushing in. We’re told to have an outline to refer to when we get stuck. It’s a good check against writer’s block. It’s hard to lose the plot, when you can see every link in the chain. You know what happens next. You know your responsibilities. Your role in the relationship is defined. Continue reading Seduce the Words out of You (Audio Blog)

Carnival of Goals (Audio Blog)

Photo by Keane Amdahl, follow him on Twitter @FoodStoned
Photo by Keane Amdahl, follow him on Twitter @FoodStoned

This is a story about my first attempt to wow people with my work. I was a kindergartner hosting a Halloween carnival in the middle of July. I poured my heart and soul into the project and got negative returns.

There’s a lesson to be learned in failure: if at first you don’t succeed, you’re doing it wrong. If humiliation teaches us anything it’s how to wear humiliation better. Every artist has to learn to take feed back. Every artist has to develop a callus around their heart, a skin so thick they could stop bullets with it.

This is a piece for those people brave enough to put themselves out there. The ones who go out among the trolls seeking validation. The ones whose bright eyes never dim. The ones who no matter how many times you knock them down, they scramble back up to their feet, and brush their shoulders off.

This is for the people who look to the Internet and say, “I have something valid to contribute and I’m going to keep trying until it finally resonates with someone.”

If this makes us fools. Let’s be fools together.


(Download the instrumental version here)

For those of you who prefer the straight vocal recording, without the music, check out the link below.

Grift the Words Out of You

Mine
Photo by Keane Amdahl follow him on Twitter @FoodStoned

This piece was inspired by a conversation I had with @LorenKleinman on Twitter. You should check her website at lorenkleinman.com

***

Persuading yourself to write is like pulling off a long con. You play the parts of both the mark and the convincer. The mark has something you want, time and dedication. Neither you, nor they, want to give those things up willingly. Time scheduled is time spent, and you want to keep your options open. You’ve got a Netflix queue that isn’t going to watch itself. Dedication requires persistence, and you already have enough on your plate. No one wants to feel like they’re clocking into a second job.

You’ll have to swindle the time and dedication out of yourself. You’ll have to get yourself to write without realizing that you’re doing it.

Don’t spend too much time on foundation work, or you’ll get wise to what you’re up to. You’ll see all of those character biographies and get nervous about meeting new people. You’ll see the settings mapped out and your agoraphobia will kick in. You’ll see the scene list and imagine your calendar filling up with X’s. If you let yourself realize how daunting the task of writing can be, you won’t want to do it. Continue reading Grift the Words Out of You

Lenses

Photo by Keane Amdahl follow him on Twitter @FoodStoned
Photo by Keane Amdahl follow him on Twitter @FoodStoned

This was originally posted on Alana Chapman’s website as part of her summer shorts series. Check her site out here, and follow her on Twitter @AlanaofOz

***

The arrows on the floor have taken on the texture of the linoleum. They look like shadows made of light. When I peer inside the coat room, they animate around me. They beckon like fingers leading to a pie in a cartoon.

“Not this way,” The arrows say.

Yes, this way. I press on. Here in the dark, the coat room is unattended. I roll my eyes. Everything goes green. The coat racks present themselves in shades of lime. Pixels line their sleeves. Staircases line their shoulders. I feel the pockets for lumps, discard scarves, and gloves to the floor. I gag when I get a palm full of tissues, still wet with snot.

It’s all worth it, when my hand strikes pay dirt, a business card with a picture of a manuscript with fluttering pages on one side, and a QR code on the other. I hold the QR code up to my eyes. I scan the boxes from left to right. I hear a ding. The eureka sound effect that accompanies light bulbs.

Continue reading Lenses

Spare Your Darlings (Audio Blog)

(Download the instrumental version of the song here.)

This was originally posted on lorenkleinman.com a source of much inspiration. This whole piece is the product of a conversation we had on Twitter. You should definitely follow her at @LorenKleinman

Photo by Keane Amdahl, follow him on Twitter @FoodStoned
Photo by Keane Amdahl, follow him on Twitter @FoodStoned

“In writing, you must kill your darlings.” –William Faulkner

What are Darlings?

When Faulkner says, “Darlings” he’s talking about the poetry that wanders into our novels. He’s talking about the colorful descriptions in our black and white detective stories. The hyperboles that get lost inside our stark realism. The esoteric language that finds its way into modern thrillers.

The Darlings are the details that no one needs to understand the plot. Continue reading Spare Your Darlings (Audio Blog)

Soundtrack for Writing

Statue with Headphones

This entry was inspired by my friend Rachel’s writing playlist on her website celenagaia.wordpress.com. Check it out here. Follow her on Twitter @Raishimi

Music can be a writer’s best friend. A stopgap for the noise pollution around us. A check against the gridlock orchestra laying on their horns, against the food court percussion section scraping the food out of their instruments, against the mouth breathing choir in line at the DMV. Music provides a way to tune out all that chatter and turn up your internal monologue. It adds tone to discord, order to abstraction.

When I write spooky stories, I prefer songs that draw out the tension, rather than rush to the crescendo. I need my conductor to move with a slow and steady hand. To lure my mind into the cellar, to tug me down a long narrow corridor of nightmares.

I prefer atmospheric soundscapes to orchestral scores. I prefer rain and thunder to a bombastic brass sections. I prefer synthesizers to string sections, programmed beats to kettle drums. I prefer beats because they repeat. They keep my mindset consistent. They give my words a rhythm. Continue reading Soundtrack for Writing