A creepy little poem that tells the story of my novel HE HAS MANY NAMES.
Pick up your copy of HE HAS MANY NAMES today.
Demon Logo by Matthew Revert
Poem, Editing and Music by Drew Chial
The devil’s sales pitch from the book HE HAS MANY NAMES.
Noelle is a Hollywood transplant that’s been subsisting on instant ramen and false hope. A dubious agent offers her a gig ghostwriting for an author in a hotel where he claims to have had an unholy encounter. With whom you ask? Well… HE HAS MANY NAMES
A trailer for the book HE HAS MANY NAMES with blurbs from everyone from Keith Lansdale, writer for The X-Files: Cold Cases comic to Daniel Knauf, creator of HBO’s Carnivàle.
Noelle is a Hollywood transplant that’s been subsisting on instant ramen and false hope. A dubious agent offers her a gig ghostwriting for an author in a hotel where he claims to have had an unholy encounter. With whom you ask? Well… HE HAS MANY NAMES
In my book HE HAS MANY NAMES I imagined Satan as PR agent named Matilda MacDonald. I wrote her a MONSTER MINGLE dating profile and illustrator Bryan Politte painted her portrait.
This video reveals Bryan’s process over a reading of Matilda’s fall from grace and ascension from the pit.
Follow Matilda’s adventures in my book HE HAS MANY NAMES.
Read the prequel short story DRAGON’S BREATH.
Check out the original MONSTER MINGLE profile.
(Audio: Listen to this article.)
Welcome to Monster Mingle, a place where urban legends find romance, where full moons lead to fuller hearts, and all the thirsty singles have fangs. This is how it usually works: illustrator Bryan Politte comes up with the creatures and I (Drew Chial horror author) give them a backstory. This time Bryan got the character Matilda MacDonald from my book HE HAS MANY NAMES.
Watch out for Matilda. She’s an unreliable narrator. She’ll use scripture to get inside your head. She’ll try to temp you. Don’t let your guard down, because she is not the devil you know.
I was starry eyed when I arrived in the silver city, thinking I could make it on my charm and my wit. I floated my résumé all over, inquired about every position, but no one knew where I fit in. I wandered the chrome crosswalks and sterling skyways for days. I was on my way out the pearly gates when a messenger came for me.
“Hail, thou art highly favored.”
He told me I’d landed an interview with the biggest player in town.
The Entrepreneur’s reputation preceded him. He was an industrialist, a philanthropist, and a visionary with the business acumen to keep the silver city running.
The Entrepreneur wasted no time showing me to my office. He needed a spokesperson ASAP. He had seven days to roll out his most ambitious project yet. He gave me a wardrobe for the week, adorned every outfit in precious stones, and dubbed me, “The seal of perfection. A startlet who will shine through morning.”
With the plans for the universe stretched across our arms we became a power couple. We invested in atoms, watched the interest build into molecules, and later elements. We shipped dark matter, hydrogen, and helium throughout the cosmos and laid the foundations for the constellations. We built a real estate empire from time and space itself.
I assumed the Entrepreneur meant it for the residents of the silver city, a reward for their investment, but he had other plans. It turns out there was a pet project he’d been laboring on, with his petri dishes and his eyedroppers. He called it “Life.” While each Angel was hand crafted and meticulously detailed, life was capable of sustaining growth with minimal oversight. It was with thishe meant to populate his planets.
When creating humanity the Entrepreneur used resources I didn’t know we had: genitals, free will, and death.
I didn’t get it.
Why would an omniscient being give people the power to choose if he already knew the outcome? Either he was leaving them to struggle for his own amusement or he wasn’t that omniscient to begin with.
My pride got the better of me. I told the Entrepreneur the project would lead to chaos and a third of the board agreed. Furious, the Entrepreneur cast the lot of us out.
Life Changing Event
I plummeted into the mouth of a cavernous pit. The walls scrapped the jewels from my outfit. Gemstones flew in all directions. My breastplate burst, my braces buckled, and my gauntlets were both ground down to grain. I crashed through sheets of ice and landed upon a bed of stalagmites.
When I came to I found my skin had taken on a bluish hue, my hair was slick with frost, and my eyebrows were lined with icicles. I thought it was strange that I could see my breath so far from the light, but then I noticed the length of silver around my right index finger. The last piece of my armor was shining in the dark.
I teetered to my feet and the ring glowed brighter. I limped toward the wall and a stinging sensation surged down my arm. The ring was trying to warn me about something in the limestone. I waved it around until I came upon a series of ridges unlike any rock formation I’d known. When I touched the ridges they told me they were the fossilized remains of something called a trilobite. The creature claimed to have dominated the seas for hundreds of millions of years. I told the trilobite I helped found the universe only a week ago.
The trilobite said, “If that’s so then where did I come from?”
I ventured further into the dark to see what else was hiding there. The pit was littered with bones: great leviathan skeletons, ribs arching like the roofs, skulls yawning open as if to drink the ocean. They looked upon me with hollow pleading eyes and every time I tapped them with my silver they told me what they were. These were the titans of industry that came before: The Uranides, the Vanir, and the Great Old ones. Azathoth, dethroned from the seat of chaos. Hastur, shut out of Carcosa where the stars shine black.
Each one had a similar story. The Entrepreneur had been rolling out beta universes, with each new version he took on a partner, and when the rollout was complete the partner ended up here. I was the latest in a long line of suckers.
You’d think that misery would love the company, but I was all the more heart broken.
The Entrepreneur had taken almost everything, but I still had that shard of silver on my finger. I used it to cut bricks from the bones and mortar from their marrow. I built a home from those who came before and in my den I listened to their whispers. They taught me the secrets of their runes, cosmic currencies, and investment strategies. I used that knowledge to cross over into the Entrepreneur’s latest venture.
My Hobbies and Interests
I had no part in getting Adam and Eve evicted from the Garden of Eden. That was a snake that got jilted when Adam wouldn’t choose it to be his mate.
Most of my appearances in the Old Testament were mistranslations. This is what happens when you name someone after the Hebrew word for “adversary” and then you need to use the same word to describe others. People get confused.
Although I’ll admit the book of Job was all me.
I’d been wandering the earth trying get a startup going, but my hands were bound by tedious regulations.
A plague spread throughout the land and I snuck back into the Silver City amongst a wave of refugees. With some fancy footwork I made it all the way back to the Entrepreneur’s office. He was scrolling through the feed from his ticker tape machine, fat and rosy on humanity’s adoration and belief. He didn’t seem too surprised to see me.
“Where did you come from?”
It took all of my self-control not to drive my silver ring through my palm. “I’ve been roaming the earth. Going back and forth on it.”
He nodded, unphased I’d scurried my way out of the pit.
“Have you considered my servant Job? There is no one on earth like him; he is blameless and upright, a man who fears God and shuns evil.”
I had considered Job.
“Does Job love you for nothing? Check out his palatial estate, his bountiful lands, and livestock empire. Not to mention the ten children that will ensure his legacy carries on for generations. You gave him a good return on his investment. Take it back up and he’d curse you where you stand.”
The Entrepreneur stroked his beard. “Very well, then, everything he has is in your power, but on the man do not lay a finger.”
I gave Sabean raiders a hot tip on where Job kept his oxen. Then I rained commits on his sheep and dropped a roof on his children.
Job, the poor sucker, did exactly what I wanted him to. He fell to his knees and said, “The lord has given and the lord has taken away. May the name of the lord be praised.”
I returned to the Silver City to find the Entrepreneur wiping a tear of joy from his cheek. He was tickled pink.
I reached into the pile of ticker tape that had accumulated on the floor, pretending to care about things I already knew.
“Job still has his health. Take that and the praise train will roll right off its tracks.”
The Entrepreneur smirked, lifted a few more sanctions and I covered Job in lesions.
Job’s neighbors had heard about his misfortune. They paid him a visit to reaffirm his faith, but he had come around to my way of thinking.
How could such bad things happen to a good person? If the Entrepreneur was all-powerful then he couldn’t be all good, especially if he was trying to prove something to someone. That would just make him an all-powerful asshole.
Job cursed the day he was born, gave into despair, and begged the Entrepreneur for death. His neighbors tried to rationalize the Entrepreneur’s mysterious ways, but they were arguing from ignorance, and Job knew it.
“Let the Almighty answer me!”
The Entrepreneur had been following the conversation from his desk and decided to make an entrance. He split the sky open to grant his investors an audience and what did he have to say to them?
“Where were you when I laid the earths foundations? Tell me, who fixed its measurements? Surely you know who stretched a measuring line across it?”
Of course Iknew. And it wasn’t a measuring line. It was tape. Had the planet held such little regard to him that he thought it was flat?
The Entrepreneur bullied Job into submission and doubled the man’s losses as compensation, which just proved my point. His investors were only as loyal as their assets.
My Intimate Details
I’ve convinced many Jobs to pull out of the Entrepreneur’s enterprise, but it took finesse to get them to invest in mine. The Entrepreneur’s PR department has turned my brand toxic, blaming me for the Inquisition, the Witch Trails, Christ, even the Catholic Abuse Scandal.
When missionaries came to Greece they saw idols of the Greek God Pan with his horns, hooves, and hard-on and they felt threatened. They could’ve told stories of a faun who lured children into caves so he could eat them (you know, use their imaginations) instead they merely passed his fashion sense onto me. They swapped my blush with a beard, my long legs with matted wool, and my firm butt with a sad droopy tail. Then they handed me Hade’s pitchfork for good measure. “Here, hold this.”
Despite all the evidence that Pan was another entity, from another mythology, his likeness was attributed to me. Fine. While the faithful looked over their shoulders for a goatee and red complexion I was free to walk among them.
The more insidious my methods got the more grandiose my depictions became. When John the Revelator was exiled to the island of Patmos he tried his hand at writing. He had a strong premise with the Apocalypse, but he did what most first timers do and let the concept devolve into lists: seven seals, seven trumpets, seven spiritual beings, with seven bowls.
Had John been a better storyteller he might have imagined Armageddon, not as battle of swords, but of wits, where competing philosophies debated for the fate of humanity. Alas, John was more interested in who would win in a fight: the Archangel Michael or a seven-headed dragon.
After John, Dante and Milton wrote some fine fan fiction. I liked how Dante populated the Inferno with his personal enemies and how Milton made me a freedom fighter that could give a good speech, but I was never up to my tits in any ice nor would I claim Death and Sin among my brain children.
I never did half of what I got credit for. I never stole tools from the Silver Foundry to make a pact with a blacksmith. I never dared a soldier to wear a bearskin for seven years, and I never took a small town farmer to trial for his soul. I have never lorded over any flies. Horseshoes don’t scare me, and black cats do not answer to me. They’re cats. They answer to nobody.
I wish I were as powerful as people believe. I wish I’d shined as bright as Venus in the morning. I wish I’d had a penthouse in Babylon. I wish my corporate headquarters had floors based on sins, but I have to budget my expenditures same as anyone.
These false etymologies have followed me for centuries. I used to agonize over every erroneous association. Now I’ve learned the value of good branding. Products live and die by consumers’ belief in them. I’ve learned to lean into humanity’s misconceptions, because the more they fear me the more they believe.
When the clergy made up stories to fill seats I used their sermons as brainstorming sessions. I jotted notes over old hymns, tore out the pages, and slid them into my corset.
This wasn’t merely opposition research I was insider trading.
I’ve held many titles over the years. These days I go by Matilda MacDonald: Agent to the Stars.
Matildais derived from the High German “maht” and “hild” meaning “strong in battle.” MacDonald is a modified version of Dòmhnall, which means “World ruler.” My name states my intentions while conjuring images of telekinetic little girls and fast food chains.
In the 80s, I made myself over as one of Patrick Nagel’s art deco women. I wanted to embody the iconography of that era of greed. I already had the snow-white skin, raven black hair, full lips, and stone cut cheekbones. All I needed was the pixie haircut, eyeshadow, and wardrobe full of pantsuits.
I’ve kept the same form for a generation and low and behold greed is still in fashion.
My Perfect Match
While my investments are in the markets of man, my heart belongs to the arts to the music-makers and the dreamers of dreams. Kings rule nations, but creators rule minds. All of my lovers possess a wealth of imagination, that je ne sais quoi that captures my attention.
Over the centuries I’ve played patron to many a prodigy. I massaged Nicolo Paganini’s joints so he could play violin, taught Giuseppe Tartini my favorite sonata, gave Christoph Haizmann visions worth painting, and tuned Robert Johnson’s guitar so he could always find the right strings.
I see the same spark in you.
You’ve tried so hard to make it as an artist. You have the tenacity and the drive. Too bad the free content movement devalued your medium, your ability never caught up with your tastes, and your style was never in fashion.
If you stay on the path the Entrepreneur has set you’ll always be on the outside looking in. Your day job will never help you sleep at night. Your inspiration will be reduced to a nagging voice in the back of your mind. You will grow cynical watching fame go to vapid, beautiful, superficial people. You’ll die knowing your intimate thoughts will never connect with a broader audience, search engines will bury your legacy, and your work will go undiscovered.
But not if I have anything to say about it.
I heard the prayers you whispered to bathroom stalls, showerheads, and pillows. I heard the long-winded confessions that shot out of you like steam. I heard you scratching at death’s door. I know what’s it like to have lofty ambitions, to think your ascent was a forgone conclusion only to wind up scraping yourself off the ground.
I’ve chosen you because you’re not destined for great things, but you should be.
My Ideal Date
In the Richmond District of San Francisco, there’s a yellow duplex on California St. between 24thand 23rdAve. The address should read: 6118, 6120, and 6122, but someone has pried off all of the 6s from the units.
On special nights, under the light of a blood red moon, the edifice shifts. A person with the spark of inspiration will see the black Victorian home that once stood there.
If you’re ready to live the life you deserve walk up the stoop and open the front door.
Don’t let Togar scare you. He may be a lion, but he’s as friendly as they come. Take hold of his mane and follow him through the black velvet curtains down into the basement.
Don’t worry that the ritual chamber hasn’t been used in years. Cross the cobwebs between the candelabra and the pipe organ, past the bed of nails, toward the altar. Consider the wall of ceremonial daggers. The blades are made from ivory, flint, silver, and gold. I trust you’ll know which hilt to pull. When you do a door will open revealing a secret corridor. The corridor is made of seven artist spaces.
The first is filled with bookshelves lined with leather bound first editions.
The second: painted canvases stretched end to end.
The third: drafting tables jutting out from channels.
The forth: a cube of soundproof acoustic panels.
The fifth: the many monitors of an editing bay.
The sixth: cryptic code on digital displays.
The seventh chamber, at the heart of this tomb, is the devil’s den: my master bedroom. I’ll be waiting on the futon beneath the sheer red canopy. Why don’t you join me when you’re ready to live deliciously?
There are many ways to enter into a binding bargain, but I find that this one is the most fun.
When struggling writer and paranormal podcaster Noelle Blackwood gets the opportunity to ghostwrite for a bestselling thriller author, it seems almost too good to be true. The only catch is that she has to stay at The Oralia hotel until she’s done. Method becomes madness as she falls deeper and deeper down the rabbit hole of her own story and the demons it awakens. He Has Many Names is a fresh spin on the Faustian bargain, a deal with the devil story in the age of artistic desperation.
WRITING FROM A FEMININE PERSPECTIVE TAKES NUANCE
In the first draft of He Has Many Namesmy editor wasn’t sure if the hero was a man or a woman. The protagonist was named Noelle but she spoke with the stock phrases one might find in a detective film. I’d just been writing a mystery and the lingo had rubbed off on Noelle.
When asked to make Noelle more feminine I didn’t want to emphasize what she was wearing or file her jagged edges down. Characteristics we identify as feminine like gentleness, tolerance, and sensitivity don’t fit Noelle. The Hollywood studio scene has hardened her. This doesn’t mean she’s stoic, like many women written by men, just that she’s tired embodying all those things people in her field consider feminine.
Leza Cantoral gave me great notes on Noelle’s voice. It helps having a female editor.
Noelle has traits that aren’t traditionally feminine in horror fiction (especially in films). She’s skeptical of the supernatural, ambitious to a fault, quick-witted, a tad catty, a bit jealous, and extremely resourceful.
SinceHe Has Many Namesis a story about storytelling from the perspective of a writer I thought it would be fun for Noelle to comment on what audiences expect from women in stories (especially in film). A producer once told Noelle she shouldn’t write herself into her own stories because she’s not very likeable. They want women to be sympathetic and vulnerable, but so resilient they never waste time whining or sulking. They want women to be gorgeous yet so modest as to be unaware of their beauty. They want women to be driven but not competitive.
I thought it’d be cool if Noelle acknowledged those contrasts before telling the audience she’s not going to write herself like that.
IF YOU PROMISE A DEVIL DELIVER ONE
The title He Has Many Namesis a direct reference to you-know-who.
Who has horns on his head?
Who has skin that’s very red?
Who has a beard on his face?
Who keeps souls in a case?
Horns on head, skin that’s red
Beard on his face, souls in a case
Must be Satan, must be Satan
Lord of the dark realm
In the first draft the entity haunting Noelle was something else entirely. I thought I was being clever setting up Satan and then hitting the audience with a sucker punch, but it was a let down. While the final draft retains many of its twists the true devil makes a grand entrance. Make no mistake Hell factors heavily into this story.
As much as I wanted to play with the audience’s expectations I forgot the “Chekhov’s gun” rule of storytelling: if a pistol is hung on the wall in the first act it ought to go off in the second. In the same sense: if someone speaks of the devil in your first act the devil better rain brimstone down on everyone in the second.
CENTER EVERYTHING AROUND THE THEME
When I started writing He Has Many NamesI had a good concept: horror writer is sequestered in a haunted hotel room, but no clear theme, no thesis statement to leave readers with, no enlightenment to go with my entertainment.
The theme presented itself in the second draft (which was more of a reimagining than a mere edit).
He Has Many Names is about creators’ relationships with their audience. Be it a writer contemplating what horror readers are looking for or a devil pondering the quality of worship their reputation hath wrought. It’s about creators using art to take control of their lives only to then lose control of their art.
Once I knew the theme it informed every storytelling decision I made from then on.
THERE IS SUCH A THING AS BEING TOO META
At a certain point in He Has Many Namesit’s revealed that the story we’re reading is the one Noelle is submitting to her publisher. This is shown in a scene where Matilda McDonald, the publisher, tears everything we’ve just read apart. It’s one of my favorite things I’ve ever written and I tried to replicate that scene one too many times later on.
I’d over-complicated the story by including references to Noelle’s imagined ending, an alternate scenario that pandered to the psychological thriller twists readers had been conditioned to expect. It was my way of playing with the readers’ expectations while promising them that this story was going someplace different.
The problem with Noelle’s prophetic ending is that it made her an utterly unreliable narrator. While it’s clear that Noelle is taking artistic license in describing these events I didn’t want the reader to feel like she was bullshitting them. So I made some adjustments. Noelle references the alternate ending, but assures us we’re reading the one that’s based on actual events.
NOT EVERY SCARY STORY NEEDS TO END WITH AMBIGUITY
Some of my favorite scary stories leave readers wondering if anything supernatural happened at all. For great examples of this type of horror check out Paul Tremblay’s ambiguity trilogy: Head Full of Ghosts,Disappearance of Devil’s Rock, and The Cabin at the End of the World.
He Has Many Namesstraddles the line between psychological and supernatural horror but ultimately it picks a side. I thought about ending the story in such a way where the reader had to sift through clues to suss out what happened, but decided it would be more rewarding if suspicions were confirmed and given a hard “yes.”
I wanted to reward attentive readers for paying attention, while giving everyone a big bold note to go out on. Without spoiling everything I chose a grandiose conclusion over an ambiguous one. Continue reading 5 Lessons I Learned Writing He Has Many Names
I’ve always loved deal with the devil stories. From The Devil and Daniel Websterto Needful Things. There’s something about the whole situation I find appealing: the downtrodden hero, the devil incognito, the reality-bending bargain, the buyer’s remorse, and the last ditch effort by to find an escape clause. I’ve always found the situation compelling.
Despite the theology these stories draw from they’re essentially fables about grifters trying to outwit one another. But speaking of theology, I like how these stories play off our need to find cosmic conformation for our values, toy with our sense of mysticism, and challenge our beliefs.
I want to unpack why these stories work so well for me.
We’re Wired for Mysticism
Humanity has a tendency to see patterns in the chaos of nature. Scanning the forest we see faces in the bark. When the breeze shifts we feel the trees are reaching out for us.
We see things in the shadows, because darkness is not the absence of light, it’s the presence of mystery, of phantasmagorical figures and imperceivable whispers.
When our minds fail to grasp something we mystify it. Storytellers know how to exploit this glitch.
When you woke up paralyzed and saw a dark figure at the foot of your bed it might have just been a waking hallucination… but deep down you suspect a demonic visitation. Storytellers know how take your suspicions and turn them in myths.
How Satan Came From Mysticism
Stage magicians used to tell wild stories about the origins of their tricks. They’d say traveled to a misty mountain monastery in the east, in the Far East, where monks worshiped not the one true God, but many deities. It was safe for the magician to presume no one in his audience had been to the region so he filled it with giant sea monsters, strange customs, and cannibalism. The audience would believe him because they were already primed to fear what they don’t understand.
We’re wired to fear everyone outside of our tribe and the devil is the ultimate outsider.
Early Christians mystified foreign Gods by recasting them as devils. The biggest victim of this transition was the horned God Pan. At the time Greek sculptures had made more idols to Pan than any other figure. Perhaps they found his horns and hooves intriguing. Perhaps they identified with his naturalistic philosophy. Perhaps they enjoyed depicting his giant dong.
Early crucifix salesmen couldn’t handle the competition so they launched a campaign to smear Pan’s brand. The only problem was there was already an adversary in Christianity: Lucifer.
Lucifer was a fallen cherubim, a race of angels with four wings, four heads, and skin covered in eyeballs. The bible never says Lucifer changed forms when he fell from heaven, but theologians (beginning with Eusebius) decided that Satan should look like Pan. They gave the Shepard God the old Mephistopheles makeover. No longer would Pan guide weary travelers out of the woods. Now he’d try to swindle them out of their souls.
Many a Pagan deity got the same Satanic mani pedi, and in their demonization their titles got added to those of the devil. He has many names, because not all of them were his. They were stolen and handed down.
The Mystique of the Devil in the Details
The dated mysticism of the foreign other doesn’t work in a woke wired world. These days we need new unknowns to mystify. Judging by the popularity of shows like Black Mirrorwe are now mystifying technology. Even the most conditioned coders can’t help but fear the future. Most of us have a nagging suspicion that social media algorithms are unraveling our souls. There’s room for a new devil in all those ones and zeros.
Perhaps Satan is lurking in all those terms and conditions no one ever feels like reading. I mean do you have 76 days to scan through the privacy policies you agree to annually? For all we know there are incantations between the lines and that subconsciously we’ve found ourselves at the mercy of a form of bleeding edge bibliomancy. Which brings me to…
The Satanic Contract
Part of the appeal of the deal with the devil story is how it upsets the established order. The established order of things is unfair. The playing field isn’t level and many of us will spend our entire lives just scrapping by. It’s easy to be righteous when you’re rich, but when you’re sinking in the quicksand of car payments and student loans morality is a luxury.
So in walks a goat legged eccentric with a pocket full of cheat codes. He says with a little up, up, down, down, left, right, left, right, b, a select starthe can grant you whatever is in your heart. All it will cost you is that 21 grams of something that goes missing when you stop breathing. “I mean, what is a soul really?”
You take the Faustian bargain, make a pact with Satan, and get exactly what you want… only to realize it wasn’t what you wanted after all and that the game isn’t satisfying when you play it in easy mode. You want to buy your soul back, but you can’t afford the interest. Turns out the devil is a predatory lender, a shifty genie who never grants the extra wish that lets you get your ass out of debt.
Now you’re staring down the barrel of hell, your back is against the ultimate wall, and the stakes have never been higher. You’re going to have to get creative if you’re going to claw your way out of this.
I fucking love these stories.
Not because of Satan. He’s just the catalyst. He forces the hero to evolve, to better themself, and muster up all of their cunning. I love scary stories with well placed mysticism and epic villains, but secretly I long for a hard won happy ending, with a good life lesson. Deal with the devil stories are great vehicles for this. Continue reading Why Stories About Satan Are Still in Fashion
Behold the fold book design for He Has Many Names by Matthew Revert.
Submitted for Your Approval
MeetNoelle, a Hollywood transplant that’s been subsisting on instant ramen and false hope. She’s on the verge of moving back into her mother’s trailer when her agent convinces her to take a meeting at the Oralia Hotel. Enchanted by the art deco atmosphere Noelle signs a contract without reading the fine print.
Now she has one month to pen a novel sequestered in a fantasy suite where a hack writer claims he had an unholy encounter. With whom you ask? Well, he has many names: Louis Cypher, Bill Z. Bub, Kel Diablo. The Devil.
Noelle is skeptical, until she’s awoken by a shadow figure with a taste for souls.
Desperate to make it Noelle stays on, shifting the focus of her story to these encounters. Her investigations take her through the forth wall and back again until she’s blurred the line between reality and what’s written. Is there a Satanic conspiracy, is it a desperate author’s insanity, or something else entirely?
Clash BOOKS invites you enter a zone in-between afternoon and midnight, a place if unnamed does not violate of copyright. You’ll find it in a tome of forbidden knowledge, a book called He Has Many Names.