Tag Archives: writing advice

Mental Illness as a Plot Device and Other Bad Ideas

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Photo by Keane Amdahl follow him on Twitter @FoodStoned

My forehead throbbed. It felt like it had taken on weight, like I’d played a Klingon on an episode of Star Trek and fell asleep with the prosthetics on. My teeth had gone out of alignment. My bite was crooked. My jaw had shift to the left. It wouldn’t go back. It had locked itself into place.

My eyes wouldn’t focus. The lenses refused to align. The depth of field shift from the railings in the foreground to the light in the background. The bulb was too bright, especially when my vision split it into two. The room spun.

I tried to look down, but my head refused to take the command. My neck had gone stiff. I was in a robot’s stranglehold. Its metal fingers ran from my chin to my collar. Its claws dug deep into my deltoids. It pinched my nerves. The pain wrapped around my back. It pressed my shoulders against a harsh cold surface.

The room smelt of chlorine, of summers spent at the YMCA. I expected to see water reflected on the ceiling. I couldn’t help but wonder, what kind of pool kept the temperature this low?

Goose bumps ran down my arms. My feet recoiled beneath a blanket that was too short and too thin to do any good. A breeze ran up my thighs. It occurred to me that I wasn’t wearing any pants.

I raised my hands. My palms were scraped. My knuckles were black.

There was a bracelet where my watch should have been. Something like a sundial jut out from my inner elbow. It cast a shadow that seemed confused about its light source. Its silhouette shift back and forth. It pulsed with the throbbing in my forehead.

My mind had all the pieces it needed to put the setting together, but it couldn’t. Continue reading Mental Illness as a Plot Device and Other Bad Ideas

Keane & Drew Argue About Time Travel

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FADE IN:

INSERT TITLE: The following is based on actual events. All
dialogue is quoted verbatim. All action is presented exactly
as it happened.

EXT. COFFEE HOUSE – NIGHT

The seats overflow with PATRONS, young and hip, their faces
lit by smartphones and tablets.

There’s heavy foot traffic. A rainbow of skinny jeans and
bandanas. Every face is a pin cushion full of piercings.
Every arm is a blur of sleeve tattoos. One side of the
Patrons’ heads are shaved. The other sides are bleached or
dyed jet-black.

DRIVERS lay on their HORNS. The gridlock stretches across
the windows. A SUBWOOFER blares. The bass sends ripples
through the coffee cups.

A fist SLAMS down on the metal. A tray lifts up, ashes burst
into the air. They land on an iPad on the other end of the
table. It’s owner lifts it up to his face.

DREW, unshaven, unkempt, looks like he’s been 29 for a long
time, blows the ashes from his precious tech. He reaches
into his pocket, produces a keychain light, and checks the
ports for signs of damage.

A napkin falls over the side of the table and glides to the
ground. It’s covered in dotted lines and X’s. Continue reading Keane & Drew Argue About Time Travel

Grift the Words Out of You (Audio Blog)

Photo by Keane Amdahl follow him on Twitter @FoodStoned
Photo by Keane Amdahl follow him on Twitter @FoodStoned

Writer’s block doesn’t always come from the lack of inspiration. Sometimes it comes from the abundance of inspiration, from having too many ideas to choose from. It’s hard to know which ones will leave you with a sense of accomplishment, and which ones will leave you feeling spent. Why invest the time, if the time is going to payoff?

Writer’s block is a fear of failure. If you never try you’ll never fail. The trick is to get yourself to try without realizing that’s what you’re doing. To grift one of those stories out of you and onto the page.

This 13 minute audio blog runs through all the cons I use to get the job done.

(Download the instrumental version here)

The instrumental version of Grift the Words Out of You is the perfect background music to write to. There are layers of ascending melodies stacked over ambient synths, with a rugged a trip-hop beat. The blog entry itself mentions The Cure’s Pictures of You. That song rubbed off on the soundtrack. Depeche Mode and M83, rubbed off on it too for good measure.

The Memory Palace Mystery

An author tries to solve a mystery from inside the pitch of his own story.

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My story’s pitch starts in the parking lot. The lot is empty apart from a lone convertible, a rusty old stepladder, and a thick layer of slush from last night’s snow.

The convertible is a classic, fully restored to its original mint green. Too bad someone thought to wheel it out in this nasty weather. The fenders are caked with black slush. There’s an awful mess in the interior. The windshield does little to hide the line of cocaine on the dashboard. There’s nothing but powder from the wheel to the glovebox. It looks like last night’s blizzard happened on the upholstery. A log sits on the passenger seat, too small for a support beam, too large for kindling. It leans forward. Its bark is nose deep in the fresh fallen blow.

I pace around the vehicle and wonder why the log was staged to look like it overdosed. This is the weirdest damn crime scene that I’ve ever seen. What business does a log have with such an epic line? Then it occurs to me. This is a terrible pun. It’s a “log-line.” Every pitch has got one.

A logline is the main idea sentence of a story’s pitch. It’s the bait that get’s the audience on the hook. I must have staged this mobile drug den to remind myself to lead with my logline. Continue reading The Memory Palace Mystery

Don’t Just Read More, Watch More (Audio Blog)


(Download the instrumental version here)

Writers are always told to read more. I say, they ought to watch more movies. Why? Good films do not slip into the same pitfalls that so many novels do.

Good films do not tell you what a character is thinking. The audience has to make observations of their mood, and draw their own conclusions. Good films do not just launch into backstory. If there are flashbacks they appear as scenes. Good films put the events on display, they don’t just put them into a character’s mouth, and expect you to take their word for it. Good films show and don’t tell.

Writer’s could take a cue from this. Just because our medium allows for free form exposition, that doesn’t mean we should use it.

The limitations of film force it to tell a more compelling story. These are limitations I urge novelists to try to bring to their work in progress.

The above audio blog gets into the nitty gritty of the benefits of watching movies. The background music is like a scary movie score put through a trip-hop filter. I’ve heard it described as electro-goth. If you’re looking for good music to write to, you won’t go wrong with the instrumental version of the song.

Seduce the Words out of You (Audio Blog)


(Download the instrumental version here)

This piece first appeared on Loren Kleinman’s blog on writing. Check it out at lorenkleinman.com, and follow her on Twitter @LorenKleinman. The above photo was taken by Keane Amdahl follow him on Twitter @FoodStoned.

Seduce the Words out of You

Writer’s are told to draft everything before rushing in. We’re told to have an outline to refer to when we get stuck. It’s a good check against writer’s block. It’s hard to lose the plot, when you can see every link in the chain. You know what happens next. You know your responsibilities. Your role in the relationship is defined. Continue reading Seduce the Words out of You (Audio Blog)

Carnival of Goals (Audio Blog)

Photo by Keane Amdahl, follow him on Twitter @FoodStoned
Photo by Keane Amdahl, follow him on Twitter @FoodStoned

This is a story about my first attempt to wow people with my work. I was a kindergartner hosting a Halloween carnival in the middle of July. I poured my heart and soul into the project and got negative returns.

There’s a lesson to be learned in failure: if at first you don’t succeed, you’re doing it wrong. If humiliation teaches us anything it’s how to wear humiliation better. Every artist has to learn to take feed back. Every artist has to develop a callus around their heart, a skin so thick they could stop bullets with it.

This is a piece for those people brave enough to put themselves out there. The ones who go out among the trolls seeking validation. The ones whose bright eyes never dim. The ones who no matter how many times you knock them down, they scramble back up to their feet, and brush their shoulders off.

This is for the people who look to the Internet and say, “I have something valid to contribute and I’m going to keep trying until it finally resonates with someone.”

If this makes us fools. Let’s be fools together.


(Download the instrumental version here)

For those of you who prefer the straight vocal recording, without the music, check out the link below.

Spare Your Darlings (Audio Blog)

(Download the instrumental version of the song here.)

This was originally posted on lorenkleinman.com a source of much inspiration. This whole piece is the product of a conversation we had on Twitter. You should definitely follow her at @LorenKleinman

Photo by Keane Amdahl, follow him on Twitter @FoodStoned
Photo by Keane Amdahl, follow him on Twitter @FoodStoned

“In writing, you must kill your darlings.” –William Faulkner

What are Darlings?

When Faulkner says, “Darlings” he’s talking about the poetry that wanders into our novels. He’s talking about the colorful descriptions in our black and white detective stories. The hyperboles that get lost inside our stark realism. The esoteric language that finds its way into modern thrillers.

The Darlings are the details that no one needs to understand the plot. Continue reading Spare Your Darlings (Audio Blog)

Soundtrack for Writing

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This entry was inspired by my friend Rachel’s writing playlist on her website celenagaia.wordpress.com. Check it out here. Follow her on Twitter @Raishimi

Music can be a writer’s best friend. A stopgap for the noise pollution around us. A check against the gridlock orchestra laying on their horns, against the food court percussion section scraping the food out of their instruments, against the mouth breathing choir in line at the DMV. Music provides a way to tune out all that chatter and turn up your internal monologue. It adds tone to discord, order to abstraction.

When I write spooky stories, I prefer songs that draw out the tension, rather than rush to the crescendo. I need my conductor to move with a slow and steady hand. To lure my mind into the cellar, to tug me down a long narrow corridor of nightmares.

I prefer atmospheric soundscapes to orchestral scores. I prefer rain and thunder to a bombastic brass sections. I prefer synthesizers to string sections, programmed beats to kettle drums. I prefer beats because they repeat. They keep my mindset consistent. They give my words a rhythm. Continue reading Soundtrack for Writing

Don’t Just Read More, Watch More

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If you look closely you can read two pages from Joe Hill’s NOS4A2

This entry was inspired by a piece on my friend Rachel’s website celenagaia.wordpress.com. Check it out here. Follow her on Twitter @Raishimi

Writers are always told to read more. Read enough good stories and one might rub off on you. Don’t worry about taking notes. Don’t worry about deconstructing the text. Just read for pleasure and your subconscious will absorb everything in the background. The meaning will be found for you. Take your imagination for a walk and your subconscious will count the steps.

Let the story pass by. Read it on autopilot. Don’t worry about following the plot. The twists will present themselves in due time. You’ll recognize the land marks and feel brilliant once you arrive at your destination.

If writing is the act of sending telepathic messages, then reading is the act of receiving. You have to listen to the language before you can speak it. You have to discover someone else’s voice before you can find your own. You have to turn your internal monologue down and let another’s take over. Continue reading Don’t Just Read More, Watch More