When I started my novel We the Damned my outline was no longer than a paragraph. All I wanted to know was the premise, the players, and the conflict.
In the story the demon Court of Skulls puts Eugene Black’s life on trial. They sabotage his defense by assigning him Murphy O’Dell, a day drinking public defender in the process of being disbarred. The courts rigs the evidence, alters procedure, and calls a series of couched witnesses to convince Eugene his life has no meaning. The court’s victory seems like a foregone conclusion until Murphy comes to care about his client.
I knew the surface conflict, but wanted to wait until I was in the thick of writing to understand the characters’ underlying motivations. All I knew was the Court of Skulls wanted to damn a soul while concealing its importance, and Murphy wanted to win, because it gave him a chance to stick it to the demons who he learned have been sabotaging his life all along. Continue reading How to Reroute your Story For A New Twist