Tag Archives: horror

The War on Halloween

A concerned demon weighs in on the War on Halloween.
A concerned demon weighs in on the War on Halloween.

Once a year, my demon seeds rise from the soil to corrupt the innocent and harvest the souls of the damned, and once a year they’re persecuted for honoring tradition. They return to the pit telling stories of houses with lights out and signs saying, “No trick or treat this Halloween.”

As a practitioner of the ancient rites, I’m sad to see the PC police sanitize the season, safety-proofing torture chambers, and whitewashing the blood spatter off of everything.

Gone are the pillars of goat skulls, livestock bonfires, and mile long threads of chicken’s feet. They’ve been replaced with scented candles, costumes for cats, and Chia pet zombie heads. Gone are the jars of deformities, the spirit boards, and seance tables dripping with ectoplasm. They’ve been replaced with bobblehead banshees, slime flavored fruit drinks, and friendly ghost cartoons. The Casper-fication of the season leaves no room for demons.

Time was there were cloven hooves leading to every doorstep, robed carolers chanting incantations on every lawn, and wicker men filled with philosophers burning all along the horizon.

Now pagan deities pace abandoned shrines, kicking the dirt, waiting for a sacrificial offering to wander across their altars, only to be stood up by their once loyal followers. Your plane of existence used to be the best party in town. Now you’re casting our idols out of your schools and town halls. Macy’s ignores the season entirely, rolling out the tinsel and mistletoe long before it even starts to snow.

Maybe I’m looking at the bronze age with ruby colored glasses, or maybe people just don’t build effigies like they used to. Call me old fashioned, but those pagans knew how to make an entity feel welcome, filling our cauldrons with the ashes of their loved ones. These days demons are lucky to get Pixy Stix as an offering.

Humans keep removing the curses from the occasion. Not too long ago people proudly displayed captivity scenes on their front yards, where wise men chained up the innocent. They decorated trees with toilet paper, decked their halls with cobwebs, and strung crime scene tape from mailboxes to rooftops.

They turned CPR dummies into disemboweled corpses, gluing cereal to rubber abdomens, painting the flakes red to look like scabbing. They smeared kayro syrup along plastic pipes, laying them out like entrails, leading to trenches filled with dry ice that never stopped smoking.

They hung ornaments of eyeless dolls, severed limbs, and good old fashioned  asphyxiated corpses.

2. Hands Up

My little hellions skipped up driveways hungry for poisoned candy corns and apples filled with razor blades. That all changed when people started giving them dental floss and teeth whitening gum. None of these Saccharin sweets had passed through witch’s hands, been soaked in virgin’s tears, or dipped in the bowls of unbaptized infants.

People need to put the heresy back into Hershey’s, the necromancy back into Nestlé, and blaspheme back into Cadbury. They need to taste the mark of the beast in their Mars Bars, black magic in their Blow Pops, and sorcery in their Sour Patch Kids.

Every year candy bars keep getting smaller. They’ve gone from “King Sized” to “Fun” to “Mini.” Now all that’s left are tiny droplets that give a vague hint of chocolate. My demon brethren keep pumping rock music full of subliminal demands, but it doesn’t seem to be getting top 40 rotation. What we want is either chocolate or blood. It’s not in your interest to keep narrowing our options.

One house gave my little hell spawns baby carrots, claiming it would help improve their vision. These people were oblivious to my children’s glowing eyes with their healthy red bioluminescence. As if vegetables weren’t bad enough, one house dared to give them raisins. Raisins, that’s one grape state away from the holy sacrament. They might as well give them garlic bulbs, dipped in holy water, with silver crucifix centers.

What the hell is wrong with people up here?

They’ve turned their backs on their heritage. They’ve taken the occult out of their culture. Costumes celebrating gruesome grotesqueries have fallen out of fashion. This will sound like a cliché coming from a demon, but I blame the children. Human children have lost their imaginations. They don’t have the attention spans to let their nightmares in.

Kids get their costumes from cartoons, rather than the Boogeyman in their closets (who ought to know something about fashion, considering where he spends all his nights). Kids wear cheap plastic smocks with pictures of who they’re supposed to be on them.

There was a time when they were all ghouls and goblins. I used to have trouble picking out my kids from the ferrel bands of blood crazed humans. These days they’re all princesses and super heroes, trailed by chaperones in big puffy coats. It’s only college kids that go out alone, and their costumes don’t leave room for demons to hide their exoskeletons. It seems like only succubi stand a chance of blending in.

People have forgotten the reason for the season is Satan, and to a lesser extant the elder gods that came before him, but really the old ones don’t even bother anymore. Cthulhu sleeps through it without so much as lifting a tentacle to hit the snooze button, and Dagon only gets up to catch the latest Tree House of Horror episode of The Simpsons.

The real reason for the season
The real reason for the season

Halloween is under siege by progressives. They want to pacify this time of possession. They want to cast out our dark sacraments from the halls of government, claiming a need to separate church and state, but debauchery isn’t a religion, it’s a philosophy.

Their agenda to secularize the holiday knows no shame. They want everyone to start saying, “Happy Harvest Festival.”

It’s Happy Halloween! With a hard H. H for Heathen, H for Heretic, H for Hellfire. Just because you rebranded something doesn’t mean it will protect you from my offspring. That’s them ringing your doorbell right now, with pumpkin pales and flaming bags of poo in their hands. You can try to civilize them, see if that gets them off your lawn, but my advice to you is just give them what they want.

Obscure Horror Movie Suggestions: Part 1

"Have you seen this movie?"
“Have you seen this movie?”

It’s hard to discover new movies for Halloween, when the net is full of top 10 lists packed with the same usual suspects: Rosemary’s Baby, The Exorcist, and The Shining. They’re safe bets if you haven’t seen them, but if you want fresh scares they’re roadblocks on the information super highway. If you’re looking for a detour, let me welcome you into the realm of the obscure.

Some of my suggestions are recent straight to streaming releases, while others had limited theatrical runs. These films aren’t cult classics, they’re still looking for their audience.

Over the next three weeks, I’ll share my recommendations, everything from pitch black horror to paranormal romance, blood soaked cinema for some and mind bending motion pictures for others.

Today is Part 1: Real World / Supernatural Horror

Later I’ll post:

Part 2: Reality Warping Reels / Romance from the Twilight Zone
Part 3: Found Footage / Mocumentary

If you have any recommendations, please share them in the comments. Continue reading Obscure Horror Movie Suggestions: Part 1

Make Fear Work for You

Fear always has a confidant handshake
Fear always has a confidant handshake

Everyone is superstitious about something. In the information age, there’s still plenty of unknowns to be afraid of. Not every bump in the night can be blamed on an appliance. For writers dabbling in horror, this is a good thing. Today we’re going to mine our superstitions for inspiration.

We’ll be ignoring the classics in favor of ones that are more cerebral. I live with a black cat, when I worked in building maintenance I walked under ladders daily, and I can’t have a conversation about Clive Barker without saying, “Candy Man” at least five times.

Minnesota sidewalks fracture every winter, the only places to step are on cracks, and there’s nothing wrong with my mother’s back. So shout, “Bloody Marry” into a broken mirror, open six umbrellas indoors, wear black on Friday the 13th, breathe heavy on your way through the cemetery, and don’t worry if no one blesses your sneeze.

I want to talk about your secret superstitions, your fascinating phobias. The ones you’re too ashamed to share, but still give you a good scare. The ones you formulated without the playground think tank, the campfire seminar, and the treehouse entrepreneurs.

Those childhood fears that survived your intellect, the ones that you can never seem to purge from your obsessive compulsive rituals, those are the ones I want to tap into. Think of it as a writing exercise to draw out original ideas, to keep your scares from feeling tired and dated.

If an aspect of the unknown becomes known, it isn’t scary anymore. Horror trends have desensitized audiences. Exorcism movies have demystified demon pathology. There have been so many Ouija boards on film that another one isn’t going to frighten anyone, unless it uses hashtags and emoticons.

If you want to communicate with modern ghosts, you'll need hashtags and emoticons
If you want to communicate with modern ghosts, you’ll need hashtags and emoticons

Psychological terror hides in the dark, just outside the radar of your senses. You can feel it, but you never get a good look at it. That’s where your sophisticated superstitions reign, where your half asleep lunacy becomes reality. That’s where we’re going to find our story.

Say "Hello" to my little friend
Say “Hello” to my little friend

The Fear Test

The best way to know if your superstitious belief has teeth is if you fear it more than something you should be afraid of. Irrational fears have a way of eclipsing legitimate ones.

I used to live in an apartment above a parking garage. The unit rattled every time the door opened. One day someone discovered a body in the dumpster. A mentally handicap neighbor didn’t know what to do when his mother died, so he dragged her down there. Out of some morbid curiosity, I went into the garage to find the dumpster aligned with my bedroom.

That night I woke up to a tapping on the window. A silhouette was peaking through the blinds. Slipping out of bed, I crawled into the hall. Armed with a Maglite, I charged outside to find a pair of homeless men passing a glass pipe on the window sill. I wasn’t frightened by the crank craters lining their cheeks. I was just happy these men weren’t the ghost of the woman from the dumpster. That irrational relief gave me the courage to trick them into thinking I was a cop.

True story. Here’s another one.

I used to go for walks at night when I had trouble sleeping. My insomnia got so bad I started seeing things. My subconscious planted shadow people behind every tree trunk.  I saw them peaking out, ducking behind trash cans, and kneeling in the tall grass. The second I caught one stepping into my path it disintegrated on impact.

We’re programmed to recognize faces from birth. It’s no wonder we see them in wallpaper, tree bark, and the surface of Mars. Deep down, I knew these hallucinations were glitches in my brain’s ability to spot patterns, but they just kept coming.

What made the shadow people all the more disturbing is they were never just chilling out doing their own thing. Walking around the lake, I never spotted them fishing, reading on the docks, or making out on the benches. The shadow people were always on the hunt. They rose from the water, dropped from branches, and lunged at me from the bushes.

I had this childlike notion that the shadow people were real, that my sleep deprivation dulled the feedback from my other senses, allowing me to see them. That’s why when I heard footsteps rushing up behind me, I was relieved to find a bulky man clutching something in his jacket.

When I calmly said, “Is there something I can help you with?” he was taken aback.

He took his hand out of his pocket and laughed. Through a bizarre turn of events, we chatted on the way back to my apartment. It took several blocks for me to realize he’d planned on robbing me, but changed his mind when he saw that there was no fear in my eyes. Over the course of several cigarettes, he all but admitted as much. Still, I was comforted when I turned around and saw a man and not a shadow assuming the shape of one.

Rational fears are topics worthy of your writing, but psychological terror shouldn’t be so easily defined. Show us your shadow people. Share the ghosts in your basement. Give us something we’re not used to seeing.

See my credentials
See my credentials

Rather than purging your fear with some loud distraction, I dare you to embrace the silence. I dare you to ask yourself the following question:

Wouldn’t It be Terrible If?…

I’ve written articles on one of the easiest ways for writers to find inspiration by asking “What if” questions.

What if a house cat got exposed to gamma radiation and hulked out at the sight of a laser pointer?

What if a house cat foiled a group of terrorists by knocking houseplants onto them?

What if a house cat thwarted a serial killer by triggering all his traps before they hurt anyone?

Horror stories start with a modified version of the same question: “Wouldn’t it be terrible if this happened?”

Wouldn’t it be terrible if the only reason the monster in my closet hasn’t struck yet is because I wasn’t ripe?

Wouldn’t it be terrible if there was an anti-Halloween where demons come to earth posing as people?

Wouldn’t it be terrible if everyone on earth stared at me when I wasn’t looking, but somehow I found out it was happening?

Chrome Face
Chrome Face

Next time you’re searching for inspiration, I dare you to stare into the dark until you find something. Next time you recognize an irrational fear, make a note of it. If it keeps rising on its own, you’ll know it has staying power. Indulge it, let it drive you crazy, then direct its evolution.

Why dismiss your fear, when you can put it to work? Developing it into a story might just be the best way to overcome it. These waking nightmares might just be your subconscious’s way of plotting. After all it’s not madness if you use it.

John Constantine in: Gambling with Souls

1. Nostrils

The following is a demon possession story with an unconventional outcome, a pitch black horror adventure with a whole lot of comedy.

I’ve written about how I’d like to see a fresh take on the exorcism genre and how I’d like to see my favorite exorcist, John Constantine, depicted on TV. Here’s an original short story that hits both birds with the same stone. It doesn’t matter if you’re fans of the comic, the show, the movie, or if this is your first introduction to the character; this piece stands on its own.

John Constantine in: Gambling with Souls

Ravenscar had been remodeled since my last bout of electroshock. The patients’ wing had been done up like a walk-in candy cane. The hall was a spiral of blood, streaking across the floor, up the wall, arching over the ceiling, then back down again. This paint job must’ve taken muscle, a steady hand, and a cadaver.

The hall stunk like a thawed out, abandoned meat locker. The smell intensified with every step, but the spiral beckoned me forward, a red carpet leading to the room at the end.

The door was ajar, daring me to step inside.

Fishing my phone out of my pocket, I set the flash to ON. Holding it into the unit, a chill moved down my wrist. Taking a snapshot, the flash revealed something at my feet. Recoiling, I felt the chill pass in an instant. Flicking my lighter across my thigh, I examined the threshold.

Turns out, I wasn’t the first mage in Dr. Huntoon’s rolodex. These sigils were drawn by an artist, someone versed in the mediums of salt, mirror shards and mercury. This was hybrid magic, a fusion of fringe spiritualism and esoteric witchcraft. It’s not unusual to find an etching of the Eye of Horus at the scene of a paranormal event, but it’s rare to find it accompanied by a nose and a mouth. This had Zed’s finger prints all over it.

Zed was a budding sorceress, rebelling against her evangelical upbringing by sticking her nose into these sorts of things. We’ve been riding each others coat tails ever since we ceased being an item.

Whatever lurked behind door number one hadn’t given me frostbite, Zed’s ward did. It was overkill, like using an EMP to take out the enemy’s communications, only to find you’ve disabled all of your weapons systems. This was arse about a face. Sure, it put up borders around bewitchments, but it was kryptonite for conjurers.

Here I was with a trench coat lined with magical trinkets. One step forward would render them useless, putting me at the mercy of Ravenscar’s latest tenant.

Ducking into the hall, I unloaded my arsenal. Pendants, potions, pentacles, rings, relics, runes, incense, ironweed, and insect repellant. What can I say? When I go in blind, I like to keep my options open.

The only things I kept in my pockets were a phone, a zippo, a pack of Silk Cuts, a tin filled with business cards, and a bottle of OxyContin I’d nicked from the doctor’s private stash. You know, the essentials.

Peeking at my phone, I saw what I’d expected: a tall lump beneath a sheet on the mattress. Expanding the image, I noticed something that didn’t sit right. If this was the bed, where were the pillows?

Pushing the door open, I felt Zed’s invisible fencing suck the magic from my skin.

“House keeping.” My voice echoed off the walls. It was a familiar sound, almost comforting, like coming home.

2. Newcastle

The lump under the covers remained frozen. My gaze followed the blood trail to a pair of legs beneath the bed frame: white orderly pants stained rusty brown. There were teeth marks at the ankles, exposing the Achilles’ tendon. Flies had colonized the bed. Here I left my insect repellant in the hall. The sheets dripped with black, brown, and yellow sludge. Whatever was living in here was nesting.

I wondered if Zed was so gobsmacked with the presentation, that she opted to just lock the bugger in.

Screwing a cigarette into my lips, I lit it up and took a puff, paying close attention to the direction the fire was leaning. Fire is attracted to two things, oxygen and demons. Let’s just say this flame wasn’t stretching for the door frame.

Clipping the zippo to my sleeve, I rolled my shoulder, cracking my neck to conceal my movements. Waving the cancer stick like a conductor, I hoped the ember would hold my audience’s attention. Inhaling as much as I could, I blew a smoke cloud overhead. Adjusting my coat, there was nothing up my sleeve, not even an arm. My fingers were up near my collar, ready to catch whatever life had to throw at them.

Reaching for the comforter with my free hand, I found a corner that had yet to be tainted by bodily fluids. Tearing the sheet away, I tilted my head straight up. I already knew where the pillows had gone. Raising my arm through my collar, I caught my attacker as she came down.

She fell right into my grasp. I flung her into her stuffed stand in. The pillows scattered. She landed on all fours, a cat with perfect balance. Her gown dripped with the same septic sap that oozed over the bed frame. You’d think smoking since primary school might spare my nose the smell. It didn’t.

The tenant smiled, revealing a face full of talons, claws in place of canines, a fine piece of skeletal transmogrification if I’d ever seen one. Her eyes were milky white. Her veins had turned black.

Digging her nails into the mattress, spittle seeped from her teeth. “Why can’t we read your mind?”

What is it with lesser demons and the royal we?

Shrugging, I took a puff, exhaling through my nostrils. “Because you’re illiterate.”

Zed might not have exorcized this demon, but at least she’d rendered it mind blind.

The tenant rubbed its eyes. “We read Dr. Huntoon’s mind. Did you know he has an ongoing fantasy about reviving Carl Jung’s sexual therapy? He longs to help push his patient’s traumatic memories down, deep down inside,” she cackled, “over and over again.”

I shrugged. “That’s just a lucky guess.”

The tenant shift her weight from shoulder to shoulder, a predator primed to pounce. “Are you one of his, or did your condition bring you to us like a moth to a flame? Maybe you suffer from some kind of savior complex? Either way, we can make the hurting stop.”

I chuckled, “‘Savior’ is not a word I hear that often.”

“So you’re not some Papist come to play Jesus?” The tenant squint, sizing me up with empty eyes.

I blew a smoke ring, “Nope,” I waved the nub of my filter. “although my meat suit does have the same initials.”

The tenant’s head cocked to the side, shaking like a maraca. “Your meat suit?”

Flicking the filter, I reached into my coat. “Oh yes, his name is John Constantine. John Constantine!” I flung a handful of business cards at her. “It would be remiss of me to rob him of a branding opportunity while he’s away.”

Leaning forward, the tenant’s hair fell into her teeth like floss. Her head bobbed up and down, tracing my aura from the floor to the ceiling.

The tenant shook her head, casting off dandruff. “If you’re really wearing this Constantine, why aren’t there any stretch marks? Why is their color in his cheeks? Why can we still see the light in his eyes?”

I pointed to her “There are puppeteers” then I pointed to myself, “and then there are ventriloquists. You know what you are.”

The tenant nodded. Pigs squealed in the bowels of her throat.

“We’re the devil.”

She spat brimstone at my feet, it sizzled on the tile, but I didn’t flinch.

I reached into my trench coat. The tenant perked up in a painful looking yoga pose. Its elbows bent the wrong way. Its bones stretched the skin. Her flesh was ready to rip right open.

Rolling my eyes, I tapped my phone. The tenant’s forked tongue tasted the air. I raised a finger, signaling for the demon to hold on a second, before flipping the screen to face her.

It was on a freeze frame from The Exorcist. It featured young Regan tied to her bed, skin pealing, her pajamas covered in pea soup. I tapped play.

Regan’s demon voice shouted, “The devil!”

Setting the phone back in my pocket, I ran my fingers through my hair. “Linda Blair circa 1977. There was an actress, you on the other hand, I’m not impressed with. Who’s your agent?”

The tenant smirked, giggled to itself, a child busted for lying. “Why does a fellow traveler need to know our name?”

I cracked my knuckles. “I don’t want your name, you walked into someone else’s home and started eating their food. Your name is Goldilocks. I want the name of the one who told you where to find the free lunch. Give me that and I’ll leave you with a limb to limp home on.”

Smiling, Goldilocks’s jaw sagged, like melted putty, revealing a second row of teeth behind the talons. Leaning forward, she was primed to bite my head off. “Oh, you’d be so merciful.”

She snapped at my ear, grazing the skin, ran her nose across my forehead, sniffed my brow, then snapped at the other one. I’d been knighted by demon. Blood trickled down my earlobe. She’d barely pierced the skin, but the pain was fleeting.

I grit my teeth. “The limb offer is off the table. Cooperate and I won’t reroute your intestines to fill your genitals with bile,” I shrugged, “or don’t cooperate, I’m feeling creative tonight.”

Rolling her head back, Goldilocks spewed a geyser of oil at the ceiling, spreading an inkblot across the tiles. Exhaling, Goldilocks elbows bent back into place, she fell into a heap on the mattress.

Lightning flashed. Thunder struck. Squealing pigs echoed down the hall behind me. I lit another Silk Cut and checked the time.

3. Rubbing Eye

“Doctor?” Goldilocks’s voice had lost its bite, she sounded human. “Who’s that under the bed? What’s wrong with his leg? Why isn’t he moving? Oh my God, is he?…”

This was Angie. The wee lass Dr. Huntoon thought might benefit from my unique approach to therapy.

Angie backed into the wall, huffing and puffing, panic wrought. “You’re not Dr. Huntoon. Who are you? Are you real?”

“I try to be.” I swatted the flies out of my face.

The air was thick. It stunk of rotten eggs and charred cinder. A clammy sensation traveled from the small of my back, up my spine, coiled around my neck, and settled on my scalp.

Sucking down my Silk Cut, I gave the poor girl my best poker face. In a game with stakes this high, empathy is the enemy.

“Is it gone? Did you get rid of it?” Angie’s gaze followed the claw marks on the ceiling.

Sweat dripped down my face, pooled in my palm with a white sticky residue. It smelt like hair product. I felt my spikes to find they’d drooped down into bangs.

“Is it safe?” Angie dipped her foot on the floor.

Grabbing her wrist, I checked her forearms for black tracks, ink bubbles riding the ventricles.

“Say ah.”

She did as instructed. Her tongue was solid again. Her teeth had returned to normal. Her gums showed signs of gingivitis, but that’s not my area of expertise.

Prying her eye open, I checked her iris for signs of dilution, but it was something in her pupil that demanded my attention. Seeing my reflection, I spotted a row of fingers on my forehead, bat claws digging into the skin.

“He’s still here.”

Spinning on my heel, I scanned the room for reflective surfaces. Zed had to have gotten those shards from somewhere. There were mirrors on both sides of the wardrobe, one had been shattered, while the other was still intact. Stepping into view, I got a good look at the monkey on my back.

The little bugger looked like an abstract artist’s interpretation of a demon: an emaciated monkey’s body, with a ribcage so sunken it left no room for lungs. Goldilocks’s shoulder-blades were so pronounced they cut through his skin. He had lopsided bat ears, talons for teeth, and the contours of a man’s head.

A crown of bone jut out from a wet gash in his scalp, bleeding down his face like a mask.

His tail hung between my legs with links of exposed vertebras, wagging with amusement. Goldilocks was having himself a piggyback ride. If he’d suspected a vacancy in me, he’d have slipped inside already. He was testing me.

Angie dug into her gown, watching the shadows for signs of movement. “He’s been following me since I burned down the chapel. It wasn’t until you came along that I realized he was the Devil.”

I chuckled, blowing secondhand smoke at Goldilocks’s perch on my back. “A demon calling himself the devil is like a clerk calling himself the manager. Lesser demons invoke the name to inflate their stature. This mug is just a common imp trying to live beyond its means, using the majestic plural to compensate for something.”

I felt Goldilocks’s claws dig into my skull, stopping just short of my brain. I had to drive it back into Angie if I was ever going to stand a chance.

Taking a deep breath, I said, “He’s an enforcer sitting in the boss’s chair, a tapeworm pretending to be a python, a barnacle on a whale’s back, thinking it’s the king of the ocean. It has no grand ambitions, no role in the apocalypse. It’s up here hiding, soiling its knickers at the thought of being dragged back to hell.”

That got the weight off my shoulders.

***

Angie’s eyes rolled into her skull. She arched her back, cracking it. Lightning flashed. Her shadow transformed. Spikes shot out of her lips again.

Shaking the pack of Silk Cuts, I realized I was down to the last one, the final link in a chain of smokes.

Goldilocks crawled forward, staring me down with empty eyes. “Who are you?”

Puffing on the Silk Cut between us, I let the embers flare. “I’m the one whose porridge you’re gobbling. Since Ravenscar was established, I’ve peaked in, nibbling on an obsessive compulsive here, a paranoid schizophrenic there, never taking more than I needed, never announcing my presence. Then you came along and shined a big bright light on my operation. Now my buffet is at an end. Soon they’ll have priests on retainer, buckets of holy water in every doorway, and crucifixes as far as the eye can see.”

Goldilocks’s tongue shift from cheek to cheek, then from eye socket to eye socket. “If that’s so, then we’ll step out of your way. You can have this one’s soul, our treat. We’ll stand guard as you suck it dry.”

Goldilocks raised a finger, “But if you can’t, if you’re not the demon your swagger says you are, then we reserve the right to pick your meat puppet clean.”

I nodded, “Deal.”

Flicking her wrist, Goldilocks slammed the door behind me. When I turned back from the sound, I found Angie scurrying away.

Goldilocks had called my bluff.

4. Looking Back At

Tears streaked down Angie’s cheeks. “Just make it quick. The things it shows me… The things it wants me to do…to people I care about… I can’t go back.”

A breeze passed through Angie’s hair. The strands hung in the air. This time Goldilocks wanted me to know exactly where he was standing.

I could’ve grabbed a shard of mirror, sliced Angie’s throat, and hoped that Goldilocks would sod off out of it, but that would be a draw and I was looking for a win. That’s when I remembered the prescription in my pocket.

Sighing, I put my hand on Angie’s shoulder. “The only way to spare you from his torment is to transfer ownership. His is the realm of venial sins and mine is the realm of mortal ones.”

I pointed to her, “Mala Prohibata,” then to myself “Mala in Se. He deals in sins that are forbidden by man, like playing with matches. I deal in sins that are forbidden by the divine.”

Cupping my hands around Angie’s, I left her with the bottle of OxyContin.

“He will fragment your personality from your memory, turn one aspect against the other, until your soul is a snake eating its own tail. You will devoir yourself. He’s a petty demon. He doesn’t collect souls, he collects tragic outcomes. You’re just another notch on his belt.”

I pointed to the pills. “Come with me and I will hurt you. I will devastate you beyond your comprehension, but I will let you retain a semblance of your identity. This I promise you.”

Angie struggled with the childproof lid. “Who are you?”

My smile flattened. “The true lords of hell do not go by names. We go by numbers, and I my dear, am the first of the fallen.”

If I couldn’t sell the lie to Goldilocks, I’d have to sell it to his target audience.

Angie muttered a prayer.

I shook my head. “With everything you’ve done? No. God’s turned a blind eye and a deaf ear. Your damnation is a foregone conclusion, but you still have a choice in which hell you’re going. Go with Goldilocks, and he’ll pass you around the prison. Go with me, and you’ll be mine alone.”

I practically put the capsules in her mouth myself.

She swallowed them down, and the staring contest began. While Angie searched my eyes for traces of humanity, I searched her hairline for signs of movement. Angie was Goldilocks’s link to the land of the living. Would he go down with the ship or wait for another to come along?

As Angie’s eyelids shut, her hair went limp. I felt Goldilocks’s demon grip on my shoulders. All he had to do was slip into my scalp, possess my body, and he would’ve won, two souls for the price of one. Instead, he leapfrogged over me, looking for a place to hide until the next sad sap wandered in.

The wardrobe creaked.

Walking backward, I cracked my knuckles. Turning to face the mirror, I saw Goldilocks in the reflection, gnashing his teeth, his forehead perpetually bleeding. We stared at each other head on. He won that contest. I couldn’t help but wink.

“Here’s to seven more years of this.” I drove my fist into the mirror. It shattered, trapping the little bastard there.

Leaping onto the bed, I felt Angie’s neck for a pulse. It was fading, worse still she was barely breathing. There were only a few capsules left in the bottle, but I’d underestimated their effect. Gambling with Angie’s life, I delivered her soul to the genuine first of the fallen, tossing her out of the frying pan and into the volcano.

Scooping Angie up, I carried her across Zed’s invisible fence. Panicking, I ran past my arsenal of enchantments. I had one last option.

***

Kicking the door open, I announced our presence.

The electroshock chair was already occupied. The patient seized up in the throes of his session.

A nurse shot up from behind him. “We’re in the middle of a procedure!”

Laying Angie’s lifeless body on the floor, I said, “So am I.”

Plucking the electrodes from the patient’s head, I made a makeshift defibrillator. Cranking the dials up past I eleven, I yelled, “Clear!”

***

When Angie came to, she spent the first few minutes staring daggers at me. Even after they fit her with an I.V. full of Buprenorphine, she kept her gaze fixed.

“So, are we in hell?” She asked.

I gave her a so-so gesture. “Not exactly.”

She exhaled, filling the air with tension.

“You told me to kill myself, to commit a mortal sin. You persuaded me to play an active part in my own damnation. You told me you were the first of the fallen.”

Making my way to the door, I shrugged. “Listen love, I say a lot of things.”

5. Smiles

For more on the adventures of John Constantine check out my review of the pilot episode for the Constantine TV Show.

For more of my stories on demons and possession check out:

Eviction Notice – The tale of landlord tasked with tossing out a tenant possessed by a demon.

The Great American Tell Off Speech – The story of the hiring manager from hell interviewing a genuine demon.

Terms and Conditions – The story of an artist who tries to steal his inspiration back from the devil.

For my thoughts on the role of exorcisms in modern fiction, check out: Horror Clichés in need of an Exorcism.

Horror Clichés in need of an Exorcism

People who know me, should've suspected my demon nature for some time.
People who know me, should’ve suspected my demon nature for some time.

(This article was inspired by a conversation in Red Letter Media‘s review of Deliver Us From Evil, check it out)

In film, certain paranormal plot devices have overstayed their welcome: exorcisms, found footage movies, forbidden objects sold at the mall, and the claim that there’s a true story behind them all. We used to find these themes intriguing, until we did our research.

Now we know that sleep paralysis causes hallucinations that look like ghostly visitations, that sleep deprivation turns shadows into forms, and that night terrors are a product of neurology not demonology.

We know that the regression techniques used to uncover alien abductions relied on leading questions. A hypnotherapist would ask, “How high is the light off the ground,’ and their patient imagined it in the sky, based on the implication.

We know the same techniques caused the Satanic panic that had patients crying “Cultists!” at their family and friends. In the 1980s, many women claimed they were forced to sacrifice their children, until medical examinations proved they were still virgins.

Our suspension of disbelief has dropped. Our intellect has adjusted to scare tactics. Our tastes have become too refined for cheap thrills. We want to be scared, but our bullshit filter keeps catching everything Hollywood throws at it. That’s why these clichés must be upgraded if they’re going to frighten us again.

I'm available to design your cover art if you ask nicely.
I’m available to design your cover art if you ask nicely.

Exorcism Stories

When The Exorcist premiered in 1973, audiences were fainting in the aisles, forty-one years later, audiences are falling asleep for other reasons. The mystique is gone. We’ve seen so many demons get dispatched, we’re questioning their intelligence. Why break out of hell, when they can be sent back with a few measly blessings?

As Hollywood keeps telling variations of the same story, we keep piling on the questions.

What if the demon isn’t allergic to holy water and crucifixes? What if it doesn’t speak Latin? What if Catholicism isn’t the cure every time? What if it responds to protestant prayers? What if the Kabbalah is its kryptonite? What if it takes a Wiccan spell to send it back to hell? Would polytheists call on a pantheon of Gods to deal with it? Would Scientologists audit the evil out? Would Buddhist’s even bother?

NBC’s new show Constantine gets around these questions by having the hero recite the ‘co-exist’ bumper sticker of exorcism prayers, name dropping elements of all the world religions. It’s a solution that doesn’t address the real problem.

The problem is assuming the rite of exorcism still resonates with audiences. Not everyone wets themselves at the mere inclusion of a demon, we weren’t all raised to believe in possession, we expect our scares to come from better storytelling.

In The Exorcist, the demon Pazuzu tricks young Regan into texting him through a Ouija board. After a month of flirting, he moves all his stuff into her brain. Soon Regan’s dropping F-bombs on her mom and directors on the pavement, practically begging for an MRI scan. Crab-walking down the stairs, coughing up blood, levitating furniture about, Pazuzu wants to get found out. He wants Mrs. MacNeil to call on the clergy. Pazuzu’s insidious goal is to consume a holy man’s soul.

The Exorcist works by humanizing these confrontations. Father Damien isn’t just reciting verses, he’s grieving over his dead mother, he’s finding his faith again. The director gives the audience the feeling that it’s not Damien’s words hurting the demon, it’s his newfound belief in their meaning, and the lesson he’s learned through the course of these events.

Recent exorcism movies abandon the message in favor of the creeds. They put symbology over substance. These are films that started strong but ended with the same tired chant.

The Rite spends so much time setting up Anthony Hopkins’s possession, but when his student figures out what’s going on, the demon is dispatched with a quick round of tongue-fu. The Exorcist: The Beginning does the same thing. In The Conjuring, the demon flings things at the Warrens, to keep them from getting through the exorcism. The tension comes from how fast they can read before they get hit with something.

After seeing the same scene play out so many times, it loses its impact. Yellow contact lenses, flaking skin, and dated obscenities just don’t have the same effect on me. Possession could be a frightening theme, but these incantation evictions have gotten underwhelming.

I’d love to see more demon possession movies where the traditional methods don’t work, where the demon has a calculated goal, a long con revealed in a third act twist, and an ending that favors an emotional encounter over a dramatic reading. (See The Exorcist 3 for a great example of this).

Demons clearly use yellowing strips.
Demons clearly use yellowing strips.

Found Footage

Found footage movies are a guilty pleasure of mine. While most film critics have given up on the genre, I always find a few examples that redeem it. VHS showed me the direction grind house movies are going, Afflicted showed me what turning into a vampire is like from the vampire’s point of view, and Trollhunter showed me just how serious Norway is about pest control.

If you’re making a found footage movie, commit to the bit. If you want wide shots, have your characters place those cameras in the location, don’t cut from crane shots back to hand cams and expect us not to notice. If the characters can’t see from that perspective, then we shouldn’t either.

If you want to sell us on the idea that this footage was discovered, then leave it somewhere where it can be found. If all the camera operators end up in the belly of a demon, then how are we even watching this film?

Soundscapes can be used to great effect, from the chorus of babies crying in The Blair Witch Project to the thunderous footfalls in Paranormal Activity. Don’t break the suspension of disbelief by adding a score. Linking the look of cinema vérité with mood music is like making a chicken omelet, the pairing feels funny.

The Last Exorcism did this, opening as a talking head documentary, before devolving into series of low droning strings and chord stabbing jump scares.

Anyone who sets out to make a found footage movie needs to deliver on their promises. If you mention the possibility of a ghost, alien, or cryptozoological entity, show us something by the end of the movie.

"Is the demon in this mug shot the one who attacked you?"
“Is the demon in this mug shot the one who attacked you?”

Forbidden Objects

Ouija, Hasbro’s spiritual sequel to Battleship, follows a group of teens who try to contact the ghost of their friend with a spirit board. The trailer cycles through a switchboard of stock horror movie sound effects, filtering every shot through the same old color palette. The only new thing it brings to the table is a toy that has been debunked over and over again.

We know how spirit boards work when tested under scientific conditions. With a stack of chips tied to the planchette, we should see them lean away from an invisible hand, instead we see them lean from the direction of the living participants. This is a trick of the subconscious. Ideomotor actions cause the participants to push the planchette without even realizing it.

Just watch the experiment in action.

(If you want to see mentalist Derren Brown take this Ouija board scam to a whole other level check out his Seance Special).

Still, Time magazine says, “the terrifying seance-conducting game will finally be getting the starring role it deserves.”

Does it deserve it? For me this Parker Brothers plaything is just as frightening as a Magic 8-Ball, or a pile of fortune cookies. How scary can something filed between Apples to Apples and Yahtzee really be?

The smart way to make a mystical MacGuffin work is to draw attention to the evidence against it. Say what you will about M. Night Shyamalan’s Signs, but the film points out that crop circles could be made by hoaxers with boards and string.

The X-Files did this all the time, hanging a lantern on a dispelled myth, only to reintroduce it with a sophisticated new bag of tricks. Agent Mulder gave the audience a refresher on an urban legend, while Agent Scully explained it away with science. What they were looking for was always something in between.

Maybe this new Ouija board movie does just that, but judging by the trailer, Jumanji was scarier.

Officer Ouija is on the case.
Officer Ouija is on the case.

Based on Actual Events

Every trailer ending with the words “based on actual events” needs an asterisk beside it, followed by a screen full of annotations.

The Strangers claimed to be based on actual events citing the Manson family murders as inspiration. That’s insulting to the victims, their families, and the audience’s intelligence.

The Quiet Ones ends with a still shot of the real researchers the film is based on. Turns out the people in the photograph are actors. Everyone involved in the study that inspired the story is alive and kicking.

The Fourth Kind ends with footage of a talk show that happens to be hosted by the film’s director.

Though the caption “Based on actual events” brings in box office revenue, the phrase itself has become worthless. If I can dismiss your premise with a quick Wikipedia visit, then you’ve lost me before the opening credits.

The true claims these films make aren’t always harmless, especially when they further superstitions that impact people with mental illness. The Exorcism of Emily Rose altered the facts to make its Priest more sympathetic. The impression it leaves the audience with is that epileptic seizures might be caused by something demonic.

Adds a whole new meaning to the phrase "bright eyes."
Adds a whole new meaning to the phrase “bright eyes.”

Before you go writing that found footage based on actual events exorcism picture with the prominently placed Ouija board, ask yourself: how long will these elements frighten audiences? How could you upgrade them to work in this century? How could you scare skeptics?

We want you to psych us out, to subvert our expectations, and give us something more terrifying than we could possibly imagine.

For more on horror clichés, check out my articles on overused monsters and how to reinvent the jump scare. To see how I’d reimagine the classic exorcist scenario, check out my short story Eviction Notice.

Feel free to completely disagree with me in the comments, or better yet, suggest horror movies that use these themes right.

The Esoteric Order of Internet Service Providers

1. The Look

Net neutrality is the principle that all internet data should be treated equally, that no service provider should sell preferential treatment to the highest bidder, and that no company can discriminate what sites their users see. It prevents wealthier sites like BuzzFeed from being the fastest things on the net. It prevents Comcast from charging WordPress more to reach their readers at a decent speed. It prevents streaming services, like NetFlix, from passing these new expenses to their customers. It evens the playing field for established corporate entities and promising young entrepreneurs.

Over the course of two elections, this administration ran on the platform of preserving net neutrality. So, how could the President’s appointment for the chairman of the FCC propose its end?

If you’re like me, you suspect secret societies and Satanic rituals are somehow involved. The following is a dramatic reenactment of how I think the whole thing went down.

The Esoteric Order of Internet Service Providers

From the stairs, the underground lair looked like a wolf’s den. The pack was positioned with their fur to the ceiling. They knelt in a circular formation around the podium. With pelts quivering in the midst, they looked like beasts digging, but it was fingers, not claws that held their sacred rings.

Stepping onto the floor, the Alpha broke the fog, dragging a fur robe behind him. The silver mange of his wolfskin hood blended into his hair. Its frozen ears were raised in a permanent state of alarm. Its furrowed brow framed the rubies in its eyes. With its snout jutting out, its canines cast shadows down the Alpha’s face.

The Alpha’s flesh glistened, a pallid mask of skincare products. A pair of black, sunken eyes, hid behind his spectacles. When he looked to his followers, they skittered back with their tales between their legs.

The plumage from a flock of cardinals lined his robe, clasped together with fragments of antlers. Peacock feathers shot out from his shoulders, casting shadows on his snakeskin sleeves. His was a technicolor coat of death and nightmares. Standing over his followers, he was an apex predator.

The Alpha approached the podium, to find a wolf’s paw. A remote stuck out from the amputated limb. Looking to a projector on the ceiling, his gaze followed the beam to a towering curtain. Pinching the paw until he felt a click, he watched a blood red moon flash onto the screen.

“Arise my brothers.” The Alpha’s voice boomed with seasoned authority, a refined tongue that had no qualms with giving orders.

The pack did as instructed.

2. Bound Hands

The Alpha pinched the paw. Spinning, the moon shrunk into the dot of a question mark. Continue reading The Esoteric Order of Internet Service Providers

Headbleed: an information age horror story

Headbleed Messy

Are you afraid of someone accessing your passwords? What if they got access to your person? The Heartbleed bug isn’t the most vulnerable part of your online identity, you are. Forget about someone hijacking your accounts. What if someone used your online profiles to replace you in the real world?

There’s more than one way to steal your identity.

If someone vague-booked on your behalf, would your friends know it wasn’t you? If someone took control of your tweets, would your followers realize you’ve been compromised? If someone commandeered your Instagram feed, would your friends notice a change in your point of view?

This story takes those questions to a whole new level. This is a preview of my work in progress, a millennial mystery, a social media thriller, a cautionary tale for those with a high connectivity clout score.

Something about seeing this icons dripping with blood just feels right
Something about seeing this icons dripping with blood just feels right

Continue reading Headbleed: an information age horror story

The Ritual (Audio Short)

The Ritual

Ever have that dream where you stumble into the middle of a black mass with nothing to sacrifice? Ever crash a red ritual with nothing but casserole? Ever realize you’ve entered a black robe and hood affair when it’s too late to go home and change? That’s dream logic for you, never sure whether it’s more important if you feel afraid or embarrassed.

In the dream, cultists chant incantations with midwestern accents. Beneath their masquerade masks, they might just be your friends and neighbors. Perhaps that’s the little league coach drawing a propane pentagram, and the leader of the Boy Scout troop setting it aflame. Perhaps that’s the head of the PTA, drawing a dagger from her sleeve.

Your subconscious got tired of high school settings, of locker rooms and hallways, it wanted try it’s hand at a new landscape.

This is a story about what happens when your subconscious forgets its plotting a nightmare only to resort to the oldest dream cliché in the book. Come for a scare. Stay for a punchline.

Planting Evidence: How Atmosphere Can Improve Your Writing

Pondering Bones

Stealing Reference Material

The bridge was a tunnel of chain length fence. It rattled with every step, a giant slinky bouncing. Waves rippled through the diamond patterns. Industrial lights swung from their hooks. My goggles turned them into spirit orbs, ghosts of urban explores who’d fallen through the gaps. With a GoPro mounted to my helmet, I struggled to maneuver around them.

The miner’s cap was heavy enough already, the camera made it dig deeper into my scalp. It hurt, but nothing chafed like the breathing mask. Tracing my muzzle, its straps cut right through a cushion of facial hair. The apparatus recirculated this morning’s coffee with every breath.

Seventeen stories beneath me, the river raged. This rickety structure was all that kept me from diving into it. I threaded my fingers through the rusty wires, incase the boards weren’t up to the task.

When a swarm of mayflies filled my headlight, I knew I was getting close to the other side. Something gleamed up ahead. It took a moment to recognize the grated treads of a step. The stairway felt even less secure than the bridge. Stretching for three city blocks, it creaked back and forth with every step. My oxygen tank slapped against my back. My bolt cutters hammered against my thigh.

Buried under all this gear, I was feeling claustrophobic already, the sewer pipe at the top of the staircase only made things worse. Someone had lined the mouth with glass. Brushing it aside with the bolt cutters, I leaned in. There was a crunch beneath my kneepad. The path sparkled before me. The last guest must have excreted shards on his way in. From elbow pad to kneepad, I bore the brunt of each of them. My palms pressed the walls, while the oxygen tank scraped the ceiling.

Unscrewing the vent, I lit the basement on the other side. There was a bed of nails waiting for me. Someone had taken a page from the Home Alone school of building security. Too bad they didn’t realize the sewage vent made the perfect platform for an intruder to stand on.

Hopping off the makeshift step, something crackled beneath my boots. There were grains of salt as big as pebbles sprinkled around the entrance. Someone sure didn’t want any of those spirit orbs getting in.

The room was hot and clammy. Sweat trickled into my goggles, pooled at the bottom of my mask, and dripped down my breathing tube.

Chemical stalactites hung from the pipes. Paint chips rolled off the support beams, wedged into cracks in the foundation. The concrete lining the walls had turned to gravel. Twinkling in the air, fibers spilled through a gap in the ceiling. My beam stretched all the way to the roof, where there was a flutter of panicked batwings.

An unholy trinity of toxins were in the air: asbestos, lead, and radon.

Scanning the walls, florescent tags glowed in my beam. There were no words, no gang signs, only esoteric symbols. These ones were unlike any of the charms I was familiar with. There were none of the traditional spiral hands, helms of awe, or grand pentacles to ward off demons.

These symbols were far more intricate, patterns stretching from the floor, up the brickwork, arching over the ceiling. They had impossible symmetry, resembling the complex exoskeletons of marine life, like corals growing on the wall. Their spray painted tentacles didn’t stretch toward me. They stretched away.

This wasn’t a protection spell. It was a binding.

Ever the Boy Scout, I reached into my satchel. With the flick of the wrist, my extendable baton doubled my arm span.

Looking Up

The tentacles led to a spiral staircase. I had some good material, but the footage I’d come for was somewhere up there. The climb did my back no favors. The GoPro forced me to go up hunched over. This put me at eye level with the rusted bolts, rattling with my every step. I felt compelled to push them in every time I looped around.

Half way up, I heard a creaking, followed by a loud crash. Looking down, I saw the stairs collapse beneath me. I ran the rest of the way. Hitting an edge, my helmet got knocked sideways. Sparks flew off my oxygen tank. Nearing the top, I spotted a row of hypodermic needles with their points ready to stick me. Kicking them away, I slid onto the ground floor. The last step fell out from under me.

“A little redundant.” I addressed the facility, “If you didn’t get me with the glass or the nails, what makes you think you’re going to get me with another trap on the floor? If anything you should be trying to get me from…”

It occurred to me to duck. There was a twang. A trip wire snapped. A jackhammer came down on the GoPro, knocking the helmet clean off my head. The light tumbled end over end into the dark. The pummeling pendulum whooshed back and forth.

Jabbing at the dark with my baton, I tried to follow the trajectory of the helmet. I spotted a faint glow. The helmet must have gotten some air before it hit a wall. It cast just enough light to let me see my goggles fill with cobwebs.

Dusting off the helmet, I screwed it back on. I couldn’t help but smirk, thinking about how cool the footage was going to look. That’s when I saw that the floor and the ceiling were covered in the same coral markings as the basement. These florescent tentacles lead toward an empty corridor.

I spoke to the facility, “Your traps say, ‘Go-go,’ but your symbols say, ‘Stay-stay.’”

Someone exhaled beside me. I turned to find a shirtless emaciated figure. His frame was all ribs and hips. His skin was pale enough to glow. His cheeks were littered with cysts. His nose had been broken, the bridge curved like a face in an abstract painting. His eyes had sunk in. The pupils were washed out, nearly gone. When he opened his mouth, a layer of skin streaked across his lips.

He looked to the extendable baton, “Is that your probe? Are you an alien?”

Anticipating my response, his boney shoulders shifted back and forth between fight and flight.

I cocked the baton back, “It is, and I am.”

I put my money on flight. Lunging at me, he bet against the odds. With one swift blow, I called him. He went down like a house of cards, waving his arms, fluttering to the floor.

Blood spurt from his temple, shooting across my boot, painting it red. Then it did something unexpected. Dripping down my toe, the blood left no sign that it was ever there. Running around my ankle, it merged with the other droplets, swirling with the magnetic pull of mercury. Ignoring a dip in the floor, the blood seeped upward along the tentacle patterns. A serpent with a long red tail, rounding the corner into the corridor, weaving from crack to crack. The blood wanted me to follow.

A strange calm came over me, as if the sight of animated blood was soothing. Turned out the encounter had me huffing down the oxygen. I’d have to ease up if my supply was to last through the night.

At the end of the corridor, the blood snake slipped beneath a pair of black doors. I knocked. There was an echo. Whatever was on the other side of this threshold was massive.

The doors creaked open, revealing a field of candles, a vigil the size of a hangar. Stepping into the room felt like walking onto the cosmos. There were no boilers, no vats, and no aircrafts, just a vast garden of light.

Whatever the facility was built for, it had been repurposed. Spinning around, I took in all the footage I could.

Mesmerized by the candles, it took a while to realize there was something wrong with the walls. From a distance, the brickwork appeared to be made of nothing but headers. Stranger still, the courses between them were stacked in intersecting lines, not the strengthening patterns common to buildings of this height. Approaching the wall, I saw that it was riddled with holes and rivets. Not holes, but sockets. Not rivets, but teeth.

These were not bricks. The walls were made from skulls. The facility had been converted into a grand industrial charnel house. There were too many skulls to count, more than enough to account for every missing person in the state’s history.

Wind swirled around me. The candles flickered in a circular pattern, spiraling out to the walls. The room quaked. The skulls rattled. I feared they’d come crashing down on me.

A chorus of voices boomed, “Who dares disturb our slumber?”

The force knocked me to my knees. Candles jut through my fingers. My legs were drenched in a puddle of wax. Struggling to my feet, I gulped. “Drew Chial, aspiring author.”

Their teeth rose and fell, “Why have you contaminated the purity of our domain with your presence?”

“Purity?” I muttered, “Did you see the guy wandering the corridor? You lot must have a lax definition of purity if–”

The room quaked.

I cupped my hands over my mask, “I needed reference material.”

“Reference material for what?” The walls echoed.

I tugged at my breathing apparatus. “A blog entry on how atmosphere can enhance a writer’s scenes.”

“What is this atmosphere of which you speak?” Their voices rang.

Brushing off my knee pads, I raised a finger. “I’m glad you asked.”

Alas with a pipe

Creating Atmosphere on the Cheap: The Ed Wood Method

As a former script reader, I can’t tell you how many screenplays I read that had zero description of their settings. The most the screenwriters would give me was: EXT. CEMETERY – NIGHT, then it was straight to six pages of dialogue. As far as I’m concerned, that’s a radio drama with faces. Film is a visual medium. Give your audience something to look at.

Learning a scene took place in a cemetery, my internal set designer just slapped something together.

Sliding blue gels over the lights, he cranked up smoke machines, dumped dry ice into every nook and cranny. He called for cardboard headstones and Styrofoam angel statues. Teamsters nailed shanty mausoleum facades together. The night sky was reduced to stage lights glowing through black sheets of cheese cloth. The clouds were just colored clumps of cotton.

The landscape my internal set designer threw together was serviceable, but it lacked fine details. It had all the atmosphere of Plan 9 from Outer Space. That’s why I call this the Ed Wood Method of story telling, because it forces the reader to come up with a slapdash backdrop that brings down the value of the rest of the production.

Cemeteries are scary, but you can’t just set a scene there and expect instant fear from your reader. You have to earn your audience’s anxiety by setting up the ambience. Show us something that doesn’t immediately come to mind. Something that tells us you’ve been there, that you know the lay of the land. Something that sets this cemetery apart from all the other ones.

Presenting Skull Head

Working for Your Atmosphere: The H.P. Lovecraft Method

H.P. Lovecraft had a talent for staging scenes, warping entrails into pagan symbols in the Antarctic snow, dressing lost cities with tomes of forbidden knowledge, glyphs that hinted at what was coming. He littered The Mountains of Madness with all kinds of evidence, long before letting the reader catch a glimpse of the dark presence.

Lovecraft was an architect building tension, mounting dread. He left empty spaces in his cavernous ruins, dark places for his readers to fill with nightmares. Rather than burn his audience out on confrontations with creatures, he chilled them with atmosphere.

Lovecraft’s favorite word was “indescribable.” He’d lead you to the terror below, describe its tendrils in a blur of movement, and leave you to put the rest of the pieces together. He knew that the best horror stories were a collaborative effort between the writer and the reader. He knew that the audience’s imagination was not a screen to present events, but a canvas filled by the reader’s interpretation.

Lovecraft isn’t known for dialogue or characterization. By all accounts, he was sparse on both fronts, but he was a master of description. Give him a house and he’d fill the walls with rats. Give him an attic and he’d fill the air with things swimming on sympathetic vibrations. Give him a cave and he’d fill it with the remnants of a lost civilization, and the very creatures that did it in.

Angry Skull

Building Your Story on the Atmosphere: My Method

When a premise escapes me, I’ll write a description-centric story. When it hits a wall, I’ll describe the scenery. When I’m all out of life events to reference, I’ll mine the places I’ve been. The narrative that opens this blog is a combination of spaces I’ve seen urban exploring. I grafted the chain length fence from St. Paul’s Island Station Power Plant onto Stillwater’s Tall Bridge. I linked a sewage pipe from White Bear Lake to the bowels of the Walker Art Center. I borrowed the dilapidated ceiling from an abandon apartment complex.

I think of these pieces as studies, like list poems, they’re workouts to keep the creative juices flowing. If I have nothing to say, I’ll just interpret the details of something. It might seem like a waste of time, but it keeps me writing. This method is a great tool for chiseling a sculpture out of writers’ block.

Sometimes atmosphere building can develop into plot structure. The combined settings reveal the stages of a journey. They compel me to go back and plant more evidence along the way.

Angry Alas

I Dare You: a Challenge for Writers

In Screenwriting 101 we weren’t allowed to write dialogue for the entire semester. Speech was a story telling crutch, the professor wanted us to build up our descriptive muscles.

He tapped a dry erase marker against his palm. “Every week I want you to go somewhere you feel out of place and write about it. I want you to exit your comfort zone and enter the great unknown.”

The first week I downed two pints of Guinness and stumbled into the Church of Scientology to get myself a free personality test. After learning I was depressed and in dire need of an audit, I begged my way into their bathroom. The tester waited outside the door, just in case I wandered off and started taking pictures. I already had all the mnemonic negatives I would ever need.

The next week I explored the deadly Mississippi cave system, where local gangsters hid during prohibition.

The third week I went to a lesbian bar called π. Turned out, I wasn’t all that uncomfortable (not for the creepy reasons you’re thinking). They played good music, had an inclusive vibe, and welcomed me into a dance off.

Every week I added new wings to my memory palace, finding new venues to play out my little dramas. I found the perfect dark alley to stage my crime scenes. I found a water tower that looked like it was built by the Knights Templar. I found a seedy night club, complete with its own bondage dungeon.

I dare you to do the same. Go exploring. You don’t need to find an abandon asylum to get the job done. If your true fear is social situations, get into one. Your alienation will make you a better observer. You’ll notice things others take for granted.

Think about all the aspects of your location that you couldn’t come up with on your own. The ones you had to be there to see, the ones that have the potential to make a setting feel unique. This should teach you which details are redundant and which ones are essential. Don’t let your descriptions read like police reports. Don’t overwhelm your reader with an orgy of evidence. Plant just enough to give them a bad feeling. Their imagination will do the rest.

Have a jaw

For more writing tricks, check out: Eavesdropping Advisory for a method for stealing dialogue from rude people, and On Sherlocking for reading the subtext in body language.

The Great American Tell Off Speech

Have you ever had a job interview that went to hell? This one goes there literally. When I say I write Twilight Zone fan fiction, this is what I’m talking about.

Evil Drew

The Great American Tell Off Speech

Wind blew through the office. Lunging after a stray envelope, a mail clerk tripped over his cart. There were no walls to stop it, only pillars. The floor was arranged like a banquet hall, with a series of long tables. There were laptops in place of plates, phones in place of silverware. Sitting with the other applicants, Stewart felt like he was waiting for a reservation, not an interview.

Without walls, this was a hive with no honeycomb, a swarm that never sat still long enough to be a colony. The worker bees were at a constant hum. They buzzed into phones with fingers in their ears. Some fashioned borders out of folders. Some marked their perimeters, putting their hands up on their cheeks, and angling their elbows. Others ducked under tables.

Clicking buttons, they mistook each others’ mice for their own. Passing reports, they made bumper cars of rolling chairs. Waving their power plugs, they played musical outlets, jabbing at each other for juice.

Stewart leaned over to peak into a conference room. A facilitator hopped back and forth, armed with a set of markers and a smile. Pointing to someone out of view, the facilitator leapt up, spun around, and wrote a bullet point on the whiteboard. Giving a thumbs up, he jotted down the word: COLLABORATION. Employees raised their hands, kindergarden students waiting for their turn.

Stewart scanned his cover letter. Words like DISTINCT, INDEPENDENT and SELF-RELIANT stood out.

Giving his outfit a once over, Stewart found his yellow tie full of creases. He struggled to smooth them, only to find he was smearing ink down the length. Checking to see if any of the applicants were watching, he licked the silk clean. The nearest door was made of tinted glass. Stewart stuck his tongue out at his reflection. It was black. His cowlick stood straight up. Spitting into his hand, he tried to weigh it down.

The door opened to reveal a linebacker in a pinstripe suit, square-jawed and broad shouldered. He wore two bluetooth earpieces. They jut out like a pair of tusks. His brown hair had a reddish tint. It clashed with his silver eyebrows. His cheeks were tan and moist, a mannequin brought to life.

“Martin Williams.” He extended his hand, a catcher’s mitt full of class rings.

Stewart wiped the spit on his pants before offering his hand. “Stewart Smith.”

“Of course it is.” Martin winked.

The man had a vice grip. Stewart felt it in his arm socket.

Before Stewart could reclaim his fingers, Martin went in for a second pass. Giving the applicant’s palm another good squeeze, Martin tilt his head, a dancer singling for his partner to follow. Stewart squeezed back, quickly relinquishing his grip. When he withdrew his hand, it was clammy.

Ambling to his desk, Martin positioned himself to sit. Bending his knees, he froze.

Stewart mirrored Martin’s position in the chair provided. They were in a game of chicken over who’d be the first to sit. When Stewart’s footing shift gravity made the decision for him.

Martin raised an eyebrow at this development. Smoothing his blood red tie, he took his seat.

Stewart’s chair was anything but ergonomic. It dictated his posture at a ninety degree angle. With his hips shifting out of the seat, he became painfully aware of the position of his limbs. He crossed his legs, rather than sit spread eagle. He crossed his arms, rather than let them dangle like an ape.

Martin scanned him, a curator appraising the authenticity of an acquisition. His finger hovered over his speakerphone. “Would you like a coffee?”

Stewart didn’t care for what the chair was doing to his bladder. “No. No thank you, I’ve had too much already.”
Martin raised his eyebrow a little higher. “Let’s get right down to business. Your resumé says you’ve been out of work for sixth months now. The next guy coming in has the same qualifications. The only difference is he has a solid job. Why should I hire you instead of someone who’s stable?”

Stewart found his attention drawn to the waste basket at his feet, overflowing with 5-Hour Energy drinks.

He shift his butt in his seat. “Because I’m not stable.”

Martin raised his chin. “Care to elaborate?”

“No, but I will.” Stewart’s seat creaked as he moved to the edge. “Anyone can maintain a nine to five job, but it takes a particular type of person to hold out until they find a place where they’re needed.”

Martin rubbed his chin. “Needed, you say?”

Stewart scanned the bookshelf: Sun Tzu’s The Art of War, Niccolo Machiavelli’s The Prince, and Steve Jobs’s autobiography.

He nodded. “Absolutely.”

The wall was filled with certificates, an Entrepreneurship degree from Columbia, an International Business degree from Harvard, and a slip certifying the completion of a weekend seminar in something called, “Neuro-Linguistic Programing.”

There was a photo of Martin covered in mud, a general whose army conquered a wall, letting out a battle cry. Ropes dangled over the side. Climbers grit their teeth, struggling to catch up with their agile leader.

Plucking the bluetooth tusks from his ears, Martin set them on the desk. Fishing a hand grip tool from a drawer, he gave his wrist a workout. “And what is it that makes you so vital to our business?”

On the desk, a pendulum drew figure eights in a Zen sand-garden. Stewart flicked it. “I’m here to change the flow of things.”

Martin quoted Stewarts cover letter, “And just how does an ‘independent’ ‘self-reliant’ ‘freethinker’ go about doing that?”

Martin slipped his copy of Stewart’s cover letter across the desk, a monologue waiting to be performed.

Stewart slipped it back. “I know what it says, it’s what it doesn’t say that matters.”

Setting the workout tool down, Martin smirked. “What, like the notes a musician doesn’t play?”

Stewart tilt his chin, committing to neither shaking his head, or nodding. “It doesn’t say that I’m a people person. It doesn’t say that I thrive in groups. Nor does it say that I’m passionate about communication, marketing, or social media.”

Martin pinched his pendulum to a stop. “You do realize the position you’re interviewing for is Brand Ambassador? It doesn’t get anymore social than that.” He wiped the Zen-garden down, making sure every grain was right where it belonged.

“You’ll learn that when it comes to emerging markets, none of us are as smart as all of us.”

Martin pointed to the group portrait on the wall. The staff stood in the parking lot with their arms outstretched, gnashing their teeth, lions eager to be fed. No one was smiling. No one was saying, “Cheese.” This was a warring army preparing to charge the enemy.

Stewart leaned forward to break Martin’s sightline. “You have too many initiatives competing with each other.”

“Life is a competition.” Martin blurt out.

Stewart nodded, as if that was a rational response. He took a deep breath. “The firm seems to think that if it throws a bunch of advertisements at the wall, some of them will stick. They need someone like me to offer users something worth seeking out. Someone who knows the difference between begging and branding, between panhandling and marketing, between crowdsourcing and true inspiration. It doesn’t take a village to represent a brand. It takes a delegate, someone to keep the message simple and consistent, someone to embody all the traits the customer is looking for.”

Standing, Martin wiped the last grains of Zen-garden from his hands. “I’ll be frank, you’re not it. I knew this before you even crossed my threshold. I feel like I’d be doing you a disservice if I didn’t tell you why.”

Martin circled to Stewart’s side of the desk.

He made a square with his fingers, a director framing a scene. “Your posture tells me you’re closed off. You look like a marionette laid to rest, legs crossed, arms over your chest. You have none of the bravado to back up your selling points.”

Uncrossing his ninety degree angles, Stewart stiffened up.

Martin nodded to himself, confirming his assumption. “I knew it the moment I felt your slimy handshake, with your ring finger shorter than your pointer, this isn’t the man I’m looking for.”
Scooping up the workout tool, Martin slipped his finger through the loop. He spun it like a gunslinger.

“From then on you kept confirming my instincts. Staring at the bridge of my nose to avoid eye contact. Not taking the coffee. Being easily distracted by the pendulum on the desk. You do realize that was a test, don’t you?”

Martin squeezed the hand grip, like he was ringing a neck.

“But really, I knew all this the moment I spotted your yellow tie. Yellow is the color of cowardice, of betrayal, sickness and disease. A man who wears a yellow tie to an interview doesn’t want the job. This makes me wonder why someone with no confidence is trying to sell me on his penchant for insubordination. You’re running some kind of unemployment scam, aren’t you? I ought to offer you a mailroom position just to fuck it up.”

When I get mad I go full Super Saiyan
When I get mad I go full Super Saiyan

Stewart bit his lip. His face went cold. The pendulum began swinging on it’s own, drawing a shape in the sand. Stewart squint. Guided by an invisible force, the pendulum traced a glyph; the hook of a question mark, the zigzag of lightning, and the three points of a pitchfork.

The certificates shook. Photographs slipped out of their frames and slid across the floor. Standing, Stewart stepped on Martin’s muck ridden portrait.

“I too would feel like I was doing you a disservice if I didn’t tell you something.” Stewart’s voice echoed through the building, a message delayed by a loudspeaker system.

His cowlick shot straight up, followed by the rest of his hair. The brown follicles turned bleach blonde. Smoke spiraled off the bangs. Stewart’s loafers grazed the carpet. Levitating off the ground, his posture corrected itself.

Rolling over his computer, Martin ducked for cover behind his desk. With the flick of the wrist, Stewart sent it through the wall. The screeching of its feet trailed off until it crashed. A sheet of dry wall collapsed into a pile of pebbles.

“Now it’s an open office.” Stewart’s voice boomed over the screams of panicked workers.

The Zen-garden came down in a heap. The hand grip tool spun end over end, landing in the dirt.

Martin hugged his rolling chair, a shipwrecked surviver with a floatation device. Making a pinching motion, Stewart plucked it free. Catching it, Martin rolled it back. Stewart found himself playing pantomime tug of war. Tugging the chair, he made Martin face plant into the Zen-garden. Whatever he’d slathered his skin in, gave every grain of sand a surface to stick to.

Stewart rose until his shoulder blades dug into the ceiling tiles. The chair rolled into his shadow. Coming in for a soft landing, Stewart took his seat, an emperor on his new throne.

Stewart crossed his legs, blowing the sand off the armrest. “Now that’s more like it.”

Pinching the air, Stewart pulled Martin up by his tie, forcing him into the modified cobra position.

Stewart glanced over his shoulder. “Of the four conference rooms on this floor, you’ve filled each of them. That’s half of your workforce passively listening, while the other half tries to pick up the slack.”

Through the window behind him, Stewart saw the facilitators poking their heads out, their smiles had flat lined, the pep had gone from their steps. Some of the staff stood frozen, while others ducked down, turning the spaces between the tables into foxholes.

Snapping his fingers, Stewart closed the blinds. “Punctual as I am, I had an opportunity to listen in on these meetings. Rather than tell your employees to respect the speaker, the facilitators asked for suggestions on how to do so. The meetings couldn’t start until the group stated the obvious: put your phones away, wait your turn, and stay on topic. The facilitators spoke the least. They drew out answers by asking questions. They confirmed nothing, offered no conclusions, and came to no ultimate ends.”

Twirling his finger, Stewart raised a tiny tornado from the remnants of the Zen-garden. He flung it at Martin.

“I actually knew Socrates, and there was a lot more to his method than that.” Stewart shook his head. “Whenever an employee realized the only way to get the ball rolling was to answer every question, the facilitator stopped calling on them, shutting out the very people who should be leading these meetings.”

The fluorescent lights flickered. Bulbs burst. Martin covered his head as glass rained down. Stewart cracked his neck. There was a flash of lightning, followed by a series of pops trailing off into the distance. The only lights that survived were in the exit signs.

Martin cupped his hands in prayer. “Oh Jesus, oh sweet baby Jesus on Santa’s lap, protect me.”

Stewarts eyes turned white. Sparks flowed from his gaze. His voice rattled the windows. “This company needs my omnipotence to look out for its interests. It needs me to sniff out the time thieves that schedule these meetings. You see, I eat waste. I devoir redundancy, and I am very hungry.”

Quivering, Martin tried not to look at the deity that had invaded his office. Stealing a glance, white streaks washed through his hair. Looking away, he saw the wheels rise off the floor. The rolling chair ascended.

Grains of sand took orbit around Stewart like rings around a planet. He sat in the lotus position. “Employees can only maintain social relationships with about one-hundred-and-fifty coworkers. This team has one-hundred too many. My belly growls just thinking about it. I’m here to pick the group-thinkers out of the herd, whether they’re grazing the carpet or standing watch from a corner office. I specialize in team dismantling.”

Martin groveled. “I didn’t mean to insult your tie, my lord, my-my master. Had you led with this level of confidence, we wouldn’t be having this conversation.”

“But we are having it.” Stewart’s voice echoed from all sides. The rear window shattered.

Martin’s hands shook uncontrollably. His skin was awash with moonlight. Turning to the open window, he found a trinity of orbs floating in an unfamiliar sky.

Glowing neon yellow, the orbs pulsed with Stewart’s words. “With all the blood that passes through these teeth, I would never wear something so garish as a red power tie.”

Martin turned back to find Stewart’s tie had grown longer. With Stewart floating in the air, the tie hung down past his ankles. It stretched toward Martin, bobbing back and forth, a silk snake hypnotizing its prey.

The yellow tie of judgment is upon you
The yellow tie of judgment is upon you

Stewart’s big white eyes turned gold, “Yellow is the color of cowardice, and I’ve made you cower before me. Yellow is the color of sickness, and I am the plague that eats excess. Yellow is the color of treachery, and I am the knife that cuts the wheat from the chaff.”

Martin teetered back and forth, afraid that at any moment the tie might strike. “Please dark lord, spare your humble servant, and he shall make sounder assessments in the future.”

Raising his chin, Stewart sneered. “A worshiper once mispronounced my name whilst offering tribute. I squeezed his wrist until it burst.”

Extending his arm, the hand grip tool flew from the sand into Stewart’s palm. Working it around in his fingers, he reduced it into twinkling specks of dust.

“Do you really want to experience the full strength of my handshake?”

Martin shook his head. Tears streaked down his cheeks. Snot bubbled from his nose. Drool spilled from his lips.

The yellow tie coiled around Martin’s neck. Wedging his fingers beneath the silk, he couldn’t stop it from lifting him off the floor, up to Stewart’s eye level. The deity gripped the air. Invisible talons dug into Martin’s torso, offering slight relief to the strain on his neck. Stewart pulled him closer. The hiring manager and the applicant were face to face.

The whites of Stewart’s eyes filled with downward line graphs. “Your earning reports prophesied the fall of your profits, yet you continued to employ the same methods. You did the same things and expected different results. Lacking inspiration you tried to spark creativity through brainstorming.”

“Your earning reports prophesied the fall of your profits, yet you continued to employ the same methods"
“Your earning reports prophesied the fall of your profits, yet you continued to employ the same methods”

Martin struggled in his silk bonds. “But it’s a democratic process, we defer criticism, we welcome all ideas.” Martin kicked the air. “Quantity breeds quality.” He cried.

Stewart waved his finger, an animal tamer commanding his pet. The tie looped through Martin’s armpits, crisscrossing over his chest. Stewart would see him mummified for his mockery.

Stewart’s eyes filled with a pair of slides featuring a college campus. “In 1963 a group of research scientists, at the U of M, were asked to brainstorm, first together and then on their own. They produced better results when they were left to their own devices. They found that even in a welcoming environment, the fear of judgement persists. The outspoken dominated the conversation, while the soft spoken kept their ideas to themselves.”

Stewart blinked. His eyes filled with a landmass Martin didn’t recognize.

“I could’ve told them this. My followers in the Mediterranean tried to pool their resources to meet my blood sacrament quota. When they failed to deliver every last drop, I sunk their island to the bottom of the ocean.”

Martin’s face turned purple. His eyes bulged out. “You want blood?” He coughed. “The Red Cross is a client. They’re overflowing with donations. I can get you blood.”

Stewart’s irises returned long enough to allow him to roll his eyes. “I have been summoned by your overlords, called across distant shores, to make an example for your fellow employees. All of you hear me now.”

The building quaked. The staff cupped their ears. Blood trickled through their fingers.

Stewart addressed his flock, “I am the lord of layoffs. The father of phasing out. The demigod of downsizing. I make Anubis look merciful. I make Hades look like a humanitarian. I make Satan look sympathetic in comparison. There will be no bargains. There will be no mercy. I know all your sins. St. Peter doesn’t have shit on me.”

"I eat waste. I devoir redundancy, and I am very hungry.”
“I eat waste. I devoir redundancy, and I am very hungry.”

Stewart’s eyes filled with a set of scales. One rose, the other descended. “I find you guilty of tearing down the borders between cubicles, of running meaningless meetings, of over simplifying the Socratic method, of flooding your boardrooms with brainstorming sessions, of misreading micro expressions, of making assumptions based on the shape of an applicant’s hand.”

Pillars of lightning crashed around them, blasting holes through the marble tiles. Smoke shot through the gaps. Shrieks echoed through the building. The room shook as the floor fell out beneath them.

Stewart pressed his finger into Martin’s chest. “Indeed my pointer is longer than my ring finger, and it’s pointing at you now.”

Stewart breached the pinstripe coat. Martin’s flesh sizzled. Smoke billowed up his collar. His red power tie caught fire. His spray-on tan dripped down his cheeks. Hair product bled from his bangs. The yellow tie tightened around its prey. Cinders sparked through the gaps. Ash spilled from Martin’s cufflinks.

Stewart raised his eyebrow. “I deem thee unworthy.”

Unhinging his jaw, the applicant made a lasting impression on the hiring manager.

Drops mic, walks off stage
Drops mic, walks off stage