Tag Archives: horror

Book Promotion Win! Savvy Teens Recreate Occult Ritual from their Favorite Novel

A man was found skinned alive in what police are calling a “Brutal ritualistic killing.”

In the Tanglewood neighborhood around midnight, a 9-1-1 caller reported hearing screams and seeing candles through the windows of the abandoned Chrome Works factory. When officers arrived they found a crime scene “straight out of a horror novel.”

The victim was chained up between the boilers in a prone position with their spine exposed and lungs stretched back into a pair of wings. “At first we took it to be a Viking Blood Eagle, but then we shined out lights on it and it lit up the room like a mirror ball.”

Both the victim’s skin and organs had been removed “with the pression of a skilled surgeon.” The victim’s musculature was coated in a silver lacquer. Both of the victim’s hands had been amputated and replaced with candelabras. A circle of spoons lined their hips, jewels hung from their ribcage, and mirror shards twinkled from their eye sockets. “It was as if the killers wanted us to burst in and shine our lights on it.”

Six high school-age suspects were found with masks, blood stained robes, daggers, and copies of Drew Chial’s controversial novel Reflective Surfaces. While the author could not be reached for comment the publisher released this statement:

Neither Elephant Publishing nor the author have ever claimed the ritualistic aspects of Reflective Surfaces were based in reality. None of the occult ceremonies were taken from known practices. None of the deities are rooted in a mythology and none of the supernatural elements can be linked to genuine belief systems. They were inventions of the author nothing more.

In promoting Reflective Surfaces, Elephant Publishing did not run an alternate reality campaign. We never built dummy websites for our characters, never toyed with readers on Reddit forums, and never doctored Wikipedia entries to reflect the universe of the story. While Reflective Surfaces had several book trailers none of them contained supposed “found” footage. We explicated marketed the title as a work of fiction.

 The suspects were not known to us, our street team, or the author. They acted alone and of their own volition. We were just as shocked as everyone by their painstaking recreation of the chapter titled: The Chrome Plated Angel. From the handmade comedy masks to the snakeskin robes, they got everything right. From the twinkling crime scene to the raven hilted daggers they were holding when the S.W.A.T. team stormed in. These kids thought of everything.

And yet they brought the text to life entirely on their own. It just goes to show the power of fandom.

We join together with the community in applauding this ritualistic reenactment from the sidelines. They say that imitation is the most sincere form of flattery and everyone in the office here is positively blushing. Chial and everyone at Elephant Publishing tips their hats to these self-motivated suspects. In an era where book marketing proves more and more elusive this has been an absolute breakthrough.

Continue reading Book Promotion Win! Savvy Teens Recreate Occult Ritual from their Favorite Novel

Kadilia Caine’s Dating Profile

Welcome to Strange Love (aka Monster Mingle) a place where urban legends find romance, where full moons lead to fuller hearts, and all the thirsty singles have fangs. This is how it works: illustrator Bryan Politte creates the characters and I (Drew Chial horror author) give them a backstory.

Meet Kadilia Caine. She’s been out of the dating pool for a while, but she’s ready to get her feet wet again. She has the power to glamour crowds into falling in love with her, but she’s never known true love herself. If you’re searching for someone to watch over you at night then look no further than Kadilia. All you have to do to win her affection is invite her in.

ABOUT ME

If you grew up Romani in the 19thcentury then Transylvania was the place to be, especially if you liked hawking pottery on a bed of splinters in the dead of winter. And if you didn’t? Well I don’t know about you, but I hopped a caravan to London and joined a burlesque troop.

Now Victorian burlesque is not the Vegas showcase you’re probably imagining. Our performances were less about splashing around in giant cocktails and more about telling tales. Less fan dancing. More pantomime. Less high kicks. More hijinks.

We performed Shakespeare (with a few subtle alterations). Our female characters were actually played by women (as were most of the men). And sure, our heroes were scantily clad caricatures, and yes, we did cram Shakespeare’s iambic pentameter full of innuendos: O Romeo, Romeo, wherefore art thou Romeo? I need a happy dagger in my sheath.

I never got to utter that one. I had a habit of laughing through my lines. Audiences got a rise out of it, but it made playwrights go bat shit. Nevertheless, my time on stage put a smile on my face and potatoes on my plate, until the theater went family friendly and spat me onto the street. Many of my costars fell back on the world’s oldest profession, but I had loftier ambitions.

I took up modeling, posing for those animated carousels viewers spun by hand. Gentlemen would line up to watch me lift my skirt or tip my corset. They called them zoetropes and they called me a zoetrope trollop, sometimes a stroboscope strumpet, or a praxinoscope pretty, if I was lucky.

I was just happy to be in pictures, whether I was a flipbook floosy or stereoscopic stripper I didn’t care. I was an entertainer. I had a good thing going, until a fan caught up with me in Whitechapel and ruined everything.

LIFE CHANGING EVENT

I was walking home when I noticed something strange. The echo of my heels was falling out of sync. It turned out someone was trying to match my footfalls. It wasn’t long before I saw their shadow creeping up the cobblestones.

I hastened my pace, hoping to find a constable or some local ruffians. Instead I found a gaggle of gigglemugs spilling out of a pub. I weaved my way into the women and walked with them until I was certain my pursuer had buggered off. When I came upon a familiar shortcut, I left the gals to their gossip.

My pursuer was waiting for me there in that long back alley. His top hat cast a shadow down his brow, his mustache framed his muzzle in twin spirals, and his teeth were pressed so hard into his lip it looked like he had an underbite. He reached into his cape with a long leather glove.

I remember him offering me grapes and that the last words out of my mouth were, “Thanks, but I already ate.”

Then he ran a blade along my neck like he was bowing a violin and everything went dark.

When I came to a woman was kneeling over me. I took her for a sister of mercy until I saw the gash in her wrist. Maybe it was the lamplight or maybe it was my delirium, but I swore her blood was moving on its own, shifting and twisting against the wind like a living thing.

Smoke billowed from her wound, over her gloves, and through her fingers. Her skin was as pail as porcelain and her ballgown was a deep crimson red. I couldn’t see her face behind the veil, but somehow, I knew she had kind sympathetic eyes.

Eventually her blood spilled over my wound and ran down my collar. I felt a tickling sensation in the back of my throat, like a knot of snakes squirming down my gullet. I choked, writhed, and spat.

The woman shushed me, raised her veil, and revealed a pair of eyes with a catlike glow. “Don’t breathe. Just swallow.”

I did as instruct. It felt like I was drinking oxygen, like my lungs were thirsty, and my anatomy was upside down.

When the woman pulled her wrist back, I caught it and suckled on the gash. She patted my back, a mother nursing her child back to health, and in a way that’s what she was doing.

It was a while before I had the strength to sit upright. When I did, I saw rainbow trails around the moon. The lanterns seemed like bonfires, and the bricks and stones glowed with firelight.

The women ran a finger along my scar. “We’ll have to do something about that.”

She unclasped the choker from her neck and put it around mine. She leaned into my ear and whispered, “Stay out of the sun baby bat. If he gives you silver, send it back. Only eat for show, but keep garlic off your plate. Only drink from those who wish to drink from you, feel for the hastening of their heartbeat, and never quench your thirst completely.”

In my blood drunk stupor, I ran my fingers through her hair. My sire smirked. “Parting is such sweet sorrow.”

Then she fell into her own shadow, leaving me to fend for myself.

A few World Wars later I was finally getting the hang of being a vampire. I traveled the French countryside, touring the vineyards and the bunkers, wetting my lips on the blood of fascists.

In London I abided by my sire’s code. If I felt a donor’s pulse quicken I eased off my fangs and sent them on their way. I never left a gentleman hemorrhaging, but those Nazis, well, I drank them down to the vasopressin. The ones I caught rounding up Romani, I drained them down to the sodium. By the time I got to Stalingrad my code had become: if they had German fatigues on, they were fair game.

By the end of the war I’d developed a reputation. The Axis powers called me die rote Witweor the Red Widow. The Allies called me Glinda the Good Witch. Good or bad a reputation meant I had to keep moving. I crammed all of my worldly possessions into a shipping container and left the mainland.

I traveled on a Norwegian cargo tanker chasing the polar night from one hemisphere to the other. When I got lonely I glamoured the sailors into believing I was a crew member. I read their fortunes between poker games and they told me tales of trolls, fossegrimen, and Krakens.

I sipped from two crew members a night, not thinking to clean my fangs between feedings. At the time I knew nothing of bloodborne pathogens. When the captain got sick. The crew followed. I cut to half rations, then a fourth, then an eighth. The crew survived the trip, but they were all blood brothers when I was done with them.

When the time came to settle on dry land, I chose Seattle. The Emerald City had everything I needed: ports, a near yearlong overcast, and great food. People here eat so much salmon that you can taste it in their hemoglobin. I went from starving at sea to overfeeding on land.

MY HOBBIES AND INTERESTS

Not all vampires learn to glamour. Those who don’t rarely last a year. Either they develop anemia or the hunger drives them into a feeding frenzy and they get struck down by the Hellsings.

I’m one of the lucky ones. I have a gift and I do not squander it. Call it hypnosis. Call it seduction. Call it neuro linguistic programming. I call it fun.

It used to be if I wanted to glamour someone they had to be in the same room. I’d beckon a dapper young suitor to the candelabra and challenge him to a staring contest. He’d get lost in my eyes, in the optical illusion of my irises: the slithering blood vessels, the swirling speckles, the strawberry seed patterns. I’d stare daggers into the keyholes of his soul, lift the pin of his neocortex, then his behavioral center, and finally his audio cortex. Then with a quick twist of the tongue we’d click.

Pioneering vampires tried glamouring on broadcast television, not to lure victims, so much as to sell things. The fact that you don’t drive an Edsel is a testament to the limits of those old tube screens. Still they tried throughout the evolution of the medium, but they couldn’t make it happen. So, I thought I’d try my hand.

I was studying neuroscience just for kicks. I convinced my class to do a study on chromesthesia. Chromesthesia is a phenomenon where certain sounds trigger certain colors in certain listeners. My theory was that I could evoke specific images in my subjects, like hypnotic swirls for instance.

I spent months with each subject, reading guided meditation scripts at a soft even pitch, singing Romani folksongs with fast bright tones, and whispering the contents of classmates’ journals.

I explored my subject’s cognitive pathways for days, but each one reacted differently. Each subject had their own color palettes. There was no universal pitch.

I was about to give up when I noticed the effect the sessions were having on my classmates, each of whom were neurotypical. I found them outside the booth rubbing their foreheads on the acoustic panels like they were cats. This happened whenever I’d spent a session whispering. My classmates described an electrostatic sensation, a tingling that ran up their scalps, along their necks, and down their spines.

At the time I thought I’d invented Autonomous Sensory Meridian Response (or ASMR), but it turned out Bob Ross had beaten me to it decades in advance. Of course he had, that soft-spoken shaman.

I decided to broaden the experiment. I chose a medium outside of the FCC’s jurisdiction where a live audience was guaranteed to be watching. I started webcamming.

Being a camgirl reminded me of my days as a zoetrope trollop. I was back in tiny top hats, leotards, and corsets, but I wasn’t showing much skin, I was whispering fantasies into a microphone. In this scenario I was a starving vampiress in desperate need of a donor, and I would do anything, I mean anything, for a few drops. Don’t make me beg.

I lured subjects into private chats, met them under bridges, and brought their fantasies to their logical conclusions.

Satisfied with my findings I decided to harness the power of the net to find the Chateau Rothschild of the vampire palette: the blood of virgins, but where would I get it?

That’s when I discovered Incels. Incels were a community of virgins who came together to vent about being involuntarily celibate. It was like finding a cellar lined with preserves that would never expire.

I used my earnings camming to buy targeted advertisements aimed at Incels. Before long I was as drunk as a tick on top shelf hemoglobin.

So satisfied was I that I left my suitors with a little parting gift. I glamoured them, leaned in close, and whispered. “If anyone asks, you totally got fucked tonight.”

MY INTIMATE DETAILS

I have never been in love. Now I’m no virgin (I’m as far from that as Pluto is the sun), but I’ve never been in romantic love. I’ve drafted sex contracts with a haematophiliacs, embraced archduke elders in citadel spires, and forged blood bonds with strangers, but I’ve never entered into the kind of union described by Jane Austen. I have never felt truly known or accepted by another conscious creature, human or otherwise.

The problem with dating vampires is, well, everything.

We’re polyamorous pansexuals and yet our jealousy is legendary. We’re fickle fashionistas who wear lovers like accessories AND we’re ageist against anyone with less than a century under their belts.

“Oh, you charmed child of Tesla, that stack of tree leavings is what’s known as an encyclopedia.”

First dates with vampires always devolve into the same old ghoulish gibberish. We lie about all the bloodshed we’ve witnessed. We wave macabre merit badges and walk away knowing nothing intimate.

Meanwhile the problem with dating mortals is the hours they keep. We’ll be like ships passing in the night unless my partner is an air traffic controller. When a morning person switches to my routine, they get jetlag on the ground, they contract seasonal depression in the summer time, and they start jonesing for the sun.

Oh, and humans have to eat. Their whole culture is built around it: lunch meetings, dinner dates, brunch. Too bad I don’t own a microwave, utensils, or even a bowl. Worse still my culinary skills start and stop at boiling a potato.

PHYSICAL FEATURES

My modeling career ended in that alley back in Whitechapel. Not only had my reflection disappeared, but my image stopped showing up on filmstock. It turns out film contains silver. Silver burns vampires and yet we don’t burn onto it.

It wasn’t until digital cameras hit the market that I could see my face.

I’d forgotten how bushy my eyebrows were, or how my ears peeked through my hair. Not to mention my bulb nose. Then there were the details I didn’t remember. My caramel skin had gone gray, my curly locks had straightened, and my fangs had changed the shape of my lips.

For the longest time my fashion sense was utilitarian: black halter tops and skinny jeans, like Joan Jett on a lazy Sunday. That changed when my webcam turned my TV into a full-length mirror. I started wearing more flair than just a choker.

Kadilia Caine by Bryan Politte

MY PERFECT MATCH

In addition to never having fallen in love there are two other things I haven’t done. I’ve never had a familiar and I’ve never sired a vampire. I’ll be the first to admit I have issues with the way I was turned: the encounter with Jack the Ripper, the to be abandoned by my master. I chose a life of lukewarm loneliness, because I don’t want to put anyone else through that.

I’ve never had a familiar for the same reason I’ve never had a butler. We Romani are self-sufficient. We’re not used to being waited on. Too many vampires treat their familiars like unpaid interns, dangling the carrot of immortality over their heads.

“I’ll give you eternal life. Provided you pick up my dry cleaning in the meantime.”

Familiars are rarely groomed for the masquerade because they’re rarely turned. They’re glorified gofers, biking with coolers on their backs, hoping their master won’t throw blood bags back at them.

“I asked for type-o negative. This is minestrone.”

“Sorry master I must’ve mixed it up at the deli, which means… Mrs. Clifton got the… uh-oh.”

I don’t need a familiar, a twi-curious role player, or a bondage club fang banger. I need an entrepreneur. A self-made manifestation, like a necromancer, soothsayer, or paranormal podcaster. Someone with an active nightlife. Someone who already conducts their business in the third shift. Someone with the confidence to flirt with death and the kindly manner to open doors for her.

MY IDEAL DATE

My ideal date would be a trek across the Carpathian mountainside, a tour through the seven castles of Transylvania, capped off with a nice scenic sunset, but I’ll take what I can get.

We could shape shift into a pair giant bats and freak out visitors at the Space Needle, go hunting in the subterranean tunnels under Portland, or maybe just have a nice picnic… in the charred skeleton of a deconsecrated church.

It doesn’t matter. I am easy to please so long as you hold my interest, and if you don’t, well, there’s always room for a midnight snack.

Continue reading Kadilia Caine’s Dating Profile

Slush Pile: A Scary Story about Unread Stories

Back when I was a bright-eyed English major, wearing but a plus one prescription, I scored an internship at a literary agency. While my peers were happy to earn their credits carting mail and fetching coffee I wanted to get my hands dirty. I convinced Keith, the head of the acquisitions, to let me take a peek at the unsolicited manuscripts. I was a budding writer and I wanted to get a sense of what the competition was doing.

Keith was a far cry from the tweed cardigan, leather patch wearing, literary figure you might imagine. He dressed like a janitor in V-necks and grease stained overalls.

There was dirt in his five o’clock shadow and his brow was always dripping with sweat. He seemed more comfortable with his satchel full of tools than he did behind a novel.

Keith led me into a darkroom filled with bulk storage racks, rolling ladders, and boxes. The kind of place you’d expect to find religious relics and alien artifacts. He tapped a cabinet. It creaked under the weight of its manila envelopes. They were stacked so high they pressed into the ceiling tiles. Dust clouds twinkled through the dim light of the exit sign.

Keith waved his arms over this wee warehouse. “This is our slush pile.”

“This is a fire hazard.”

“That it is, but it’s been a while since we’ve had need of a first reader. Seeing as most of our agents are already up to their eyeballs in clients.”

“I could do it.”

Keith stroked his stubble. “That would be outside the scope of your internship. You’re here to learn. You’re not supposed to do the work any actual employees.”

“But you just said you didn’t have a first reader. Who would I be replacing?”

Keith tongued his cheek. “Well, it’s hard to argue with logic like that.”

Keith gave me a key to the janitor’s closet and I pulled up a chair beneath the eyewash station and got to reading.

I’d made myself a job. Now all I had to do was convince the agency to pay me for it. I wrote copious notes, summarized the stories and gave them letter grades. As an English major I had to read between 12-30 classics a semester. Now I was putting away a clunker a day. The highest grade I ever gave was a B- and that was when I was being generous. Still I was panning for gold, hoping to make a discovery that would elevate me within the agency. Sadly all I discovered was the reason those manuscripts were gathering dust.

I read all the tepid tragedies, lukewarm victories, and shallow life lessons homemakers had to offer. I read every account of heaven from children who’d suffered near death experiences. I sample every flavor of thinly veiled autobiography: divorce diaries from armchair psychologists struggling to diagnose their exes, recovery journals with relapsewritten between the lines, and all manner of reptilian illuminati conspiracy theories.

This was before any schmuck with a premise could self-publish from the toilet. Before vanity presses started offering half assed editing services. Before Amazon made the entire industry bend the knee. Back then the only path to literary success was through gatekeepers like me. It was a lot of responsibility.

I imagined authors reading over my shoulder with their fingers tented in silent prayers. I could feel them breathing down my neck. It was an eerie. I found myself turning from the aluminum ladders, chrome containers,  and other reflective surfaces for fear I might spot a phantom silhouette.

I thought about sending words of encouragement to some of the authors, notes for future edits that might elevate their manuscripts, but the post dates were ancient and there were always more envelopes piling up.

I’d marvel at how many manuscripts I’d made it through until I returned to the room to find the ceiling tiles cracking and the cabinets leaning. I couldn’t help but wonder how many of these writers had died waiting to be discovered.

The semester was almost over and I had yet to strike gold. Still I convinced myself I was getting an education. The carrot I was chasing wasn’t rotten, it was rich with nutrients. All of this bad fiction was teaching me how to be a better writer. I learned which trends had been driven into the ground: the brooding vampires whose redemption only came with the help of a virginal infatuation, the artisan serial killers whose crimes recreated renaissance paintings, the blank teenagers who turned out to be sci-fi saviors. These tropes were refining my tastes, challenging me to dig deeper. My own writing was going to be oh so well informed.

Serial liars save the best lies for themselves.

After the Internship

I was the only one to stay on. The cream that had risen to the topor so I told myself. No one had asked me to keep reading, but I was hoping someone would see the coverages I’d written and offer me a position. One day Keith came into the janitors closet. He needed supplies from the cart I was using as a desk.

“Don’t you think you’ve read enough. I mean the semester is over.”

I lowered my readers and rubbed my eyes. By then I was wearing a plus two prescription. I told him I wasn’t there for the credit I was there for the sense of purpose. “My summaries are going to save the agency a whole lot of time.”

Keith wrapped his big calloused fingers around my shoulder. “Son. No one is going to read those summaries.”

“Then why take unsolicited manuscripts in the first place?”

Keith sighed. He tilted his head back to search for the words. “They’re lucrative.”

“How are they lucrative when they’re just sitting there?”

Keith swished his words around before just spitting them out. “Every one of those writes paid us a hundred dollar reading fee.”

My eyes widened trying to estimate what the agency’s slush pile was worth.  “There must be hundreds of thousands of dollars in there.”

“More. Way more.”

My heart weighed heavy on me as I waddled into the elevator and out the agency’s door.

I had seen writing contests in the back of literary magazines that asked for $25 reading fees. I’d pegged them for scams. Here I’d unknowingly volunteered to help perpetuate one. The agency was a reading mill. It didn’t matter if their clients ever got published. Their product was false hope. I felt like a traitor to the medium.

Nine Years Later

While my classmates went on to get careers as baristas I found myself working out of a penthouse overlooking Manhattan. While they measured milk temperature I altered between an exercise bike and a rower. While they modeled flour coated aprons I had a wardrobe full of Armani jackets, Versace slacks, and Santimon loafers. While they struggled to sell their art I had a gallery of art deco sculptures. Every room of my home had its own golden Olympian, each one looking like it came straight off the cover of an Ayn Rand novel.

So how did I go from laboring in a closet to my own private penthouse? Remember that guilt I felt as I trounced out of the agency’s parking lot. Well, I got over it and set up my own literary agency.

I put out an open call for submissions at fifty dollars a read, spent the profits to poach a handful of high profile clients, and used their status to up my reading rates to one hundred and fifty a manuscript. And by “reading rate” I mean my storage fee. I didn’t even bother to invest in shelving. I kept my slush pile stacked on pallets. The post office shipped them up via the freight elevator. I’d pilfer through the envelopes for checks and send the rest down in the blue bin, because recycling is important.

I’d feel bad about pulping all those manuscripts, but my ad clearly stated: SEND A COPY, NEVER THE ORIGINAL TEXT. Nevertheless the boxes accumulated. Just counting checks was a lot of work.

Now I was a great agent to my high profile clients. I shook all the right hands, greased all the right wheels. I got them the coveted seat on The Late Show, got their titles on the best seller’s list, got the bidding war going over the film rights. I did well by all three of them. So well they could’ve dropped me and I could’ve coasted on the royalties.

It’s just that my side hustle was so much more fruitful. Every hour I spent stacking checks into a pouch at the edge of the pallet earned me $18,000. And it’s not like I never peeped at any of those pages before I put them in the blue bin. I  read author bios when a woman sent a cute photo. I peeked at their titles, skimmed through their loglines. I might’ve even taken a gander the occasional query letter, but whenever I did my suspicions were always confirmed. Writers sent to me because no one else would humor them. If anything I kept them going by not responding.

I met one of those writers at a publishing event. She slapped my back so hard my cocktail shot out the rim of the glass. She held the portrait from her dustjacket to her face and mirrored the contemplative expression.

“Bet you wished you’d signed me when you had the chance?”

“You stole the words right out of my mouth.” I had no idea she’d even queried me. I pointed to her hardcover.“This was so good, but I was neck deep in so much great material I couldn’t see the forest for the trees. Let me make it up to you. What are you drinking? The next round’s on me.”

There was an open bar. It was the least I could do. We drank martinis and I convinced her boyfriend to send me something he was working on. I even waved my reading fee, right before I tossed it into the blue bin.

You might be asking how I slept at night. The answer: on a king-sized hydrodynamic waterbed with custom tailored lumbar support. In other words: like a heavily sedated baby.

Then One Morning…

I awoke to find the blue bin tipped over in the kitchen. The sink was drowning in manuscripts, the countertops were spilling over and all the tiles were covered in paper.

The first thing my stupid brain thought to do was check the windows. You know how updrafts have a tendency lift bins from one room to another and then dump out their contents? Yeah, well, me neither. I cycled through more stupid theories as I heaved everything back into the bin.

Had I slept through an earthquake? Skyscrapers have a way of stretching the effects. The recycling bin was on wheels. The aftershocks could’ve rolled it from room to room before ultimately tipping over.

Had I sleepwalked to the freight bay, dreamt I was pushing a stroller, and changed my infant on the kitchenette?

Had vandals sidestepped security, cracked the code for the elevator, just to throw around some papers?

None of my theories held much weight, especially since nothing else was out of place, or so I thought.

That Afternoon…

My workout regimen was built around violence. If there were home invaders I wanted to be ready to go full Batman on them. I circled the punching bag throwing high intensity jabs, crosses, and kicks. All the while it felt like someone was watching me. Smiling eyes snickered at my form, at my halfhearted anger, at my lean little body.

I didn’t bother to stretch my ligaments before I started hurling haymakers. I imagined a pair of vandals prying the freight doors open with a jack, crawling into my studio, and tip toing along with the bin. I threw uppercuts with reckless disregard for my joints. I felt those smiling eyes giggling and I just started wailing, throwing elbows and knees. I hit my funny bone and kept right on cycling through my limbs. My knuckles throbbed beneath the gloves, my kneecaps were raspberry red, but I kept leaping at the bag until I slipped, slid under it, and coasted on the sweat.

My heart was still racing by the time I got back on feet so I limped over to the treadmill for a cooldown. I hit QUICKSTART, but I couldn’t get it moving. I dug my heels in, but the belt wouldn’t budge. I felt those smiling eyes upon my reddening face and pushed harder, grunting as my sneakers slid down the Polyvinyl. I gripped the handrails so tight my palms began to blister. There was a scraping, like that of a grinding wheel, followed by a burning smell. The screen read: INCLINE—

When I finally checked the motor I found someone had stuffed manuscript pages down there.

If I was married my wife would’ve told me to call the police, but it would’ve been like telling someone with road rage to ask for directions. It wasn’t happening. Someone was making a statement and I had to disassemble my penthouse to see the extent of it.

I found pages crumpled in the light fixtures casting shadows on the walls. Pages in the tank of the toilet clogging the flush valve. Pages in the oven threaded through the racks. I found pages in places I’d sworn I’d already checked. Dangling from the ceiling fan. In my pillowcase. Lining my pockets.

I spent the rest of the afternoon going through every box left on the pallet separating the checks from the chaff. Then I took the blue bin down to the incinerator. I imagined those praying eyes watch me fling those pages into the fire they weren’t smiling anymore.

Upon returning to my penthouse I hung a camcorder from the ceiling and focused it on the elevator doors. Then I mounted a sign on the wall that read: SMILE… YOU’RE ON CANDID CAMERA.

I threw a phantom punches at the dark, until I broke a sweat and felt it in my hips. I remember shuffling into bed. I don’t remember falling asleep.

The Next Morning…

I woke up coughing. There were ashes in the air. No heat. No fire. Just ashes wafting through the room. They trailed into the hallway like a cartoon aroma. I followed them to the remains of my recycling bin.

There was an axle, a set of wheels, and a flat blue base. The rest of the 50 gallon container had been shattered and meticulously rearranged into wire sculpture. The subject wasn’t obvious from head on, I could make out a warped T shape, but when I sidestepped the sculpture’s true form took shape.  It was a depiction of man in pillory, his head and hands locked between a pair of stocks.

I followed the sculpture’s sightline to the floor where I found a manuscript. A light breeze caught the corner of the title page daring me to turn it over. Someone had anthropomorphized the bin to punish it for its role in my crimes. This was next level vandalism. The kind of piece a found object sculptor would’ve spent months planning for. As it turned out I hadn’t seen anything yet.

My home gym had been and reimagined as a sculpture garden.

The punching bag had been gutted and Bowflex rods jut through the remains. It was a hanging cage for figure cobbled together from weights and leather. He was holding a manuscript in his snap hook fingers.

The exercise bike beside him had been smelted into a set of iron stocks. The seat had been positioned in place of a head. The fan had been bent into a pair of lungs, and the pedals had been sheared into hands. This figure also had a manuscript to read, as did the one fashioned from the Stairmaster, as did the one made from NordicTrack cords.

I wandered from room to room with my mouth hanging open. Every refrigerator coil, every table leg, every fan blade had been warped into the same loathsome form. Even my art deco Olympians had been forced to gaze upon manuscripts of their own.

My legs wobbled under the weight of the situation. My lungs couldn’t take it all in. The room started spinning. I found myself sitting amongst the sculpted shadows, cursing the day I quit smoking.

I crawled toward the freight bay to find the elevator doors had merged. They’d one solid piece with no visible crease. The camcorder was still hanging from the ceiling, but the sign no longer read: SMILE… YOU’RE ON CANDID CAMERAit read: QUIET PLEASE… THIS IS A READING SPACE.

“To hell with that noise.”

That’s when I felt those smiling eyes upon me again. The hairs on the back of my neck raised as they tracked along my spine and settled on the back of my skull. I took a deep breath, plucked up my courage, and turned around. “Fuck you and fuck your library!”

There was no flesh on the face staring back at me, just exposed muscles glistening like grape jelly. There were no lips to keep the drool from seeping down its chin, but it was clear this face was happy to see me. Its Zygomaticus minor and major pulled the corners of the mouth like bungee cords stretching a tarp.  The Orbicularis oculi, the fiber around the sockets, was crinkled, confirming my suspicions. Its eyes were indeed smiling.

Back at the agency I wondered how many of the authors in our slush pile were dead already. Here in the freight bay I counted nine purple people. They slunk along the concrete, altering between their knees and their elbows. They rolled over one another, dancers performing a choreographed floor routine, and they kept their smiling eyes on me the entire time.

I met the gaze of ghost looming over me.

“Thank you for submitting your manuscript, but unfortunately, at this time, it isn’t quiet what we’re looking for. Best of luck to you.”

The ghost raised a long narrow finger to my lips. “Shhh…”

And Of Course…

I woke up in a pair of restraints with a manuscript laid before me. I read the title page and a set of purple fingers pinched the corner and flipped it over. My day went on like that. When my stomach growled a purple arm lifted a dry bowl of cereal to my muzzle and I kept right on reading. When my bladder was full a hand unzipped my pants and positioned my stream into a pitcher, and when I had to go number two… Well, you get the idea.

The sun rose and fell. I didn’t fall asleep so much as I passed out. When I came to those phantom fingers were right there, tapping the page, knowing right where I left off.

I prayed there were only nine manuscripts, one for each purple person I’d seen on the landing, but after ninth one the pages kept right on coming. The ghosts were making me earn every check I’d ever cashed.

The average person reads four books a year. Books that have been vetted. Books that engage their imaginations and impart them with wisdom. Good books are dear friends. They stick with you, give you a perspective, and a sense of belonging.

Bad books are like toxic friends. They dominated the conversation, leave no room for interpretation, and tell you how to feel. Their appeals to emotion fail to resonate. They trigger your judgement rather than your imagination. They makes you feel disconnected.

Bad books were all that were on the menu as my restraints were slowly realigning my spine.

There were more infidelity fantasies by people who wouldn’t know eroticism if it bit them on the genitals. More self-help books by people who were nowhere near getting their shit together. More endless sword and sorcery journeys to nowhere in particular. More meandering melodrama. More edge lord gore. More goddamn Christ metaphors.

My life was nothing but purple digits, walls of text, and schlock. Until…it wasn’t. Until I’d happened upon an oasis in that endless desert of bullshit. A story that moved me. A story that broke my heart. A story that made the purple fingers rescind while I considered what I had just experienced. A story that I left smeared with tears.

As the years stretched on I prayed to read another like it and every so often I did. Eventually those purple fingers turned their last page and there was nothing left to read.

You Probably Saw This Coming

When Ebenezer Scrooge woke up from his nightmare he flung the window open and asked the first kid he saw what day it was. Easy for Ebenezer. He didn’t live on the 88thfloor. I rolled out of the waterbed and crawled toward the elevator. My exercise equipment was right where I’d left it, as were my art deco Olympians, and all of my furnishings. The only difference was the manuscripts were back on the pallets.

Manilla envelopes were stacked floor to ceiling. I examined one to find my own handwriting. It turned out that I was the sender. I opened it and sure enough I found a check. I was giving the author their money back. I was giving it all back. I wish I could tell you my time in that pocket dimension had softened this blow to my checkbook, but I was going to feel it.

The only consolation was the small stack of white envelopes on the other side of the room. I opened one and found an acceptance letter. I was taking on a new batch of clients. These were the authors whose manuscripts had kept my sanity from slipping. The oases. The ghosts were letting me hold onto them.

I leaned against the freight elevator doors and considered these developments. That’s when I saw the camcorder and thought to move the manila envelopes to see what had become of my sign.

It read: NOW EXITING QUIET ZONE. PLEASE WATCH YOUR STEP.

I took the sign’s advice as I got onto the elevator and hit the button for the lobby.

Continue reading Slush Pile: A Scary Story about Unread Stories

Horror author changes monster from “He” to “They”

Too many horror writers insist on gendering their demons. Intrepid incubi gallop down gothic hallways, while sultry succubi scurry up satin sheets. Beasts have balls. Ghouls have gaps, but one progressive author is challenging all that.

Drew Chial sketched a bipedal figure in his notebook. Its hair, shoulders, and hips were obscured in shadow. Drew traced the rounded edges. “I don’t want readers to have a clue what the monster is. I want it to be a vague alien threat, something salivating at the end of the corridor. If I tell you what the monster’s sex organs are you’ll have that much more of an understanding and find it less frightening.”

Readers are conditioned to make assumptions about monsters’ gender identities, because grammar dictates it so. The millipede of meat that’s winding up the spiral staircase is either a ‘he’ or a ‘she,’ but our assumptions about this arthropod’s identity are problematic.

Chial is challenging the linguistic illuminati one pronoun at a time.

“I thought I could just find all mentions of the word “He” and replace them with “It,” but there were complications. At first I did everything to avoid the monster’s pronouns.  For instance: He wrapped his boneless appendage around his victim’s neck, punctured the skull with his talon-tipped tongue, and slurped the brain matter out at his leisure. Became: The creature wrapped a boneless appendage around the corpse’s neck, punctured the skull with a talon-tipped tongue, and slurped the brain matter in slow gulps.”

“The problem was the more I avoided possessive pronouns the clunkier my sentences became. That’s when I started using they, their,andthem.I just had to conjugate the verbs so it was clear I was using ‘they’ in the singular.”

They arethe serpentine silhouette whose secretions scorch the tiles beneath theirfeet.

Theyarethe mouth breathing mutant dragging a robe of cobwebs behind their back.

Theyare the humongous hunchback whose plates scrape the ceiling above them.

Edgar Allan Poe described his ghosts as phantasmagorical shadows, existing beyond the veil of perception. The narrators that spotted one of these phantoms, could never fully comprehend them. Chial has modernized Poe’s method by obscuring his creature’s genitals. Maybe the monster is gendered. Maybe it’s agender. Maybe it’s intersex or maybe it’s chimerical, something that shifts sexes right before its victim’s eyes. Whichever the case Chial has bypassed the audience’s prejudice by eliminating the patriarchal paradigm.

“I’ve been trying to refer to my monsters as ‘They’ for a while now, but Microsoft Word’s grammar function kept imposing ‘He’ or ‘She’ on me, but I’ve upgraded to the 2019 edition and those little green underlines are gone. Still, Word 2019 has a ways to go. It still autocorrects ‘themself’ to ‘themselves’ forcing me to type it twice.”

Hopefully the people at Microsoft will heed Chial’s words and stop trying to dictate which pronouns paranormal entities can use. Software publishers need to understand that language is fluid as are many swamp creatures. Language needs to evolve as a show of respect to underrepresented people AND to accommodate a horror writer’s desire to enshroud his monsters in mystery.

Continue reading Horror author changes monster from “He” to “They”

The Story of My Birth

On this day several decades ago my parents attended a ceremony in the woods between the graveyard and their newfound home. They knew the moon was waxing despite the overcast and they wore but wolfskins despite the chill of autumn. They were drawn off the trail by an chorus of windchimes and a network of twine. They came upon a clearing marked by stacks of stones. There they found the local homeowners association pacing in a circle muttering in tongues. Each member wore an identical wolf skin and each one held an old oil lantern high above them.

At the center of the circle was a long stone slab jutting from the earth like a comet. It was lined with objects of power: ruin covered relics, gemstones, and pendants. My parents took their places at the base and the head of the slab. There they were blindfolded and told to listen for the object that called to them. My father says he heard a flute. My mother says she heard a bell.

My father reached for something cold and cylindrical. When he lifted his blindfold he saw a jar full of grass stems. When he raised it a dozen green lights flickered awake. One of the homeowners had captured and cultivated fireflies over the long humid summer.

My mother reached for an object and recoiled. She felt her fingertip and found it wet with blood. It turned out the object that was calling to her was a long curved dagger.

The homeowners association instructed my parents to use these objects to procure a sacrifice before the new day’s sun came creeping over the horizon. My father twisted the lid off of the jar and set the fireflies free. Together he and my mother followed the lights into the thicket.

One deer carcass later and the night was won. I’ll spare you the gory details. Suffice to say the stone slab was red before dawn. The blood trickled and pooled onto the earth below where two tiny hands emerged from the dirt and viscera. My manger was a circle of rock salt at the foot of the slab. I wasn’t born so much as I was summoned and I didn’t cry so much as exhaled smoke rings.

Oh, and the hit single on my birthday was Endless Loveby Dianna Ross and Lionel Richie.

Continue reading The Story of My Birth

Interview Ghosts before Writing Insensitive Haunted House Stories

I believe that if a writer wants to represent a person from another background they must experience that person’s plight firsthand. Just as a method actor might move into a drug den to better understand addiction so too must the writer. They must live without electricity or running water to portray colonial villagers. They must glue their eyes shut in order to properly portray the blind.

If you want to write about a delinquent who undergoes a perversion treatment, you should inject yourself with toxins whenever you get turned on. If you want to write about a convict who pleas insanity to get out of a felony, you better get yourself put into a facility that offers lobotomies. If you want to write about a salesmen who metamorphizes into an insect you better strap on a pair of antenna and develop a taste for rotten meat.

And if you want to write a ghost story you better prepared to die for your art.

APPROACHING HAUNTINGS WITH UNDERSTANDING

When I set out to write about a haunted house I wanted to cast off the negative stereotypes that plague the genre. Most enchanted establishments aren’t gauntlets full of deathtraps, most of their residents aren’t averse to hosting, and most of their guests don’t find their hair turning white overnight.

Spirits are portrayed as these portrait-stretching chandelier-shifting armor-inhabiting menaces, because too many of their stories are told from a pulse-centric perspective. I set out to change all that by sitting down with some of these marginalized manifestations myself.

PHANTASM OUTREACH

I spent a pretty penny on an authentic Victorian waistcoat with long pigtail coat skirts. I eased it out of the box, draped it across my ironing board, and took a pair sheers to the hem with the reckless abandon of a toddler cutting out a snowflake. Then I slipped into a ruffled shirt, tight pantaloons, and tasseled boots, all of which were in the appropriate shade of grey.

I smeared baby powder across my brow and blue blush down my cheeks. I drew faint teeth across my muzzle. I brushed out a white wig until I achieved the right volume and secured it with handkerchief.

Then came the chains.

With an assortment of padlocks and skeleton keys dangling from my ensemble I practiced my spirit shuffle. Ghosts have always had a light footed swagger that I’ve so admired. I spent hours on the treadmill watching myself in the mirror.

When I was certain I’d mastered my footing I ventured out to the Reinhold estate. The Reinhold estate sat on a cliffside overlooking what was supposed to be the town of Clensington. “A Penitent God-fearing Community.” Or so the WELCOME sign read on the way up the dirt trail.

Zachariah Reinhold built his estate under the presumption that it would be the mayor’s residence once the rest of the town had settled in. The problem was Zachariah wasn’t good at networking and the townsfolk never came.

One night Zachariah called his wife Florence and nine children into the dining hall where they took communion. He had laced the wine with strychnine. It was decades before their skeletons were discovered by urban explorers. They were still sitting at the table in their Sunday bests. The property has since been abandoned, left to the crows and the vines.

Raccoons scurried into the shadows as I staggered into the entrance hall. When thunder rattled through the windows and I was certain the mansion had accepted me as one of its inhabitance.

It was time to meet the Reinholds, to ascend the master staircase and start a dialogue. I went up the steps in a series of herky jerky motions, as a sign of respect toward the residents. One of my chains got caught on a cherub carving at the foot of the railing and jerked me back down. I rolled end over end until I slid across the floor. Then a bird’s nest landed upon my cap, and the eggs ran down my face.

The Reinholds weren’t embracing me as the ally I’d wanted them to see. I wandered through the west wing, zigzagging through the trees that had sprouted through the floorboards, trying desperately to address the spirits in their native dialect, “WhoooOOOooo aaaAAAaaa whoooOOOooo.” But I couldn’t get a dialogue going.

My chains got caught on a coat of arms.

I tried to pry them free without realizing one the padlocks had gotten wedged under my collar. It tore through my waistcoat all the way down through my trousers, leaving me with nothing but the neckerchief wrapped around my head. Then I crashed through the floor and landed in the dilapidated cellar.

It wasn’t until I’d crawled my way back out onto the lawn that I realized it wasn’t my place to go moaning through those cobweb stricken hallways. It was my place to listen.

AN ESOTERIC EPIPHANY

Here I was thinking I was embracing ghost culture, but I was really just appropriating it. Each footfall I’d taken into the Reinhold estate drove them further and further from the realm of the living. These disparaged deities didn’t want anything to do with me.

I was a “breather” flaunting my mortality for all to see. Worse still, the material I’d gathered would only reinforce the toxic stereotypes I was trying to challenge.

REVISING MY APPROACH

I had rethink my presentation before I went back to the house again. I needed to make it clear that I was an apparition advocate, not some thrill seeking, ghost-hunting, tragedy tourist. I needed show the spirits that I was a safe person, not a performative spiritualist who’d go reaching for the sage at the first temporal disturbance.

The first thing I had to change was my problematic outfit. While it was true to the period it was geared toward Zachariah Reinhold, the patriarch of the household, when it was Florence, the matriarch, I should’ve been dressing to impress.

It took forever to find a Victorian nightgown, tights, and slippers that fit me, but once they arrived I splattered them with motor oil. I lathered my biceps in grey body paint and drew lines down my veins in blue eyeshadow, until my arms looked like sculpted marble.

Then came the long black wig.

I hit the Stairmaster hands-first, with my palms on the peddles, and refined my crawling motion in the mirror.

I was almost ready, but I had to perfect my ghostly vernacular or my in intentions would remain unclear. “WhoooOOOooo aaaAAAaaa whoooOOOooo.” Was not a suitable greeting. I had to evoke a lower register, like the gurgle of a mother whose strychnine exposure lead to slow and painful raspatory failure.

PHANTASM OUTREACH PHASE 2

In no time I was back in the Reinhold estate at the foot of the master staircase ready to have another go at meeting the residents. I crawled, foot over shoulder, one step at time. Erosion had warped the wood’s dimension and the effort proved more challenging than it on the Stairmaster. Still, I let out a long low gurgle. Groaning with a wig seeping into my throat proved challenging, as did crawling in oil based body paint, but I managed.

I stood at the head of the stairs and attempted to stretch a knot in my back without breaking character. When I turned toward the hall I saw Florence Reinhold staring at me from around the corner. Her straight black hair hung in front of her face, just as mine did. Her head was bent at a right angle and her ear was grazing the ceiling. Her feet were pointed downward. She was floating.

I was relieved to find I wasn’t filled with an overwhelming urge to slide down the railing and dive into my two-seater smart car. Instead I merely bowed.

When Florence gurgled her head shook like a maraca. I took the intonation to mean. “What are you doing here?”

I explained that I was an author and that I was there to listen and learn so that I might share her unique experience with the world.

Florence sunk her long nails into the baseboard until a crack shot across the woodwork, ceiling tiles rained down, and burst into powder all around me. Florence gurgled. That gurgle became a moan as her jaw clicked free of its hinges one by one. When her jaw sunk down to her chest that moan had grown into a howl. It rippled through the wallpaper, sent cracks through the windows, and shook the estate to its very foundations. Then her jaw retracted, clicked back into her face, and she floated off into the dark recesses of hallway.

I took that long protracted moan as Florence’s blessing and you have her to thank for what you are reading.

Ghost Illustration by Bryan Politte

Continue reading Interview Ghosts before Writing Insensitive Haunted House Stories

Gracefully Handle Rejection By Standing Outside a Publisher’s Home in a Clown Mask

Stephen King cut his teeth submitting short fiction to magazines. Legend has it that he hung his rejection letters from a nail in the wall. When the nail couldn’t take the weight he upgraded to a railroad spike, but King kept right on going.
The greatest skills an aspiring author can learn is to handle rejection gracefully.

Most of the time a publisher will send you a form letter that reads “We had so many amazing submissions that unfortunately we couldn’t include everyone in the collection.”

The reason you get a form letter is because you haven’t taken the time to build a relationship with the people you’re submitting to.

Now you could shoot them a “Thank you for the opportunity” e-mail like all the other sad saps desperate for a spot in their rolodex, but if you really want to be remembered you’ll need to show more initiative than that.

I’m not talking about inquiry about the publisher’s need in advance, printing your submissions on pink paper, or sending them fruit baskets. No. I’m talking about showing up on the publisher’s front door in a clown mask.

Leave an Impression that Truly Lasts

Most mid-level publishers aren’t based out of an office. They use a PO BOX to hide the fact that they work from home. So where is that? Well, the post office won’t answer a Boxholder Request Form from just anyone, especially without a subpoena, but a private investigator might have a guy on the inside who could fax them the 1093 form, if you’re willing to grease their wheels.

With the reverse lookup complete you’re going to rent a pair of bounce castles, NOT houses, castles. You’re a creative individual. So it should no problem for you to secure the rental without a paper trail. Use that same creative intelligence to convince the bounce castle employees to block both ends of a residential street without the tenants calling the police. Dress it up as community carnival.

If onlookers ask, “What’s going on here?” play it off like you’re acting on someone else’s behalf. Shrug. You’re just another working stiff on a deadline.

Next you’ll need a pair of 24-40 inch industrial stilts and a pair of stilt trousers to cover them up. These stilts are made for hanging drywall, but you’ll be using them to seem larger than life.

As for the rest of your outfit don’t bog yourself down with too many gaudy accessories. Your instincts might tell you to be on the lookout for: ruffles, polka dotted bowties, and florescent jumpers, but I suggest you shift your gaze toward form fitting formal wear with hyper extended limbs.

Creepypasta-themed urban legends are all the rage in horror forums. What better way to showcase your awareness of genre trends then by dressing as one? Mix and match Jeff the Killer’s long black hair with Slender Man’s thin tie and Eyeless Jack’s hoodie. Even if the publisher isn’t familiar with the characters cultural osmosis should give them an eerie twinge of recognition.

Now you’ll have to choose a mask. You might be drawn to masks with jigsaw grids of gashes, but consider this. You want your mask to feel like a blank canvas, a place for your audience to project their fears onto, not a space that’s already teeming with yellow teeth, stiches, and exposed bone.

Remember these are publishers. The mask shouldn’t tell a story. Your actions should tell a story. A classic hobo clown face should suffice.

Now it’s time to pick a prop. Your prop shouldn’t be a weapon. A weapon is too obvious. It’s like wearing a plastic smock with the name of who you’re supposed to be on the chest. You need to pick a prop that’s both innocuous and menacing: a stainless steel yo-yo that catches the light like the edge of a knife, juggling pins that are large enough to bludgeon, or balloon animals fashioned from condoms. Use your imagination.

From Plan to Execution

Let’s fast forward. You’ve got your bouncing castles blocking traffic. You’re up on your stilts. You’ve got your clown mask, creepypasta costume, and a vaguely menacing prop. Now you’ve got to give the publisher a reason to look out onto the lawn. You could try the old ding dong ditch, but once the publisher opens the door the tension has no room to grow. They see you in all your creepy glory and you either have a confrontation or get the hell off their lawn.

You want to give your target time to dwell on what they’re seeing, to stew in the absurdity of it. If you want to be subtle you can toss a few pebbles at the window, but if you really want to shock a couch potato you can’t go wrong with an airhorn.

An airhorn will draw onlookers. That’s why it’s important to research the average response time of local law enforcement. Bounce castles aren’t going to a hold squad cars back for very long.

That said, give the publisher a moment to drink you in. Let the alien shape of your carnival attire burn into their vision. Wait for them to back away from their blinds and move in. Don’t worry if they do a double take, just freeze and red-light-green-light your way across the lawn as needed.

Be Remembered for Your Work

Before we go any further it’s important to note that, yes, you will breaking and entering. Now the internet is full of helpful tips on picking locks with canned air and bobby pins, but we’re going to need to play this faster and looser. That’s why you’ll need a mallet for the knob, and a hunting knife for the deadbolt. Badda-bing badda-boom.

Disclaimer: once you’re an intruder anything the publisher does to you is nice and legal. So don’t go barreling through the front door. Leave it hanging open it in a maddening silence.

Ditch the stilts and creep around back. If there’s a screen door on the porch you’re one clean slice away from your destination. From here you’ll need two final items: a Jack-in-the-box on a timer, and a manuscript about a publisher who is convinced there’s a clown is living in their walls, a clown that comes out at night to stand at the foot of their bed and watch them sleep.

With the payload secure it’s time to haul ass out of there. Now I’ll leave the getaway plan to your better judgement: have Uber on standby, a crotch rocket hidden in the bushes, a hot air balloon waiting in the park. Again use your imagination.

What matters is that you’re leaving a lasting impression on an industry professional and what better way to wow a publisher than to haunt their dreams forever? Every time their house settles, or a rat scratches at their walls they’ll be thinking of you. Every time they shoot up in the dead of night and struggle to find a light that’s you too. Every time they freeze in front of a dark crawl space, drawstring attic, or cellar door you’ll be waiting there.

You will evoke a powerful emotional response, and isn’t that all any author can really ask for?

Continue reading Gracefully Handle Rejection By Standing Outside a Publisher’s Home in a Clown Mask

Surviving Valentine’s Day

Another Valentine’s Day is upon us, which means it’s time to lower the storm shudders, draw up the staircase, and make sure the panic room is stocked with non-perishables. You know better than to get caught in the foyer when St. Valentine gets here.

Resist the temptation to try to spot him lumbering beneath the street lamps. Don’t go peeking through the keyhole looking for tattered robes. Don’t press your ear to the door to listen for howling on the wind, the clicking of his inverted kneecaps, or bones dragging along the picket fence. He’s out there, raising his own severed head to scan the buildings for life signs, a mangled manifestation just as Emperor Claudius had left him.

Do not attempt to pilot a drone from your roof in an attempt to capture a glimpse of the specter. Do not affix a GoPro to your mailbox or an infrared system to your lawn gnome. Just let the man serve out his punishment in peace, sacrifice your goat, and leave it out on the boulevard like you do every year.

You don’t want to end up like my friend Zeke.

The Cautionary Tale of Ezekiel Lawson

Ezekiel, or Zeke as we called him, was a trophy hunter. The man kept the town’s taxidermist in business until he took to doing it himself. He didn’t have a piece of furniture that hadn’t once been something living. His rumpus room had more fur than wallpaper, with so many antlers they practically an earthquake hazard.

Zeke was day trader, which afforded him the luxury of going on safari. He knew everything about hunting dangerous game. He told stories at the bar, gave us unsolicited lectures on concealment, wind flows, and paw prints. He claimed he took out an entire pack of wolves without reloading his rifle.

“And I did it on a level playing field. No deer stand, no bait, none of that bullshit.”

We never challenged him. After all he had the heads to prove it and he relished in the opportunity to count all six of them out. Still when Zeke said he was going after Valentine’s dire wolves we were all skeptical.

“Valentine is bound by the code of Lupercalia festival to walk those wolves. His punishment for trying to convert one of lord Februus’s followers. Those wolves are trained to sniff out evil spirits, which stands to reason they’re spirits themselves. Are you sure a bullet would do the trick?”

“They leave tracks don’t they?”

“Big as catcher’s mitts.”

“They shit on your lawn don’t they?

“Every damn time.”

“Then beneath them long mangy hides they’re still squishy on the  inside.”

“What about Februus?”

“Please. The underworld is teaming with enchanted beings. You think he’s really going to miss one?”

We conceded that notion into our beers. Every one of us had an encounter with one of Februus’s creature at one time or another.

Still, I wish I’d reminded Zeke where those wolf droppings usually came from.

Zeke raised his mug. “Come on boys. My rumpus room needs a new rug.”

We clinked glasses.

On the morning of February 15thI awoke to my wife’s screams. Melissa had gone out front with the old pooper-scooper, hoping to get a start on those dire wolf droppings, when she spotted a blood trail in the snow. She found poor Zeke’s head in the birdbath, mouth wide open, one eye milky white, the other torn out of the socket with a few out stretched ribbons of muscle trying to cling for it. Half of Zeke’s face was rust colored with dried blood. The other half had been gnawed down to the bone.

That wasn’t what I found most disturbing. Zeke had seen something that night that had turned his raven hair white.

A Word of Caution This Valentine’s Day

You probably already know this, but some of you dumbass thrill seekers need a reminder. February is Februus’s month and Februus is the God of purification. In ancient Etruscan the word februare literally means “a purging.” I know you millennials like to play fast and loose with the old ways, but this is not a date night, not a time for young lovers to go skipping around downtown. Lest you want be ground down to dire wolf droppings.

Lupercalia or “Valentine’s Day,” is a time for Februus to drive dark spirits back to underworld where they belong. It’s not our place to spectate. Our role is to cower in quiet solitude of our fortified vaults, thankful that we’ve been spared for another year.

Now y’all stay safe and have a happy Valentine’s Day.

Continue reading Surviving Valentine’s Day

UNDER THE SHADOW: A POEM ABOUT MY NOVEL

Under the shadow
Of the Hollywood sign
Is an old hotel
In a state of decline
Where Noelle
A writer living on ramen
Sits before an agent
With a fine silver pen

The agent represents
A bestselling author
Who had an encounter
On the nineteenth floor
The author swears something
In the fantasy suite
Crawled from the dark
And gnawed at his feet

The agent presents
A big cash payment
And an agreement
That’s nothing but fine print
She wants Noelle
To spend a month up there
Ghost writing a novel
Soaking in the atmosphere

With stars in her eyes
Or perhaps dollar signs
Noelle skips the details
And signs on the line
Happy to separate
Fools from their money
She takes the elevator
Nineteen stories

The fantasy suite
Has a woodland décor
A sex swing made of vines
And tree trunks in the foyer
Noelle falls asleep beneath
A moon-shaped lantern
And wakes up to find
She’s staring at the real one

The suite has transformed
Into a redwood forest
Where a shadow figure
Has made up his nest
Who is this creature
With a long black mane
Horns and hooves?
Well…
HE
HAS
MANY
NAMES

Continue reading UNDER THE SHADOW: A POEM ABOUT MY NOVEL

Monster Mingle: The Devil’s Dating Profile Video Reading

In my book HE HAS MANY NAMES I imagined Satan as PR agent named Matilda MacDonald. I wrote her a MONSTER MINGLE dating profile and illustrator Bryan Politte painted her portrait.

This video reveals Bryan’s process over a reading of Matilda’s fall from grace and ascension from the pit.

Follow Matilda’s adventures in my book HE HAS MANY NAMES.

Read the prequel short story DRAGON’S BREATH.

Check out the original MONSTER MINGLE profile.

Continue reading Monster Mingle: The Devil’s Dating Profile Video Reading