In his book, Ansari talks about the strange thing that happens when someone we like makes themselves available to us. The moment we know this person is a possibility they go from being the one to an option. They lose their appeal. We let our text exchanges with them fizzle out. We’re suddenly too busy to set a concrete appointment. The thrill of discovery is gone. This reaction is especially true to emerging adults fresh on the dating scene, where the search for a soulmate is a numbers game. Continue reading How Writing a Novel is a lot like a Relationship
A Big Difference Between Film and Fiction
In film we sympathize with characters that are introduced in vulnerable situations. In fiction we get to see that vulnerability underneath their skin. In film we judge characters by their actions. In fiction we get a broader sampling of information. In film a character’s charisma makes up for their shortcomings. In fiction a character’s rationality makes all the difference.
Characters in novels shouldn’t be burdened by the same like-ability standards as characters in films. Characters in movies have a few hours to get their motivations on screen. Characters in novels can slow time down to give us a play by play of their every thought. This is why villains in text tend to make more sense than their big screen counterparts. Continue reading Why the Best Characters Overshare
When I quit smoking everyone I knew still smoked. I didn’t have to buy a pack for the temptation find me. A friend would see me standing with my hands in my pockets and wave a cigarette in front of my lips. I didn’t have to ask for it. Hell, I didn’t even have to light it. As far as they were concerned, I looked wrong without it.
I was the type of smoker other smokers pointed to and said, “At least I’m not as bad as him.” Continue reading What Writing a Novel and Quitting Smoking have in Common