I read a lot of non fiction, mainly social psychology books on the cutting edge of our understanding of the human condition. I’m interested in why we do what we do, why modern society still enjoys a public shaming, why we follow charlatans into oblivion, and why a certain segment of the population falls asleep after copulation. I consider these books general research materials. I don’t use them to inform any specific projects, but rather all of them. I read them before the conception stage and they educate my characters’ behaviors. Continue reading How to Keep What You’re Reading Out of Your Writing
I’ve blogged at length about how a writer’s life experience can improve their fiction, but I haven’t written on how the reverse is true, how fantasy can improve a writer’s reality. If the responsibility of writing weighs you down use it as an excuse to go outside and do something.
A Life Worth Commenting On
In screenwriting class our professor had us keep a journal, a place to document our fears. It was not a diary. It was a tool for scene building, a method for adding authenticity to atmospheric descriptions. We were to venture into unknown territory and write about it, to find a place that put us on edge, where the adrenaline heightened our senses, so we could chronicle everything we felt. Continue reading How to Keep Writing From Weighing Your Life Down
A few years ago, someone approached me about adapting a thriller into a screenplay. Reading through the first few chapters, I wasn’t sure where the script should begin. The first scene involved an autopsy where the pathologist missed the symptoms of a biological agent. The author took us through each stage of the autopsy including each instrument the pathologist used, where he made his incisions, and the weight of every organ. Continue reading Too Much Information: Why Writers Should Conceal Their Research