Category Archives: Blog

A Storyteller’s Guide to Public Speaking

I used to have a nervous tick that manifested whenever I spoke in public. My leg shook like a cartoon bunny. The severity of the tick increased the worse I thought I was doing. If my audience folded their arms, checked their watches, or rolled their eyes my brain sent a message to my thigh, “It’s rattling time!” The worst was when the momentum rode up my spine all the way to my neckline. I turned into a chatter-mouthed bobblehead. My words came out in a pulsing vibrato like I was talking into a desk fan.

I went into rabbit mode when I read an essay in class and mispronounced one of my fifty-cent buzz words. It happened when I pitched a script and the producers rolled their eyes toward each other, and when I gave technology tutorials and my coworkers interrupted to ask questions about what I’d just covered. Continue reading A Storyteller’s Guide to Public Speaking

How Writing a Novel is a lot like a Relationship

Last week I mentioned that I’d finished reading Aziz Ansari’s Modern Romance. Rather than be a creativity kleptomaniac, I’m citing Ansari’s book as the inspiration for this article.

In his book, Ansari talks about the strange thing that happens when someone we like makes themselves available to us. The moment we know this person is a possibility they go from being the one to an option. They lose their appeal. We let our text exchanges with them fizzle out. We’re suddenly too busy to set a concrete appointment. The thrill of discovery is gone. This reaction is especially true to emerging adults fresh on the dating scene, where the search for a soulmate is a numbers game. Continue reading How Writing a Novel is a lot like a Relationship

How to Keep What You’re Reading Out of Your Writing

I read a lot of non fiction, mainly social psychology books on the cutting edge of our understanding of the human condition. I’m interested in why we do what we do, why modern society still enjoys a public shaming, why we follow charlatans into oblivion, and why a certain segment of the population falls asleep after copulation. I consider these books general research materials. I don’t use them to inform any specific projects, but rather all of them. I read them before the conception stage and they educate my characters’ behaviors. Continue reading How to Keep What You’re Reading Out of Your Writing

Point/Counterpoint: Should writers fear missing out on other things?

Point: Why Write About Events When You Can Live Them?

Something big is happening tonight. It’s the mixer of the season. The gathering to end all gatherings. So, why are you staying in?

Didn’t you hear? They have the best musical lineup you could ever hope to listen to, the best film screenings you could ever want to see, and the best dance floor you could ever feel beneath your feet. They have seven of the most delicious courses you’ve ever tasted, paired with the finest wines that will ever pass through your lips, and just wait until you see what’s for dessert. Continue reading Point/Counterpoint: Should writers fear missing out on other things?

Why the Best Characters Overshare

A Big Difference Between Film and Fiction

In film we sympathize with characters that are introduced in vulnerable situations. In fiction we get to see that vulnerability underneath their skin. In film we judge characters by their actions. In fiction we get a broader sampling of information. In film a character’s charisma makes up for their shortcomings. In fiction a character’s rationality makes all the difference.

Characters in novels shouldn’t be burdened by the same like-ability standards as characters in films. Characters in movies have a few hours to get their motivations on screen. Characters in novels can slow time down to give us a play by play of their every thought. This is why villains in text tend to make more sense than their big screen counterparts. Continue reading Why the Best Characters Overshare

Raise the Curve: Why Writers Should Surround themselves With Passionate People

I have lived with my share of slackers; people who couldn’t be bothered to clean their hair dye out of the sink, to sweep up all their broken glass, or close the door on their way out of the apartment. These were people who used scuffed CDs as coasters for the beer bottles they were using as ashtrays. They stacked towers of dirty dishes in the sink, too high to soak.

One night, at the old place, a girl was too drunk to figure out how to get the toilet to flush. She lifted the lid, found it was too heavy and dropped it into the tank. It fell straight through the bottom, shattering it. The toilet gushed its gallons across the hall and into my room. Later that day she tried to superglue the porcelain pieces back together. When that didn’t work she left an envelope full of cash on the counter. This was the same envelope the roommate who’d invited her in used to paid his rent. Continue reading Raise the Curve: Why Writers Should Surround themselves With Passionate People

How to Keep Intrusive Thoughts from Ruining Your Writing

Writer’s block doesn’t always come from within. Sometimes obstructions fall into our path. One of the most difficult challenges writers face is when real life drama proves more compelling than our dramatic narratives. I’ve blogged about how it’s hard to keep our memoirs out of our fiction. Sometimes it’s harder to keep our minds clear enough to leave a figment for our imaginations. Continue reading How to Keep Intrusive Thoughts from Ruining Your Writing

Do Writers Have any Responsibilities to Reality?

Is there something wrong with perpetuating superstition through fiction?

The Power of Urban Legends

There’s a reason I put off getting my hair cut until the sides grow into big Wolverine spikes. I get nervous about the conversation with the hairdresser. I don’t like sitting in silence while the client next to me is laughing. I like to take on the appearance of a sociable well adjusted human being, if only for the time it takes to get my bangs trimmed. So I prepare material: funny memories I try to pass off as something that happened recently, news stories that aren’t politically polarizing, and list of the most recent films I’ve seen.

If I cycle through all my conversation starters and the hairdresser says, “You know I’m really not that into movies.” Then the weather better be doing something incredible, because there goes most of my material. Continue reading Do Writers Have any Responsibilities to Reality?

How to Keep Writing From Weighing Your Life Down

I’ve blogged at length about how a writer’s life experience can improve their fiction, but I haven’t written on how the reverse is true, how fantasy can improve a writer’s reality. If the responsibility of writing weighs you down use it as an excuse to go outside and do something.

A Life Worth Commenting On

In screenwriting class our professor had us keep a journal, a place to document our fears. It was not a diary. It was a tool for scene building, a method for adding authenticity to atmospheric descriptions. We were to venture into unknown territory and write about it, to find a place that put us on edge, where the adrenaline heightened our senses, so we could chronicle everything we felt. Continue reading How to Keep Writing From Weighing Your Life Down

How to Write With Your Back Against the Wall

There are a lot of quotes on writing in need of correction, like this one:

If writing isn’t fun don’t do it.
CORRECTION
If writing isn’t fun don’t do it. do it anyway.

You’ve probably heard this old chestnut:
If you don’t think writing is fun you’re not cut out for it.
CORRECTION
If you don’t think expect writing is to be fun all the time you’re not cut out for it. Continue reading How to Write With Your Back Against the Wall