Category Archives: Music

Grift the Words Out of You (Audio Blog)

Photo by Keane Amdahl follow him on Twitter @FoodStoned
Photo by Keane Amdahl follow him on Twitter @FoodStoned

Writer’s block doesn’t always come from the lack of inspiration. Sometimes it comes from the abundance of inspiration, from having too many ideas to choose from. It’s hard to know which ones will leave you with a sense of accomplishment, and which ones will leave you feeling spent. Why invest the time, if the time is going to payoff?

Writer’s block is a fear of failure. If you never try you’ll never fail. The trick is to get yourself to try without realizing that’s what you’re doing. To grift one of those stories out of you and onto the page.

This 13 minute audio blog runs through all the cons I use to get the job done.

(Download the instrumental version here)

The instrumental version of Grift the Words Out of You is the perfect background music to write to. There are layers of ascending melodies stacked over ambient synths, with a rugged a trip-hop beat. The blog entry itself mentions The Cure’s Pictures of You. That song rubbed off on the soundtrack. Depeche Mode and M83, rubbed off on it too for good measure.

Don’t Just Read More, Watch More (Audio Blog)


(Download the instrumental version here)

Writers are always told to read more. I say, they ought to watch more movies. Why? Good films do not slip into the same pitfalls that so many novels do.

Good films do not tell you what a character is thinking. The audience has to make observations of their mood, and draw their own conclusions. Good films do not just launch into backstory. If there are flashbacks they appear as scenes. Good films put the events on display, they don’t just put them into a character’s mouth, and expect you to take their word for it. Good films show and don’t tell.

Writer’s could take a cue from this. Just because our medium allows for free form exposition, that doesn’t mean we should use it.

The limitations of film force it to tell a more compelling story. These are limitations I urge novelists to try to bring to their work in progress.

The above audio blog gets into the nitty gritty of the benefits of watching movies. The background music is like a scary movie score put through a trip-hop filter. I’ve heard it described as electro-goth. If you’re looking for good music to write to, you won’t go wrong with the instrumental version of the song.

Seduce the Words out of You (Audio Blog)


(Download the instrumental version here)

This piece first appeared on Loren Kleinman’s blog on writing. Check it out at lorenkleinman.com, and follow her on Twitter @LorenKleinman. The above photo was taken by Keane Amdahl follow him on Twitter @FoodStoned.

Seduce the Words out of You

Writer’s are told to draft everything before rushing in. We’re told to have an outline to refer to when we get stuck. It’s a good check against writer’s block. It’s hard to lose the plot, when you can see every link in the chain. You know what happens next. You know your responsibilities. Your role in the relationship is defined. Continue reading Seduce the Words out of You (Audio Blog)

Carnival of Goals (Audio Blog)

Photo by Keane Amdahl, follow him on Twitter @FoodStoned
Photo by Keane Amdahl, follow him on Twitter @FoodStoned

This is a story about my first attempt to wow people with my work. I was a kindergartner hosting a Halloween carnival in the middle of July. I poured my heart and soul into the project and got negative returns.

There’s a lesson to be learned in failure: if at first you don’t succeed, you’re doing it wrong. If humiliation teaches us anything it’s how to wear humiliation better. Every artist has to learn to take feed back. Every artist has to develop a callus around their heart, a skin so thick they could stop bullets with it.

This is a piece for those people brave enough to put themselves out there. The ones who go out among the trolls seeking validation. The ones whose bright eyes never dim. The ones who no matter how many times you knock them down, they scramble back up to their feet, and brush their shoulders off.

This is for the people who look to the Internet and say, “I have something valid to contribute and I’m going to keep trying until it finally resonates with someone.”

If this makes us fools. Let’s be fools together.


(Download the instrumental version here)

For those of you who prefer the straight vocal recording, without the music, check out the link below.

Soundtrack for Writing

Statue with Headphones

This entry was inspired by my friend Rachel’s writing playlist on her website celenagaia.wordpress.com. Check it out here. Follow her on Twitter @Raishimi

Music can be a writer’s best friend. A stopgap for the noise pollution around us. A check against the gridlock orchestra laying on their horns, against the food court percussion section scraping the food out of their instruments, against the mouth breathing choir in line at the DMV. Music provides a way to tune out all that chatter and turn up your internal monologue. It adds tone to discord, order to abstraction.

When I write spooky stories, I prefer songs that draw out the tension, rather than rush to the crescendo. I need my conductor to move with a slow and steady hand. To lure my mind into the cellar, to tug me down a long narrow corridor of nightmares.

I prefer atmospheric soundscapes to orchestral scores. I prefer rain and thunder to a bombastic brass sections. I prefer synthesizers to string sections, programmed beats to kettle drums. I prefer beats because they repeat. They keep my mindset consistent. They give my words a rhythm. Continue reading Soundtrack for Writing

If You Can’t Make Them Read it, Read it to Them (Audio Blog)

Having trouble getting people to read your story? Do they get five hundred words in only to turn tail and run? Have you tried reading it to them?

This is my advice on home recording. It’s for writers who have done everything they can to get new readers, and are willing to try to get new listeners instead.

Writing Space (Audio Blog)

This audio blog is about writing through the noise pollution. It’s about turning up the volume in your head to drown everything else out. It’s about keeping track of your ideas through an earthquake.

Once you’re finished listening you can read the second part here:

***

When friends on Twitter post photos of mountain-scapes and forest trails, I get scenery envy. I want to unroll a blanket and write beneath their sky. I want to be able to stand up and pace around with my ideas, to take my thoughts for a walk. Continue reading Writing Space (Audio Blog)

Fleeing the Beam (Audio Short)

Writers are always on call, in case inspiration strikes. It doesn’t matter if it’s an inopportune time. We toss on our thinking caps and we get the job done. It might strike while we’re in the shower, while we’re behind the wheel, or while we’re operating heavy machinery.

Writers have to spring into action, to jot their ideas down before they can go wild. It’s for the public good that we do this. It’s for your protection.

It doesn’t matter if we’re in bed. It doesn’t matter if we’re at a dinner party. It doesn’t matter if we’re on the clock. When inspiration makes its presence known, we writers have to do something about it.

This is a story about when inspiration struck while I was at work, and how I struck back.

The music was inspired by Ennio Morricone’s theme for The Thing. A bass synth pulses through the piece like a heartbeat. The melody creeps by just underneath the rhythm. The story has a mock-horror tone. What better way to convey that than with an homage to the scores of John Carpenter movies?

I’m very happy with how this one turned out.

How to Build a Memory Palace Pitch (Audio Blog)

This piece should do two things:

Help you summarize your story by identifying the elements that audiences look for.
Help you remember each of those elements with a simple memory trick.

The audio component isn’t a podcast, where I discover my statement halfway through making it. It isn’t spoken word poetry either. It’s a guided visualization, set to a beat. It’s fun to listen to, but I invite you to participate. To shape images from your work in progress and place them somewhere in your childhood home.

The memory palace technique takes something your brain has no problem remembering, like spacial relationships, and combines it with something that’s tough to remember, like plot points. Continue reading How to Build a Memory Palace Pitch (Audio Blog)

The Writer’s Alibi (Audio Short)

This is an idea that originated on Twitter. The Tweet went:

Turns out a lot of writers have had this thought. We’re a solitary lot. If some flatfoot thought we looked good for a crime they’d be grilling us for awhile. We’re the red herrings that are mistaken for piranhas. They’d see our calm demeanor as a mask to hide our neurosis. They’d see our quiet manner as a smoke screen for an underlying rage. They’d peg us as self-involved sociopathic narcissists.

They wouldn’t be too far from the truth.

Under the harsh interigation room lights, they’d make us tell our stories. They’d ask where our ideas came from. They’d ask, “What do you mean you let your characters tell the story? Do you hear voices? What else do they tell you to do?”

Tread very carefully when answering their questions. They’re not fans and you are not at a reading.

Tell them to check the date and time stamps in the meta data from your document files. Tell them to interview all those poor souls you’ve pushed your story on. Get your beta readers on the line, tell them you’re going to need a whole lot of feedback to get you off the hook for this one.

***

This is my fourth audio short to feature a soundtrack. These pieces are heavily influenced by the Ruby the Galactic Gumshoe a radio dramas from the 80s (worth your time).

I’m digging the contrast between the jazzy upright bass and the haunting ambient synth. It’s like beatneck poetry scored by Aphex Twin.

Now it wouldn’t be me if I didn’t take you for a stroll through the graveyard. Disembodied fingers walk the scale of a harpsichord, unearthed from the basment of an old manor, clogged with cobwebs, detuned by time.

Top that off with some knee slapping, finger snapping percusion.

I’m really proud of this piece. I’ve listened to it way too many times already. Continue reading The Writer’s Alibi (Audio Short)