Tag Archives: writing advice

What’s My Motivation? Why Writers Need to Motivate All of Their Characters

Plot driven stories focus on external conflict. Character driven stories focus on inner turmoil. Plot driven stories are more situational than personal. While characters may evolve in plot driven stories, they never change as much as the world around them. Plot driven stories are action oriented. Characters don’t have the luxury of self examination before they make decisions. Their situation is too urgent.

The plot driven story approach is ideal for fast paced globe trotting adventures, sci-fi fantasies, and anything with a clock counting down to Armageddon. That’s why most blockbuster movies take the plot driven approach. It keeps the characters in danger and makes the audience feel like they’re on a rollercoaster.

The problem with plot driven stories is when their fast pace leaps over gaps in the plot. Continue reading What’s My Motivation? Why Writers Need to Motivate All of Their Characters

How to Reroute your Story For A New Twist

When I started my novel We the Damned my outline was no longer than a paragraph. All I wanted to know was the premise, the players, and the conflict.

In the story the demon Court of Skulls puts Eugene Black’s life on trial. They sabotage his defense by assigning him Murphy O’Dell, a day drinking public defender in the process of being disbarred. The courts rigs the evidence, alters procedure, and calls a series of couched witnesses to convince Eugene his life has no meaning. The court’s victory seems like a foregone conclusion until Murphy comes to care about his client.

I knew the surface conflict, but wanted to wait until I was in the thick of writing to understand the characters’ underlying motivations. All I knew was the Court of Skulls wanted to damn a soul while concealing its importance, and Murphy wanted to win, because it gave him a chance to stick it to the demons who he learned have been sabotaging his life all along. Continue reading How to Reroute your Story For A New Twist

What First Dates can Teach You About Writing Dialogue

When you want extra anchovies on your pizza you ask the person on the other end of the phone. When you want a pair of acid wash pre-frayed jeans you ask a clerk where to find them. When you want a tall non-fat half caff Latte you ask a barista for one.

When you want love you don’t just ask the person you’re attracted to. There’s a dance to romance. You don’t say, “I couldn’t help but notice that your face was symmetrical and the proportions of your body are agreeable. I like how your loose garments reveal your good genetics. Would you like to copulate and imagine what our offspring would look like, or just copulate for recreation’s sake?”

That’s a little too on the nose. Continue reading What First Dates can Teach You About Writing Dialogue

Is It Safe: When to Tell People About What You’re Writing

Right now many of you are cranking out stories for National Novel Writing Month (NaNoWriMo). You’ve got two more weeks to hit your 50,000 word goal. If the words are flowing you might feel an urge to share your idea with everyone and their mom, but now isn’t the time.

It’s hard to stay on the right path when your friends say, “What if, instead, you took your story in this direction?”

It’s hard to concentrate on where your story is going if someone questions where it’s been. It’s hard to power through to a deadline when criticism derails your train of thought. Continue reading Is It Safe: When to Tell People About What You’re Writing

How to Use Writing as a Remedy

A lot of people avoid moments of quiet contemplation for fear they’ll get stuck in them. They don’t see the therapeutic value in journaling. Some writers even discourage the practice, saying that an abstract record of your thoughts won’t enhance your ability to write narrative fiction, but what if journaling could benefit your writing and your state of mind with the right direction?

When I started journaling it looked like I was transcribing the ravings of dizzy man pacing a bus station. I switched from the past tense to the present tense without sensing a disturbance in the time space continuum. I switched from the first person to the second without warning. I started sentences with confusing modifiers. I left my particles to dangle. I was less concerned with good sentence structure as I was with getting my free floating feelings out there. Continue reading How to Use Writing as a Remedy

The Scariest Element of Any Horror Story Is…

The scariest element of any horror story isn’t the rising kill count, graphic eviscerations, or misshapen creatures skulking through door frames. It isn’t the methodically molded mythology, the slow subtle turns, or the brain bending twists, it’s the element you might mistake for the weakest link. The scariest element of any horror story is hope.

Without hope an axe wielding maniac is just a kid tearing the legs off of spiders. If we know all the  deaths are foregone conclusions we won’t be shocked when a film starts hemorrhaging cast members. Without hope the torture dungeon is just an autopsy room with screaming. If we’re exposed to too much gore our eyes will eventually adjust to the sight of red. Without hope there’s no point in rooting for anyone. The characters become sacrificial lambs that we’ve been conditioned to resent more than sympathize with. Continue reading The Scariest Element of Any Horror Story Is…

How to Scare a Skeptic

I’ve seen the northern lights stream across the sky like a special effect, but I’ve never seen an unidentified flying object. I’ve awoken to a shadow standing beside my bed post, but I can’t claim to have seen a ghost. I’ve hiked through many a forest until my legs went caput, but I’ve never laid eyes on big foot.

I’ve met people who’ve claimed to have performed exorcisms, to have had near death experiences, and to have spoken to spirits. I want to believe everything they say, because it makes the world seem magical, but there’s something I’ve learned over the years: people say a lot of things. Continue reading How to Scare a Skeptic

How Writers can Give Fear an Upgrade

The bedrock of our deepest fears was laid by our ancestors. Fears like the dark, heights, inclosed spaces, intimacy, loneliness, embarrassment, and death. Our ancestors’ survival depended on these base instincts. Neanderthals told tribal legends, cautioning Paleolithic people of the dangers of the game trail. Lions, tigers, and bears were the original monsters. Horror writers have been trying to reinvent them ever since.

Modern people take our survival for granted. We assume we’re going to live longer than our parents. We scan crime maps to see where threats are coming from. We watch the news to stay apprised of what the bogeymen are doing. We’re more horrified of each other than of phantoms in the dark. Continue reading How Writers can Give Fear an Upgrade

I’m Not Me: On the Reality Behind Internet Personalities

What Trent Reznor Taught Me About Public Personas

In 1997 the band Nine Inch Nails filmed a music video for their hit single The Perfect Drug. In the video the lead singer, Trent Reznor, looks like he’s stepped out of an Edward Goyer drawing. His skin is so pale it’s blue. His jet-black hair hangs down to his long black coat. He roves a hedge maze, wielding a scepter. He sits beside a phonograph with a vulture perched atop a skull. He lip syncs, lying down on a bear skin rug. Continue reading I’m Not Me: On the Reality Behind Internet Personalities

Writing While Angry: On Being a Frustrated Novelist in Public

You know those people that always assure you they’re a good person while their actions say otherwise? I’m not one of them. If you wander into my writing environment when I’m having an off day you will meet a terrible person.

Most of the time my inner curmudgeon sits behind his view screens, a grouch on a couch making observations that never turn into vocalizations, but every so often my inner sourpuss comes to the surface. I don’t need a full moon to trigger the change just one too many annoyances in my writing space. Continue reading Writing While Angry: On Being a Frustrated Novelist in Public