Tag Archives: writing advice

Why Every Story Needs Its Own Pit of Snakes

How to Make Your Character’s Lowest Moment Truly Nerve Wracking

Every story should have a tragedy. Even stories with happy endings need at least one.

Disney’s animated classic Cinderella has three. The first two tragedies happen during the opening narration. Cinderella’s mother dies. Her father marries the wicked step mother and dies shortly after. Cinderella is forced into a life of servitude. The third tragedy happens when Cinderella’s step-sisters tear her dress apart. That tragedy seems inconsequential compared to everything Cinderella has been through, but we’ll see why of all these events the destruction of the dress is the most important one. Continue reading Why Every Story Needs Its Own Pit of Snakes

How to Make Sure Your Mystery is Satisfying

How the Lost School of Storytelling Blurred the Line Between Intriguing and Confusing

I love writing mysteries with vast casts, layered subplots, and dozens of twists. My favorite mysteries contain elements of science fiction, horror, and fantasy. They’re the everything and the kitchen sink approach to storytelling. The TV show Lost inspired much of my love, and apprehension, for this facet of the mystery genre.

Lost has taught me a lot about what to do and what not to do when writing mysteries. It featured emotionally involving character arcs with themes like regret, the wages of sin, and crisises of faith. It set up intriguing plot lines about psychological manipulation, international conspiracies, and time travel. Lost successfully followed through on its character arcs, but fell short of bringing its plot lines to completion. Continue reading How to Make Sure Your Mystery is Satisfying

A Storyteller’s Guide to Public Speaking

I used to have a nervous tick that manifested whenever I spoke in public. My leg shook like a cartoon bunny. The severity of the tick increased the worse I thought I was doing. If my audience folded their arms, checked their watches, or rolled their eyes my brain sent a message to my thigh, “It’s rattling time!” The worst was when the momentum rode up my spine all the way to my neckline. I turned into a chatter-mouthed bobblehead. My words came out in a pulsing vibrato like I was talking into a desk fan.

I went into rabbit mode when I read an essay in class and mispronounced one of my fifty-cent buzz words. It happened when I pitched a script and the producers rolled their eyes toward each other, and when I gave technology tutorials and my coworkers interrupted to ask questions about what I’d just covered. Continue reading A Storyteller’s Guide to Public Speaking

How Writing a Novel is a lot like a Relationship

Last week I mentioned that I’d finished reading Aziz Ansari’s Modern Romance. Rather than be a creativity kleptomaniac, I’m citing Ansari’s book as the inspiration for this article.

In his book, Ansari talks about the strange thing that happens when someone we like makes themselves available to us. The moment we know this person is a possibility they go from being the one to an option. They lose their appeal. We let our text exchanges with them fizzle out. We’re suddenly too busy to set a concrete appointment. The thrill of discovery is gone. This reaction is especially true to emerging adults fresh on the dating scene, where the search for a soulmate is a numbers game. Continue reading How Writing a Novel is a lot like a Relationship

How to Keep What You’re Reading Out of Your Writing

I read a lot of non fiction, mainly social psychology books on the cutting edge of our understanding of the human condition. I’m interested in why we do what we do, why modern society still enjoys a public shaming, why we follow charlatans into oblivion, and why a certain segment of the population falls asleep after copulation. I consider these books general research materials. I don’t use them to inform any specific projects, but rather all of them. I read them before the conception stage and they educate my characters’ behaviors. Continue reading How to Keep What You’re Reading Out of Your Writing

Point/Counterpoint: Should writers fear missing out on other things?

Point: Why Write About Events When You Can Live Them?

Something big is happening tonight. It’s the mixer of the season. The gathering to end all gatherings. So, why are you staying in?

Didn’t you hear? They have the best musical lineup you could ever hope to listen to, the best film screenings you could ever want to see, and the best dance floor you could ever feel beneath your feet. They have seven of the most delicious courses you’ve ever tasted, paired with the finest wines that will ever pass through your lips, and just wait until you see what’s for dessert. Continue reading Point/Counterpoint: Should writers fear missing out on other things?

Why the Best Characters Overshare

A Big Difference Between Film and Fiction

In film we sympathize with characters that are introduced in vulnerable situations. In fiction we get to see that vulnerability underneath their skin. In film we judge characters by their actions. In fiction we get a broader sampling of information. In film a character’s charisma makes up for their shortcomings. In fiction a character’s rationality makes all the difference.

Characters in novels shouldn’t be burdened by the same like-ability standards as characters in films. Characters in movies have a few hours to get their motivations on screen. Characters in novels can slow time down to give us a play by play of their every thought. This is why villains in text tend to make more sense than their big screen counterparts. Continue reading Why the Best Characters Overshare

Raise the Curve: Why Writers Should Surround themselves With Passionate People

I have lived with my share of slackers; people who couldn’t be bothered to clean their hair dye out of the sink, to sweep up all their broken glass, or close the door on their way out of the apartment. These were people who used scuffed CDs as coasters for the beer bottles they were using as ashtrays. They stacked towers of dirty dishes in the sink, too high to soak.

One night, at the old place, a girl was too drunk to figure out how to get the toilet to flush. She lifted the lid, found it was too heavy and dropped it into the tank. It fell straight through the bottom, shattering it. The toilet gushed its gallons across the hall and into my room. Later that day she tried to superglue the porcelain pieces back together. When that didn’t work she left an envelope full of cash on the counter. This was the same envelope the roommate who’d invited her in used to paid his rent. Continue reading Raise the Curve: Why Writers Should Surround themselves With Passionate People

What Writing a Novel and Quitting Smoking have in Common

When I quit smoking everyone I knew still smoked. I didn’t have to buy a pack for the temptation find me. A friend would see me standing with my hands in my pockets and wave a cigarette in front of my lips. I didn’t have to ask for it. Hell, I didn’t even have to light it. As far as they were concerned, I looked wrong without it.

I was the type of smoker other smokers pointed to and said, “At least I’m not as bad as him.” Continue reading What Writing a Novel and Quitting Smoking have in Common

Do Writers Have any Responsibilities to Reality?

Is there something wrong with perpetuating superstition through fiction?

The Power of Urban Legends

There’s a reason I put off getting my hair cut until the sides grow into big Wolverine spikes. I get nervous about the conversation with the hairdresser. I don’t like sitting in silence while the client next to me is laughing. I like to take on the appearance of a sociable well adjusted human being, if only for the time it takes to get my bangs trimmed. So I prepare material: funny memories I try to pass off as something that happened recently, news stories that aren’t politically polarizing, and list of the most recent films I’ve seen.

If I cycle through all my conversation starters and the hairdresser says, “You know I’m really not that into movies.” Then the weather better be doing something incredible, because there goes most of my material. Continue reading Do Writers Have any Responsibilities to Reality?